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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism
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- 01 August 2013, pp. 179-211
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- Cited by 2
ALIGNMENT, ABSORPTION, ANIMATION: PANTOMIME BALLET IN THE LOMBARD ILLUMINISMO
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- 25 July 2011, pp. 239-259
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C. P. E. BACH ‘IN TORMENTIS’: GOUT PAIN AND BODY LANGUAGE IN THE FANTASIA IN A MAJOR, h278 (1782)
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- 16 August 2016, pp. 211-234
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‘TO MAKE OF LISBON A NEW ROME’: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S
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- 25 July 2011, pp. 179-214
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SONGS TO SHAPE A GERMAN NATION: HILLER’S COMIC OPERAS AND THE PUBLIC SPHERE
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- 03 November 2006, pp. 213-230
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MODIFYING THE DA CAPO? THROUGH-COMPOSED ARIAS IN VOCAL WORKS BY BACH AND OTHER COMPOSERS
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- 11 March 2011, pp. 21-51
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THE ITALIAN MENACE: OPERA BUFFA IN REVOLUTIONARY FRANCE
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- 07 January 2005, pp. 249-263
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Youth, Capitivity and Virtue in the Eighteenth-Century Kindertruppen
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- 06 February 2013, pp. 65-91
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THE FACE OF A MUSICAL GENIUS: THOMAS HARDY'S PORTRAIT OF JOSEPH HAYDN
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- 03 August 2009, pp. 209-227
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A MOVABLE FEAST: THE ARIA IN THE ITALIAN LIBRETTO IN LONDON BEFORE 1800
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- 01 September 2007, pp. 285-289
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‘The moral background of the work of art’: ‘character’ in German musical aesthetics, 1780–1850
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- 27 January 2012, pp. 63-80
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MOZART'S BAWDY CANONS, VULGARITY AND DEBAUCHERY AT THE WIEDNERTHEATER
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- 16 August 2016, pp. 283-308
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SCHUBERT, SCHENKER AND THE ART OF SETTING GERMAN POETRY
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- 01 September 2008, pp. 209-236
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John Callander and the Avison Connection: A Recently Rediscovered Letter
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- 07 August 2014, pp. 283-290
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IGNAZ HOLZBAUER AND THE ORIGINS OF GERMAN OPERA IN VIENNA
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- 23 May 2006, pp. 63-90
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HAYDN’S MELANCHOLY VOICE: LOST DIALECTICS IN HIS LATE CHAMBER MUSIC AND ENGLISH SONGS
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- 01 March 2007, pp. 71-106
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ON THE VENUES FOR AND DECLINE OF THE ACCADEMIES AT ESZTERHÁZA IN HAYDN'S TIME
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- 16 August 2016, pp. 253-281
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ANWEISUNG ZUM FANTASIEREN: SYMPOSIUM ZUR PRAXIS UND THEORIE DER IMPROVISATION IM 17. UND 18. JAHRHUNDERT SCHOLA CANTORUM BASILIENSIS, 19–21 MARCH 2018
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- 14 February 2019, pp. 89-92
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PECOUR’S L’ALLEMANDE, 1702–1765: HOW ‘GERMAN’ WAS IT?
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- 07 January 2005, pp. 183-204
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RECOVERING VIVALDI’S LOST PSALM
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- 28 June 2004, pp. 61-77
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