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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON
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- 02 October 2018, pp. 177-205
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THE TRIUMPH OF TIME IN THE EIGHTEENTH CENTURY: HANDEL'S IL TRIONFO DEL TEMPO AND HISTORICAL CONCEPTIONS OF MUSICAL TEMPORALITY
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- 07 August 2014, pp. 257-281
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FARINELLI AS QUEEN OF THE NIGHT
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- 21 October 2005, pp. 321-333
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KEYBOARD-DUO ARRANGEMENTS IN EIGHTEENTH-CENTURY MUSICAL LIFE
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- 30 August 2017, pp. 183-214
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MUSIC IN THE AGE OF COFFEE
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- 01 September 2007, pp. 301-305
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DEATH EVERYDAY: THE ANNA MAGDALENA BACH BOOK OF 1725 AND THE ART OF DYING
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- 21 October 2005, pp. 231-249
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John Gay, Ballad Opera and the Théâtres de la foire
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- 07 August 2014, pp. 173-213
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Walsh in Europe and Beyond: Dissemination and Reception of English Music Prints in the 18th Century: Alfried Krupp Wissenschaftskolleg Greifswald and Universität Greifswald, 25–27 October 2022
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- 25 August 2023, pp. 229-233
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ANN FORD REVISITED
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- 07 January 2005, pp. 157-181
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GAETANO BRUNETTI (1744–1798), ED. MIGUEL ÁNGEL MARÍN AND JORGE FONSECA CUARTETOS DE CUERDA L184–L199Música Hispana 51Madrid: Instituto Complutense de Ciencias Musicales, 2013 pp. xl+398, ismn 978 0 901392 5 7
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- 03 February 2014, pp. 127-132
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Rhythmic Accent and the Absolute: Sulzer, Schelling and the Akzenttheorie
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- 01 August 2013, pp. 277-286
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WILLIAM WEBER, ED. THE MUSICIAN AS ENTREPRENEUR, 1700–1914: MANAGERS, CHARLATANS, AND IDEALISTSBloomington and Indianapolis: Indiana University Press, 2004 pp. vi + 269, ISBN 0 253 34456 5
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- 01 March 2007, pp. 149-152
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A NEWLY IDENTIFIED BACH CANTATA FRAGMENT IN A BEETHOVEN MANUSCRIPT
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- 16 February 2017, pp. 111-116
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FARINELLI AND THE CIRCLE OF SICINIO PEPOLI: A LINK WITH THE STUART COURT IN EXILE
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- 21 October 2005, pp. 311-319
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WILLIAM E. CAPLIN, JAMES HEPOKOSKI AND JAMES WEBSTER, ED. PIETER BERGÉ MUSICAL FORM, FORMS & FORMENLEHRE: THREE METHODOLOGICAL REFLECTIONS Leuven: Leuven University Press, 2009 pp. 179, isbn 978 90 5867 715 0
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- 11 March 2011, pp. 105-107
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CONTRIBUTORS
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- 01 March 2009, pp. 1-2
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MUCH ADO ABOUT SOMETHING; OR, COSÌ FAN TUTTE IN THE ROMANTIC IMAGINATION: A COMMENTARY ON AND TRANSLATION OF AN EARLY NINETEENTH-CENTURY EPISTOLARY EXCHANGE
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- 01 March 2008, pp. 75-105
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BLINDING US WITH SCIENCE? MAN, MACHINE AND THE MASS IN B MINOR - CORRIGENDUM
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- 25 July 2011, p. 351
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WILLIAM BATES AND HIS CONCERTOS IN TEN PARTS, OP. 2: AN ENTERPRISING EIGHTEENTH-CENTURY COMPOSER AND AN UNRECOGNIZED ORCHESTRAL SUBGENRE EMPLOYING HORNS
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- 30 August 2017, pp. 235-263
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BENOÎT DRATWICKI ANTOINE DAUVERGNE (1713–1797): UNE CARRIÈRE TOURMENTÉE DANS LA FRANCE DES LUMIÈRESWavre: Mardaga, 2011 pp. 480, isbn978 2 8047 0082 9
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- 06 February 2013, pp. 121-124
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