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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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LOVE AND MUSIC IN AUGUSTAN LONDON; OR, THE ‘ENTHUSIASMS’ OF RICHARD ROACH
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- 01 September 2007, pp. 191-209
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THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG
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- 16 August 2016, pp. 183-209
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EDITORIAL
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- Published online by Cambridge University Press:
- 01 March 2009, pp. 3-5
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EDITORIAL
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- 01 March 2008, pp. 3-6
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THE COMPOSER, THE SURGEON, HIS WIFE AND HER POEMS: HAYDN AND THE ANATOMY OF THE ENGLISH CANZONETTA
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- 01 March 2009, pp. 77-112
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SIGRID RIEUWERTS , ED. THE BALLAD REPERTOIRE OF ANNA GORDON, MRS BROWN OF FALKLAND Woodbridge: Boydell, 2011 pp. xiii + 339, isbn 978 1 89797 632 6
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- 01 August 2013, pp. 297-299
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DEVOZIONE E PASSIONE: ALESSANDRO SCARLATTI NEL 350° ANNIVERSARIO DELLA NASCITA, A ROBERTO PAGANO PER I SUOI 80 ANNI NAPLES AND ROME, 15–16 DECEMBER 2010
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- 25 July 2011, pp. 358-361
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HOFFMANN'S MUSICAL MODERNITY AND THE PURSUIT OF SENTIMENTAL UNITY
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- 21 March 2018, pp. 9-28
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EDITORIAL
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- 30 July 2010, pp. 195-198
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ANTONIO VIVALDI AND THE SUBLIME SEASONS: SONORITY AND TEXTURE AS EXPRESSIVE DEVICES IN EARLY EIGHTEENTH-CENTURY ITALIAN MUSIC
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- 30 August 2017, pp. 265-283
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THE NON-CANONIC STATUS OF MOZART’S CANONS
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- 23 May 2006, pp. 109-123
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PRODUCING THE OPERATIC CHORUS AT PARMA’S TEATRO DUCALE, 1759–1769
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- 03 November 2006, pp. 231-251
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‘THESE ARE THE TONES COMMONLY USED’:1 THE TONOS DE CANTO DE ÓRGANO IN SPANISH BAROQUE MUSIC THEORY
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- 11 February 2016, pp. 73-93
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MARIE-JUSTINE FAVART, NÉE DURONCERAY: SOME NEW BIOGRAPHICAL DETAILS
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- 11 February 2016, pp. 95-103
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SAMUEL HOWARD AND THE MUSIC FOR THE INSTALLATION OF THE DUKE OF GRAFTON AS CHANCELLOR OF CAMBRIDGE UNIVERSITY, 1769
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- 30 August 2017, pp. 215-234
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The ‘Effective Passage’ in Mozart's ‘Paris’ Symphony
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- 27 January 2012, pp. 109-119
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CONFERENCES
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- 01 September 2008, pp. 273-276
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BLINDING US WITH SCIENCE? MAN, MACHINE AND THE MASS IN B MINOR
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- 11 March 2011, pp. 77-91
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