Eighteenth-Century Music

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ISSN: 1478-5706 (Print), 1478-5714 (Online)
Editors: W. Dean Sutcliffe University of Auckland, New Zealand, David R. M. Irving ICREA & Institució Milà i Fontanals de Recerca en Humanitats (IMF), CSIC, Spain, and Austin Glatthorn University of Southampton, UK
Editorial board

Eighteenth-Century Music is a well-established journal covering all areas of research into music of the long eighteenth century (c1660-1830). Alongside articles and essays from both leading and emerging scholars, it also includes a wide range of reviews and a communications section that reports on conferences and other items of interest from around the world.

Article
Notes on Contributors
Eighteenth-Century Music, Volume 21, Issue 2

Article
Fluidity and ‘Animalism’ in Preparing Purcell
Christopher Suckling
Eighteenth-Century Music, Volume 21, Issue 2

Article
The Manuscript Source of Philippe II d'Orléans's Cantates françaises: A New Light on Early Eighteenth-Century Transnational Networks of Connoisseurship and Collecting
Don Fader
Eighteenth-Century Music, Volume 21, Issue 2

Article
Music of the Clocks and Spheres: Mozart and Haydn's Experiments with Time
Peter Pesic
Eighteenth-Century Music, Volume 21, Issue 2

Article
The Viennese Ballroom in the Age of Beethoven Erica Buurman Cambridge: Cambridge University Press, 2022 pp. xiv + 193, ISBN 978 1 108 49585 1
Joseph Fort
Eighteenth-Century Music, Volume 21, Issue 2

Article
Music, Dance, and Drama in Early Modern English Schools Amanda Eubanks Winkler Cambridge: Cambridge University Press, 2020 pp. xviii + 242, ISBN 978 1 108 85898 4
Brianna E. Robertson-Kirkland
Eighteenth-Century Music, Volume 21, Issue 2

Article
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century Nicholas Mathew Chicago: University of Chicago Press, 2022 pp. vi + 243, ISBN 978 0 226 81984 6
Richard Will
Eighteenth-Century Music, Volume 21, Issue 2

Article
Musical Improvisation in the Baroque Era Fulvia Morabito, ed. Turnhout: Brepols, 2019 pp. xvi + 405, ISBN 978 2 503 58369 3
Cristina Fernandes
Eighteenth-Century Music, Volume 21, Issue 2

Article
MOZART’S OPERATIC AUDITION. THE MILAN CONCERT, 12 MARCH 1770: A REAPPRAISAL AND REVISION
ANTHONY PRYER
Eighteenth-Century Music, Volume 1, Issue 2

Latest content

Notes on Contributors

Fluidity and ‘Animalism’ in Preparing Purcell

The Manuscript Source of Philippe II d'Orléans's Cantates françaises: A New Light on Early Eighteenth-Century Transnational Networks of Connoisseurship and Collecting

Music of the Clocks and Spheres: Mozart and Haydn's Experiments with Time

The Viennese Ballroom in the Age of Beethoven Erica Buurman Cambridge: Cambridge University Press, 2022 pp. xiv + 193, ISBN 978 1 108 49585 1

Music, Dance, and Drama in Early Modern English Schools Amanda Eubanks Winkler Cambridge: Cambridge University Press, 2020 pp. xviii + 242, ISBN 978 1 108 85898 4

The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century Nicholas Mathew Chicago: University of Chicago Press, 2022 pp. vi + 243, ISBN 978 0 226 81984 6

Musical Improvisation in the Baroque Era Fulvia Morabito, ed. Turnhout: Brepols, 2019 pp. xvi + 405, ISBN 978 2 503 58369 3

Most cited

MOZART’S OPERATIC AUDITION. THE MILAN CONCERT, 12 MARCH 1770: A REAPPRAISAL AND REVISION