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‘AM I IN ROME, OR IN AULIS?’: JOMMELLI'S CAJO MARIO (1746) AS OPERATIC CAPRICCIO
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- 11 February 2016, pp. 35-50
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SAMMELN – MUSIZIEREN – FORSCHEN. ZUR DRESDNER HÖFISCHEN MUSIK DES 18. JAHRHUNDERTSMUSIC DEPARTMENT OF THE SÄCHSISCHE LANDESBIBLIOTHEK – STAATS- UND UNIVERSITÄTSBIBLIOTHEK DRESDEN, 21–23 JANUARY 2016
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- 16 August 2016, pp. 337-340
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CHARLES WESLEY, METHODISM AND NEW ART MUSIC IN THE LONG EIGHTEENTH CENTURY
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- 17 August 2021, pp. 271-293
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RECONSIDERING AN EARLY EXOTICISM: VIENNESE ADAPTATIONS OF HUNGARIAN-GYPSY MUSIC AROUND 1800
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- 03 August 2009, pp. 161-181
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SIXTEENTH BIENNIAL INTERNATIONAL CONFERENCE ON BAROQUE MUSIC UNIVERSITÄT MOZARTEUM SALZBURG, 9–13 JULY 2014
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- 17 February 2015, pp. 141-143
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LOVE CONQUERS ALL: CUPID, PHILIP V AND THE ALLEGORICAL ZARZUELA DURING THE WAR OF THE SPANISH SUCCESSION (1701–1714)
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- 21 March 2018, pp. 29-45
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JOSEPH MARTIN KRAUS, KEYBOARD MUSIC SONATAS IN E FLAT MAJOR, VB195, AND E MAJOR, VB196 (AE398); ZWEI NEUE KURIOSE MINUETTEN, VB190; RONDO IN F MAJOR, VB191; SVENSK DANS, VB192. THEMA CON VARIAZIONE IN C MAJOR, VB193; LARGHETTO IN G MAJOR, VB194, AND FIVE CHORALE PRELUDES FOR ORGAN, VB197 (AE400) ED. BERTIL VAN BOER Wellington: Artaria Editions, 2002 pp. iv + 48, v + 21; ISBN 1 377231 63 0, 1 877231 64 9
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- 04 May 2005, pp. 160-164
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EVIDENCE OF THE PRACTICAL APPLICATION OF SOLFEGGIO PATTERNS IN THE MANUSCRIPT FOR THE 1707 NEAPOLITAN PERFORMANCE OF LA FEDE TRADITA E VENDICATA BY GASPARINI AND VIGNOLA
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- 05 February 2021, pp. 171-184
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ROUSSEAU'S AIR CHINOIS
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- 05 February 2021, pp. 41-64
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Haydn from the ‘Frontier’
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- 08 February 2023, pp. 5-11
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Thema da capo: Another Look at Mozart's Embellishments
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- 14 February 2022, pp. 37-57
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Dubourg, Geminiani and the Violin Concerto in D Major: A Misattribution
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- 25 August 2023, pp. 223-225
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MYSTERY IN PARIS, THE GERMAN CONNECTION AND MORE: THE BÉRARD–BLANCHET CONTROVERSY REVISITED
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- 04 May 2005, pp. 91-112
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EDITORIAL
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- 07 August 2014, pp. 167-172
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ANSELM GERHARD LONDON UND DER KLASSIZISMUS IN DER MUSIK: DIE IDEE DER ‘ABSOLUTEN MUSIK’ UND CLEMENTIS KLAVIERWERKE Stuttgart and Weimar: Metzler, 2002 pp. 379, ISBN 3 475 00976 9
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- 03 November 2006, pp. 330-336
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JOSEPH HAYDN (1732–1809) SCOTTISH AND WELSH SONGS Lorna Anderson (soprano), Jamie MacDougall (tenor) / Haydn Trio Eisenstadt Brilliant Classics 93769, 2003–2008; eighteen discs + CD-ROM, more than eighteen hours
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- 21 January 2010, pp. 150-154
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FARINELLI AS QUEEN OF THE NIGHT
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- 21 October 2005, pp. 321-333
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KEYBOARD-DUO ARRANGEMENTS IN EIGHTEENTH-CENTURY MUSICAL LIFE
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- 30 August 2017, pp. 183-214
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STURM UND DRANG REVISITED: HAYDN, KRAUS UND ANDERE BASEL, 21–22 OCTOBER 2016
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- 30 August 2017, pp. 331-333
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THREE POSTHUMOUS REPORTS CONCERNING MOZART IN HIS LATE VIENNESE YEARS
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- 04 May 2005, pp. 125-129
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