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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 4
EPISTEMOLOGIES OF TIME AND METRE IN THE LONG EIGHTEENTH CENTURY
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- 01 March 2009, pp. 59-75
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MIRACULOUS RECOVERY? HANDEL’S ILLNESSES, THE NARRATIVE TRADITION OF HEROIC STRENGTH AND THE ORATORIO TURN
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- 03 November 2006, pp. 253-267
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SCHEIBE’S MISTAKE: SUBLIME SIMPLICITY AND THE CRITERIA OF CLASSICISM
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- 01 September 2008, pp. 165-177
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FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY
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- 20 August 2019, pp. 133-154
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- Cited by 3
MUSICAL EXPRESSION: LESSONS FROM THE EIGHTEENTH CENTURY?
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- 12 February 2020, pp. 53-72
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TWO MORE NEW VIVALDI FINDS IN DRESDEN
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- 23 May 2006, pp. 35-61
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EDITORIAL
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- Published online by Cambridge University Press:
- 04 September 2020, pp. 173-176
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VAUXHALL REVISITED: PLEASURE GARDENS AND THEIR PUBLICS, 1660–1880 TATE BRITAIN, LONDON 14–16 JULY 2008
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- 01 March 2009, pp. 151-153
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‘FARÒ IL POSSIBILE PER VINCER L'ANIMO DI M.R HANDEL’: SENESINO'S ARRIVAL IN LONDON AND ARSACE'S RHETORIC OF PASSIONS
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- 16 February 2017, pp. 53-87
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ONE MORE TIME: J. S. BACH AND SEVENTEENTH-CENTURY TRADITIONS OF RHETORIC
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- 01 September 2008, pp. 179-208
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New Light on the Bouffons in Paris (1752–1754)
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- 03 February 2014, pp. 31-54
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ROBERT O. GJERDINGEN MUSIC IN THE GALANT STYLENew York: Oxford University Press, 2007 pp. ix + 514, isbn978 0 19 531371 0
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- 25 July 2011, pp. 307-326
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THE FIRST PERFORMANCE OF HAYDN’S ‘PARIS’ SYMPHONIES
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- 07 January 2005, pp. 289-300
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- Cited by 2
EDITORIAL
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- 25 July 2011, pp. 175-177
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RAMEAU'S CARTESIAN WONDER
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- 16 February 2017, pp. 31-52
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CLASSIFYING MISATTRIBUTIONS IN PERGOLESI’S SACRED MUSIC
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- 24 August 2015, pp. 223-229
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STRICT AND FREE REVERSED: THE LAW OF COUNTERPOINT IN KOCH’S MUSIKALISCHES LEXIKON AND MOZART’S ZAUBERFLÖTE
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- 23 May 2006, pp. 91-107
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ROUSSEAU AND AESTHETIC MODERNITY: MUSIC’S POWER OF REDEMPTION
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- 04 May 2005, pp. 41-56
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BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’
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- 17 February 2015, pp. 69-90
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- Cited by 2
EDITORIAL
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- 16 February 2017, pp. 5-11
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