During the Late Classic (a.d. 600–900), Maya stone monuments from the Western Lowlands documented people with the sajal title. This position was associated with corporate group leaders who acted as governors of secondary sites, supervised warfare-related activities, and manufactured and distributed goods. The increase in records, along with the elaboration of monuments by sajals with differing narratives from those of the rulers, has been identified as a contributing factor to the regional political instability that led to the abandonment of Classic Maya capitals. This article aims to analyze monuments from the political spheres of Yaxchilan, Piedras Negras, and Palenque using a discourse analysis approach to identify the discursive strategies sajals used to showcase and strengthen their hierarchical positions. To accomplish this, I will analyze the discourse in relation to the intermediality of monuments to examine how sajals rivaled the rulers of these cities. Additionally, I will explore the correlation between these discourses and the sociopolitical transformations that preceded the regional collapse in the ninth century a.d.

La Milpa, situated in northern Belize, stands out as one of the region's largest archaeological sites, having served as the capital of an ancient Maya city-state. Its significance is indicated by extensive monumental architecture, with the epicenter covering approximately 8.8 ha. The site's corpus of monuments, comprising 23 stelae and several altars, underscores its prominence in northern Belize, rivaling the corpora of sites such as Nim li Punit and Caracol. Despite its remote location, La Milpa has garnered the attention of researchers, particularly since the first modern survey of the site in 1988. Subsequent studies—in particular, that by Nikolai Grube in the 1990s—has provided detailed analyses of the site's corpus of carved monuments. Recent efforts, including epigraphic documentation in 2019, serve to enhance our understanding of La Milpa's dynastic history through traditional epigraphic and computational photographic methods. Utilizing field observations, raking light photography, and 3D photogrammetric models, we have refined previous analyses and provide new insights into the iconography and textual segments of the monuments. Here, we present the results of these recent efforts as well as our new analyses of a selection of monuments.

This article unpacks a Nahuatl metaphor based on the kin term hueltiuh, “man's elder sister,” used in multiple sixteenth-century Nahuatl texts and their Spanish derivatives. Through a minute analysis of several Nahua stories, the article identifies various roles described with this term: spies, “toothed-vagina” femmes fatales, heart-eating monsters, and seducers. Applying a method borrowed from cognitive linguistics, it then constructs a model of “man's elder sister,” which explains the application of this metaphor to different contexts. In Nahua stories, hueltiuh is usually a female mediator who throws the male characters off balance, leading to a new status quo. Confusingly, this metaphor often appears where one would expect a real kinship term and in a way that makes identifying its symbolic meaning difficult. These complications have led scholars to see (only) genealogical information in stories concerned with symbolic rather than genealogical relations between elite members or deities. The results presented here allow for refining our understanding of some famous Nahua narratives, such as the one on Topiltzin Quetzalcoatl's abandonment of Tollan. They also invite a rethinking of our views on the Nahua (Aztec) pantheon of gods, whose figurative “family bonds” may, in fact, indicate complex nonkinship relations and dependencies.

The site of Guiengola is an example of one of the settlements built by the Zapotecs during their fourteenth- to fifteenth-century migration to the Southern Isthmus of Tehuantepec. Although Guiengola is well known in the ethnohistorical record as being the place where the Mexica armies were defeated by Zapotec forces during the late fifteenth century, the full extension of the site was previously unknown. Despite evidence of a dense population at the site, it has been mistakenly characterized as a fortress for housing soldiers and troops from the nearby town of Tehuantepec. Here, I present the research of the Guiengola Archeological Project, which conducted a lidar scan and archaeological surveys between 2018 and 2023. In this article, I share a comprehensive map of Guiengola, a Postclassic Mesoamerican city. My analysis identifies a large settlement that covered 360 ha and included a walled system of fortifications, an internal road network, and a hierarchically organized city. The findings of this project expand our understanding of the variations and social divisions in the city's internal urban organization, which in turn, allow us to deepen our comprehension of the transition to the Early Colonial barrio organization of Tehuantepec.

People are often assumed to expand existing mechanisms—kinship in particular—to include others when they form communities. These models (con)fuse similarity with sameness, as we argue based on Husserl's concept of empathy. People recognize others without overlooking differences. They form community by negotiating belonging. We ask how individuals materialize community, how they create unity in a political process, and how they employ bordering and bonding social interactions. Our case study is Dos Ceibas, a Late Preclassic (350 b.c. to a.d. 250) Maya hamlet in the Petexbatun region. The North Plaza originated as a residential group—possibly of the hamlet's founder—and was transformed over multiple construction episodes into a public and ceremonial place. By a.d. 250, Dos Ceibas consisted of a small pyramid overlooking a plaza and two likely residential buildings. Its growth pattern sets the North Plaza apart from nearby Group MP16 and magnified internal differences. At the same time, Dos Ceibas's pyramid and plaza were likely communal constructions that project a shared community identity. The comparison with contemporary settlements nearby identifies distinct settlement layouts and suggests localized community identities.

The story of the Classic Maya “Snake” kingdom is truly a tale of two cities, with a capital that evidently switched from Dzibanche to Calakmul in the seventh century a.d. This article explores the era of transition between them in search of an elusive sequence of kings, while asking why the transfer came about and who played principal roles in it. Although grounded in finds at Calakmul, any attempt to answer complex questions of this nature must draw on a wider body of materials, both epigraphic and archaeological, from across the southern Maya Lowlands. Whatever portrait of the serpent kingdom is now possible, it is one that can only arise from close collaboration and the fusion of many scattered sources and clues.

The article presents the results of the last decade of archaeological and epigraphic research, which clarified the history of the polities of the ancient Maya sites of Holmul and Naranjo during the expansion of the Dzibanche royal dynasty in the eastern area of the Department of Peten, Guatemala, from the second half of the sixth century through the first half of the seventh century a.d. The discussion centers on the textual and material indicators of the geopolitical contacts of the royal families of Sak Chuwen of Naranjo and Chak Tok Wayaab of Holmul, including changes in polychrome pottery and hieroglyphic inscriptions, in particular, rhetoric of good governance and political loyalty. In the case of Holmul, the transformation affects the urban landscape of the site. New data clarify the relationship between Holmul and Naranjo during the initial period of their subordination to the kings of Dzibanche. The emerging picture of these secondary alliances and hierarchies within the Kaanu'l domain is essential for a better understanding of Classic Maya political systems at local and regional levels.

This article presents some preliminary results of the first field season of 3D documentation of buildings, monuments, and portable artifacts from the archaeological site of Dzibanche in Quintana Roo, Mexico. Documentation took place at Dzibanche, in the INAH regional research center in Chetumal, and in the Maya Museum of Cancun. Part of the resultant corpus of imagery and inscriptions has not been previously disseminated in academic literature. The analysis of published texts and iconography has benefited from higher resolution and visualization tools made possible by 3D digitization. The presentation proposes several updates to the published interpretations of Dzibanche monuments, and it highlights how new additions to the corpus expand our understanding of Dzibanche's political history and ideology.

Classic Maya history was rife with shifting political coalitions and disputes with the key antagonists, Tikal and the Kaan regime, at the center. Understanding how power dynamics and political shifts were experienced among subordinate polities is best viewed from multiple perspectives. We employ elements of Graeber and Sahlins' (2017) stranger-king model, focusing on exogamous marriage practices in relation to two Snake Queens ruling at Waka’. They served as direct links between the Kaan regime and the subordinate Wak polity. We focus on the political and diplomatic nature of their roles in crafting Waka's place in the overarching narratives of alliance and conquest during the sixth through the early part of the eighth centuries. The pairing of archaeological and textual data surrounding Ix Ikoom in the sixth century and Lady K'abel during the seventh century permit interrogation of women's prominence with respect to Kaan regime-building strategies during these centuries.

En la Mesa Redonda de Palenque de 2004 Erik Velásquez propuso que los gobernantes mayas que portaban el glifo emblema de Kaanuˀl pudieron haber residido durante el Clásico Temprano en Dzibanché, pues no existen referencias que los vinculen con Calakmul antes de 631 d.C. Aquí revisamos los datos sobre su presencia en Dzibanché y otros asentamientos de la región. Argumentos de distinta naturaleza que apoyan este escenario se publicaron desde 2005 hasta 2016, incluyendo los hallazgos de Xunantunich (Helmke y Awe 2016a, 2016b), que permiten conjeturar que una facción disidente de la dinastía se separó de Dzibanché y fundó en 635 d.C. una sede alternativa en Calakmul. Ello produjo el panorama que proponemos en el Clásico Tardío, donde había mandatarios simultáneos de la dinastía Kaanuˀl en el sur de Campeche y en el sur de Quintana Roo, toda vez que en Dzibanché seguían residiendo gobernantes Kaanuˀl al menos hasta el siglo VII.

The Kaanuˀl dynasty ruled a hegemonic state with political influence over much of the Classic Maya Lowlands between a.d. 520 and 751. The present article introduces the subject for a special section of the journal, which refocuses attention on the archaeological zone of Dzibanche in southern Quintana Roo, Mexico, where new data are emerging about the origins of the Kaanuˀl dynasty, its urban organization, and its connections to neighboring centers. In this article, we present new data from a recent lidar survey as well as from previous work by Enrique Nalda's Instituto Nacional de Antropología e Historia (INAH) project to reevaluate Dzibanche's characteristics vis-à-vis its rise as a kingdom with far-reaching political influence. We complement these archaeological data with epigraphic information from new monuments and reanalysis of existing ones based on 3D scanning to update the list of Dzibanche rulers. We then revisit the chronology of Dzibanche's royal burials proposing correlations with known Early Classic Kaanuˀl rulers. Overall, the contributions to this special section present new perspectives on the Kaanuˀl's rise to power and its relationship with distant vassals in the crucial period of expansion into northern Peten, leading to the defeat of Tikal and eventually to its transition to a new dynastic seat at Calakmul in the a.d. 630s.

Classic Teotihuacan's mural tradition evidences a Great Goddess and a Storm God in a cult of rain and fertility, yet their identity and relationship is problematic. This article reads the mural iconography as a myth of passage where the Great Goddess transited through portals uniting the planes of the cosmos at the boundary between the dry and rainy seasons to transform into the Storm God. Slate and pyrite mirrors and murals are analyzed as sacred artifacts with agency to invoke passage. The species of animals and plants symbolizing portals are identified to decode their symbolism of passage as symbolic transformations.

The Great Goddess transited from the underworld to the sea, entered mountain caves, and transformed her head-summit into a primordial cloud. The goddess created the axis mundi through her sacrifice, integrating the plants used for the manufacture of the Mesoamerican rubber olli. Mediated by the metamorphic powers of butterflies and olli, the goddess transformed greenstone into sacred water to become the Storm God. He commanded his helpers from his cave dwelling to produce rain and fertility clouds. Ruler-priests and warriors used mirrors to access the axis mundi and to transform into Storm God avatars with powers over rain and fertility.

The Maya used dress to help them structure social interaction. Taking a behavioral chain and practice approach, I define dress elements of male courtiers and how they were combined into outfits during the daily practices of dressing and attending court. I identify two groups of headgear, Standard and Special, among courtiers on vases showing historical interaction among humans. Each vase is considered commemorative and must communicate to an audience. I identified six Standard hat types that were widespread in the Maya Lowlands. The distribution implies a basic set of recognizable roles that provided the political-religious structure of the typical Maya court, perhaps as early as the Late Preclassic period. Four of the hat types are connected to glyphic titles. Each titleholder's position in the vase's visual space implies a hierarchy of roles. The results support my hypothesis that dress does identify social roles in the Maya court.

This article revisits ear ornament data from Tikal—both material and visual—to better understand the varied roles of ear ornamentation in ancient Maya society over time. The author discusses relevant terms and terminology, then emphasizes the social aspects of ear piercing and stretching as well as the place of ear ornaments in economic exchange. Ear ornamentation was a critical aspect of socialization for ancestral Mayas, but the extent of this practice was classed. Whereas the styles of nonelite ear ornaments were more resistant to change over time, the jade earflares of elites became more standardized in form while growing in complexity. With this standardization, jade earflares achieved a status close to currency, not just to be coveted or collected but also to be displayed on the body to the fullest extent possible. However, like many currencies, jade earflares were more complex than simple tokens of exchange. The symbolic dimensions that gave these objects meaning and economic value were integral to their power.

This article examines the word histories of 12 nouns (eight zoonyms, two other lifeform names, and two toponyms) in Mixtec, a shallow or emergent language family of Mesoamerica. It argues that these nouns—now morphologically opaque—are fused compounds that arose from the Mixtec vocabulary of the mantic count of 260 days, a temporal organization that was part of the common cultural heritage of pre-Hispanic Mesoamerican peoples. With the European colonization and persecution of Mesoamerican religious practices, the use of the mantic count was abandoned. It was at this time that the compounds would have been demotivated; that is, the internal morphological structure would have become inaccessible to speakers who could no longer relate it to the mantic cycle. This then enriched the lexicon, creating etymological pairs for the same, or similar, referents. It is suggested that the survival of the eight zoonyms may have to do with their use in the context of omens.

Drawing upon iconological theory, this article argues that mirrors and blood were regarded as a conceptually linked pair within the imperial ideology of Teotihuacan, Mexico from the second century onward. The relationship between blood and mirrors is shown to have codified with the construction of the Pyramid of the Feathered Serpent, Teotihuacan's third largest edifice. This monument's facade was adorned with hundreds of monumental sculptures of oracular mirrors, some number of which incorporated actual mirrors formed of obsidian. I demonstrate that the Teotihuacan mirror sign took obsidian, a form of black volcanic glass that was intensively worked in the city, as a key referent. This monument was also the site of a historically large human sacrifice of more than 200 individuals, an event argued here to have involved bloodletting with obsidian knives and blades. I note that Teotihuacan interest in the mirror icon increased in concert with the city's residents’ application of the reflective material of obsidian to warring and other blood-spilling behaviors. The mirror icon evoked both obsidian as a radiant material, as well as obsidian's potential for application to forceful martial actions. The article concludes that this icon in part signified imperial force, which was made real through the weaponization of the smoking glass.

Stylistic shifts in ceramics are often linked with sociopolitical changes, yet adopting new ceramic designs may indicate anything from shared aesthetic appeal to emulation. Focusing on multiple ceramic technologies is critical for understanding ceramic changes as they relate to wider social fluctuations. The relationships between clay and ceramic recipes, and communities of practice, have not been studied at the urban landscape of Angamuco, Michoacán in western Mexico. Petrographic and geochemical analyses of tempers and fabrics indicate that ceramics, including imperial Purépecha (a.d. 1350–1530) vessels, were created from local and regional materials, and that these materials remained relatively stable for over 1,000 years. Ceramic archaeometry in western Mexico has been relatively limited compared to other parts of Mesoamerica, and this study may be compared to future studies in the region.

The Kaan (“Snake”) kings, a powerful political entity in the Classic Maya Lowlands, were housed in the Early Classic period at Dzibanche, and they moved their capital to Calakmul by the year a.d. 642 (Helmke and Awe 2016; Martin 2020:138–139). Their network of alliance and intermarriage radiated southward, and Waka's early eighth-century queen, Lady K'abel, was from the Kaan bloodline and married in to the Wak lineage, exemplifying the close connection between the two political entities. The discovery of Stela 44 in tunneling efforts in M13-1, the city's important ritual center, allows us to trace political ties between the Kaan and Wak kings to significantly earlier than previously known, which seem to begin around the mid-sixth century. This monument provides insight into three converging lines of evidence supporting the profound alliance these elites had built: first, the accession of a Wak king, Wa'oom Uch'ab Ahk, under the supervision of the Kaan king K'ahk’ Ti’ Ch'ich’; second, the father of the new king, Chak Tok Ich'aak, seems to be connected to La Corona, another early Kaan ally; and third, the mother of Wa'oom Uch'ab Ahk, Ix Ikoom, is also connected to La Corona and the broader Kaan hegemony through her title ix sak wahyis.