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This article uncovers the myriad ways Dominican dictator Rafael Trujillo destabilised Venezuelan politics between 1945 and 1948, the period known as the Trienio Adeco. In contrast to works focused on Trujillo's personal animosity towards Venezuelan President Rómulo Betancourt, this article argues that Trujillo sought to sabotage Venezuela's governments under Acción Democrática as part of his regional foreign policy targeting bastions of Dominican exiles, anti-Trujillo critics and democratic institutions. Trujillo financed an informal network of Venezuelan conspirators who produced propaganda and launched plots undermining the Adeco governments. With the 1948 military coup, Trujillo derailed democracy and gained a reliable ally in Latin America as those he had long backed entered influential posts and remained beholden to their former benefactor.
On 20 November 2016, residents of Gran Chaco Province in south-east Bolivia voted by popular referendum to approve a statute that established Gran Chaco as Bolivia's first autonomous region. This article examines regional autonomy in the Chaco as an example of how identities, territory and political power are being remapped at the intersection of an extractivist development model and competing visions of a plurinational state. I chart how regional autonomy, an elite-led project centred on demands for a fixed share of departmental gas royalties, has been institutionalised under the framework of plurinationalism and used to bolster central state power in this gas-rich region. The article considers the historical evolution of this regionalist project, its intersection with broader processes of state formation under the Movimiento al Socialismo (Movement towards Socialism, MAS) government and its implications for the Chaco's Indigenous peoples, who have achieved significant representation within the regional assembly while seeing their own visions of territorial autonomy sidelined by an extractivist development agenda.
The article examines how La Pata de Cabra (The Goat's Hoof ), an over-the-top fantastical Spanish comedia de magia (magic play), came to figure centrally in serious debates about Mexican politics and society between 1845 and 1857. The article explores the play's popularity and its resonance in the press – it spawned at least half a dozen satirical newspapers – to argue that satire became a critical political language and form of expression that broadened and sustained debates in an era marked by volatile and often heavily restricted press freedoms. The article's focus on the La Pata phenomenon brings two fields of study, theatre and the press, into productive and necessary conversation.