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From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could – and should – be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and John Cowper Powys to the war in Iraq, this challenging volume will energize leftist movements throughout Britain and the rest of the world.
Popular Culture in the Ancient World is the first book to provide an interdisciplinary study of the subject. Traditionally neglected by classical scholars, popular culture provides a new window through which we can view the ancient world. An international group of scholars tackles a fascinating range of subjects and objects - from dice oracles to dressing up, from toys to theological speculation. Diverse comparative and theoretical approaches are used alongside many different ancient sources to provide a wide-ranging and rigorous approach to ancient popular culture. After a substantive introduction, the book moves from classical Greece through the Roman Empire to end in the late antique world. It enriches our understanding of the ancient world as well as our conception of the legacy of the ancient world in our own.
The Shakers – a religious community whose origins are founded in the eighteenth century – continue to exert an influence upon twenty-first century life, not for their religious teachings but rather through the simple yet elegant aesthetic they developed for the everyday artefacts they designed for themselves. Selling Shaker aims to explore this influence and chart its evolution throughout the course of the twentieth century via the interest shown by the media, art institutions and general public in the Shaker story. Whilst other books have sought to examine the origins of the religious or aesthetic basis of the movement throughout the course of the eighteenth and nineteenth centuries, this book seeks to deal with the Shaker phenomenon from a different angle. Selling Shaker examines the means by which the Shakers have been ‘promoted’ during the course of the last century by scholars and museum academics in order to establish a ‘national’ style. The book follows this process from high art to popular culture influences illustrating how the Shaker style has entered the general design consciousness and in doing so has become a generic style largely divorced from the original Shaker aesthetic. Using a variety of sources ranging from museum catalogues to contemporary design magazines, Selling Shaker aims to tell the story of the rise and rise of the Shaker phenomenon.
Analyzing land policy, labor, and legal history, Keri Leigh Merritt reveals what happens to excess workers when a capitalist system is predicated on slave labor. With the rising global demand for cotton - and thus, slaves - in the 1840s and 1850s, the need for white laborers in the American South was drastically reduced, creating a large underclass who were unemployed or underemployed. These poor whites could not compete - for jobs or living wages - with profitable slave labor. Though impoverished whites were never subjected to the daily violence and degrading humiliations of racial slavery, they did suffer tangible socio-economic consequences as a result of living in a slave society. Merritt examines how these 'masterless' men and women threatened the existing Southern hierarchy and ultimately helped push Southern slaveholders toward secession and civil war.