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3349743 results

Page 805 of 167488

  • ASSOCIATION FOR SYMBOLIC LOGIC

  • Journal:
    Bulletin of Symbolic Logic / Volume 31 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    16 April 2025, pp. 188-193
    Print publication:
    March 2025
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  • BJP volume 226 issue 3 Cover and Back matter

  • Journal:
    The British Journal of Psychiatry / Volume 226 / Issue 3 / March 2025
    Published online by Cambridge University Press:
    25 March 2025, pp. b1-b2
    Print publication:
    March 2025
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  • Race, Memory, and Spectral Performance: The Theatre of Silvia Albert Sopale

  • Marcelo Carosi
  • Journal:
    TDR: The Drama Review / Volume 69 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    03 March 2025, pp. 68-85
    Print publication:
    March 2025

  • Two plays by Afro-Spanish playwright Silvia Albert Sopale—Blackface y otras vergüenzas and La Moreneta—illustrate José Esteban Muñoz’s concept of “disidentification” by which marginalized artists hijack and reshape dominant cultural texts that exclude minority voices. Sopale’s work reframes archives and artifacts to confront historical racial violence and its contemporary legacies. Her strategic use of blackface alludes to alternative revaluations of Black identity, disidentifying blackface itself.

  • Playification of Theatre: Game Play, Ludic Activities and Being Playful in The Great Gatsby: An Immersive Theatrical Experience

  • JIHAY PARK
  • Journal:
    Theatre Research International / Volume 50 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    13 March 2025, pp. 18-37
    Print publication:
    March 2025

  • My examination of game play, ludic activity and being playful in immersive Gatsby shows that Gatsby is a typical example of the playification of theatre in the contemporary art scene. In using the term ‘playification’, I refer to the method of incorporating diverse play categories in theatre to motivate audience activity. While much critical attention has been devoted to the controversial nature of active spectating as a practice of audience emancipation, there has been relatively less focus on its play aspect. To develop an understanding of the idea of play in immersive theatre, I refer to the works of Johan Huizinga and Richard Schechner, and apply Schechner's language, which distinguishes play and game in immersive theatre. Moreover, in developing Schechner's vocabulary in the context of immersive theatre, I expand my scope of reference to include the insights of game theorists.

  • Editors’ Report for 2024

  • Journal:
    The Journal of Economic History / Volume 85 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    04 March 2025, pp. 287-295
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    March 2025
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  • ECM volume 22 issue 1 Cover and Front matter

  • Journal:
    Eighteenth-Century Music / Volume 22 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    05 March 2025, pp. f1-f4
    Print publication:
    March 2025
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  • PPS volume 23 issue 1 Cover and Back matter

  • Journal:
    Perspectives on Politics / Volume 23 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    20 March 2025, pp. b1-b5
    Print publication:
    March 2025
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  • Thanks to Reviewers

  • Journal:
    Behavioural and Cognitive Psychotherapy / Volume 53 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    26 March 2025, pp. 97-98
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    March 2025
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  • Cato in Tennessee: Perspectives on a Theatrical Experiment

  • Misty G. Anderson, Shinnerrie Jackson, David Francis Taylor
  • Journal:
    TDR: The Drama Review / Volume 69 / Issue 1 / March 2025
    Published online by Cambridge University Press:
    03 March 2025, pp. 112-131
    Print publication:
    March 2025
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  • Joseph Addison’s Cato (1713) is a play in the US-American bloodstream: it was quoted repeatedly by the architects of the American Revolution and was famously performed by Washington’s troops at Valley Forge in 1778. But what does this 300-year-old verse tragedy—with its entangled political, racial, and theatrical histories and implications—have to say to audiences in the present-day US South at the Clarence Brown Theatre, Tennessee, in 2023?

Page 805 of 167488