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Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
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In the mid-1860s, as Britain enjoyed global power thanks to coal-fueled industrial capitalism and as American industrialization was poised to take off, George Perkins Marsh of Vermont in America and William Stanley Jevons from Liverpool in Britain published books that warned unsustainable use of natural resources threatened to impoverish future generations. Their Reformed Protestantism upbringing, descended from forebears’ Puritanism, had instilled in both Marsh and Jevons perspectives and values that informed their analyses and solutions. Since their publication, their books’ reputation has risen with concern for the environment and about limits to growth. They remain valuable and relevant today.
This chapter argues that American horror is defined both by its “paraliterary” status and by its representations of the bloodied body in pain. Unlike the more culturally prestigious category of the Gothic, which typically dwells on the crisis of the rational mind, horror has tended to appear in culturally maligned or ephemeral forms and focus on corporeal pain, violence, and distress. Horror's focus on the body, it is further suggested, stems from the modern American state's withholding of freedoms according to embodied characteristics: race, gender, sexuality, ability, and so on. The historical appearance of horror narratives often correlates to crisis and tensions surrounding the expansion of the civil and political rights that centrist liberalism promised, so that when previously excluded or marginalized groups begin to demand inclusion and recognition of their past disempowerment, horror becomes a medium especially electric with these concerns.
There is one fundamental argument in the Republic for the conclusion that justice is the greatest good. It begins in Book II; although adumbrated in Book IV, it is not completed until Book IX; and it draws essentially on material in Books VI and VII about Platonic forms, knowledge, and philosophical training. Justice consists in the rule of reason over spirit and appetite, but to understand the value of this state fully we must see how it is instantiated in the philosopher. Goodness consists in order, and by cognizing and loving forms (the most orderly objects there are) the philosopher possesses the highest goods. A fully just person is a creator and lover of orderly relationships among human beings. This condition exists to some degree in all just individuals, but it is most fully present in those who understand what justice is – philosophers.
From the late archaic period, all the functions of money – medium of exchange, measure of value, store of value, and medium of payment – were performed by coins, almost always silver, struck by scores of states on a few different weight standards. Market trade, international commerce, and labor were all mediated by money. Finance was an important, and often decisive, factor in statecraft and warfare, and temples were both dependent upon and replete with silver and gold. Agriculture was less monetized; cultural effects are still being debated. Credit was an essential part of both friendship and business: mortgages and eranoi (joint loans by an ad hoc group of lenders) supplied extraordinary personal expenses, while small market loans and larger bottomry loans for overseas expeditions financed both large and small commerce. Banking, in the sense of investing depositors’ money, was a Greek invention. Athenian banks, always family businesses, provided credit, remote payments, money-changing, and a secure place to hide money. Ptolemaic royal banks managed royal revenue and were involved, alongside private bankers, in the local economy; cashless book-transfers were common. The scope of banking was, however, limited by the need for coin reserves, which kept the banks from dominating the economy.
The Greek world from ca. 750 onwards saw the establishment of wealthy elites, the widespread use of chattel and other slaves, and the occupation of new territories across the Mediterranean, all of which laid the groundwork for later developments. Elite property owners exploited the labour of the free poor, thereby adding to their own surpluses while keeping levels of consumption in the wider community minimal and archaeologically invisible. Only when and where social unrest or outright civil war led to restrictions on exploitation, and when new trading opportunities emerged around 600, did a middling class begin to establish itself, and to create demand for a range of staples that they could not produce themselves. In the late sixth century, the economic and social structure of the classical Greek world took shape, as regional and local specialisation and trade networks reached a level that enabled significant – if unquantifiable – per capita growth. Not all parts of the Greek world shared equally in these developments. Sparta, Crete, and Thessaly retained a polarised social structure of leisured elite and slave workers and continued to aim at agricultural self-sufficiency, institutionalising key features of the old predatory regimes that other Greeks were leaving behind.
This chapter demonstrates the critical synonymy of horror and capitalism in American literary narrative. Beginning with colonization before accelerating into the period of exponential growth from around the Civil War through the Great Depression, the chapter looks to scenes of indigenous dispossession, resource extraction, urban industrialization, unemployed immiseration, and finally to the reactionary suppression with which capital protects its interests. The guiding hypothesis is that horror obtains into all of these crucial areas of the economy because capitalist accumulation is, in all of its forms, a catastrophically exploitative relationship between humans that depends on sensuous creation and so requires the productive grist of blood, brains, and bodies.
Ancient Greek philosophy has often been dismissed as irrelevant to contemporary environmental thought or part of the problem in environmental terms because of its apparent dualism and anthropocentrism; Plato is often seen as emblematic of this philosophical stance. Following the research of Timothy Mahoney, this chapter calls into question this characterisation of Plato’s philosophy. Additionally, it examines the environmental perspectives of several philosophers within the later Platonic tradition, whose philosophy was closely connected with ancient Mediterranean religions and has been largely marginalised and excluded from the canon of western philosophy. This chapter argues that there is an important strand in ancient philosophy which is participatory, relational and ecocentric, depicting the philosopher as rooted in place and landscape, and necessitating the philosopher’s recognition of the interconnectedness and sacredness of the natural world and the kinship and ensouled nature of all beings and natural entities. As such, this chapter suggests that ecocentric environmental perspectives can be discerned within Platonism (especially within late antique theurgy) and that, consequently, this strand of ancient philosophy has a great deal to offer to environmental ethics and contemporary environmental thinking on nature and the natural world.
Can we make sense of the idea that nature imposes certain limits on our activities? Seemingly not if we accept the disenchanted conception of nature that goes hand in hand with scientific naturalism, for it is typical of such a picture that the only source of value is to be found in our desires or utilities, and that it makes no sense to suppose that our activities could be normatively constrained from without – as would be the case if there were an external source of value. My aim in what follows is to explore the possibility of defending this realist picture without inviting the charge that we have succumbed to a speculative metaphysics. To put in the terms presupposed by the typical naturalistic philosopher, the question is whether we can make sense of the idea that nature imposes certain limits on our activities without endorsing supernaturalism. The terms ‘naturalism’ and ‘supernaturalism’ tend to be treated as antonyms, but they have various significations and one of my tasks will be to disambiguate them, to agree with the naturalist that supernaturalism can be suspect, but deny that it follows from this that there is no external source of value, nor that we must be atheists, nor even that the term ‘supernaturalism’ should be dispensed with.
This chapter surveys the major developments in the economic history of the Greek world in the classical period (479–323 BCE). While agricultural practices and productive capacities did not change dramatically, this was a period characterized by a massive increase in the demand for certain commodities, especially timber for the ship-building and monumental-construction efforts of the period and grain to meet the dietary needs of a growing human population. It also considers the major developments in the supply and circulation of coinage in the classical period and the emergence of private banking and the expansion of credit, all of which facilitated both local and long-distance trade. As trade intensified throughout the Aegean and poleis developed more sophisticated institutions for local governance, they developed strategies to derive revenue from trade and imposed regulations on both the production and trade of commodities in which they had a special interest.
This examination begins with the poetical exploration of human alienation from nature. It then examines the resilient capacity of aesthetics, particularly aesthetic realism, to disrupt and critique the anthropocentrism that is the cause of this alienation. Aesthetic realism is elaborated through three central, recurrent and evolving concepts: methexis, mimesis and poesis. Taken together, these articulate and enact a relationship between humans and nature that recognises nature’s own inherent meaning and value apart from those imposed upon it by human minds. These dimensions of aesthetic realism are explored through poetry, painting, music and architecture, each in its own way challenging anthropocentrism. In doing so, aesthetics presents itself as a resource for overcoming the disconnection from nature that is essential to addressing the environmental crisis.
Over the last twenty years, New Institutional Economics (NIE) has been a highly influential model in the study of the Greek and Roman economy. Although both its assumptions and methods are controversial, NIE approaches have changed the agenda of ancient economic history. The overall goal of neo-institutional economic history is to explain economic development, and notably growth, in line with a much-quoted phrase by the Nobel-prize winning economist Douglass North, that it is the task of economic history to explain the structure and performance of economies through time. NIE approaches and methods have therefore stimulated quite specific research directions in ancient economic history. This chapter suggests that NIE offers a fruitful conceptual matrix for asking new questions – with or without the answers necessarily staying within the NIE model. By contrast, the aim of the NIE method to predict and quantify outcomes, and the broader implications of the approach, are far more difficult to accept and defend. Particularly problematic is its commitment to certain kinds of growth as the desirable outcome of economic development, together with the assumption of the universal benefits of that growth, with its end point and golden standard explicitly or implicitly based on successful economies of the modern West.
This chapter follows the bachata from its earliest beginnings in Dominican Republic to its current position on the global stage, specifically investigating what happens when a music – made by and for local, rural audiences – crosses geographic borders and is suddenly performed by and for global, urban audiences; and what occurs when a music traditionally tied to place-specific experiences suddenly assumes contrasting positions of meaning.
Drawing on biblical texts and theological reflections from early Christianity to the present, three prominent ways in which the sacramentality of creation has been nuanced over the centuries are explored: (1) Experiencing the presence of God in the world with focus on Ignatius of Loyola’s final contemplation in his Spiritual Exercises; (2) reflecting on manifestations of God’s goodness, power and wisdom that eminent patristic and medieval theologians discerned when studying the world and novel attributes that are discernible today when informed by current scientific findings; and (3) receiving the Eucharist as a heightened encounter with God that can strengthen individuals and communities to act cooperatively. These three ways of perceiving the world within which we encounter God constitute a formula for venerating Earth that should stimulate Christian attitudes and actions aimed at mitigating impediments to the flourishing of our common home.
Modern historians of science often discuss the twelfth-century “discovery of nature” as a milestone in our relations with the environment. This article explores medieval scientific, literary, and theological writers who contributed to this distinctive set of attitudes even as it documents the significant continuities between these writings and those of classical and late antique authorities on the natural world. It traces how the encyclopedic imagination provided a hierarchical framework for understanding the world, and how this ontological scaffolding, in turn, underpinned the twelfth-century revival of Neoplatonic thought, as medieval Christian writers would enthusiastically adopt an earlier tradition of personifying nature. In the thirteenth century, this magisterial Natura came to reflect advances in the “new” Aristotelian science that would become the foundation of the medieval university curriculum. While the synthesis of Christian Neoplatonism and Aristotelian physis would remain the predominant model of nature for several centuries, it also occasioned polemical debates over how God related to the universe that he created and how knowledge of the natural world was to be valued and instrumentalized. This medieval vision of a human-scaled, personified nature would prove philosophically durable up to the Scientific Revolution.