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Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
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Norms and regulations within the Greek polis provided a legal framework not only for the different markets and the support of economic activities, but also for the resolution of disputes arising between the private persons as well as magistrates. Whenever humans interacted within the economical sphere, conflicts could easily arise . Be they over the ownership of land or products, the transaction of goods and labour, or levies and taxes, in order to maintain good order they had to be resolved peacefully and without personal violence. Thus, the judicial structures and procedural principles of dispute resolution in the economic sphere of the Greek city as conveyed in literary, epigraphic, and papyrological sources are represented.
One of the ways in which Plato has captured the popular imagination is with the claim that the philosopher can feel ers, passionate love, for the objects of knowledge. Why should Plato make this claim? In this chapter, I explore Plato’s treatment of philosophical ers along three dimensions. First, I consider the source of philosophical ers. I argue that it is grounded in our mortality and imperfection, which give rise to a desire for immortality and the immortal. Second, I turn to the object of philosophical ers. I suggest that it is an arresting response to beauty, through which we come to value the ideal properties of the forms. Finally, I address the nature of ers. I claim that it is a focusing desire, that overrides other concerns and causes us to overwhelmingly focus on its object. I conclude the chapter by considering the problem Vlastos famously raises for Plato’s account of ers: can it do justice to disinterested, interpersonal love? In agreement with Vlastos, I claim that one who comes to grasp the forms will cease to feel interpersonal love; however, I also suggest that ers can give rise to philia, beneficent concern with the wellbeing of others.
In the Hippias Minor, Socrates argues that the expert in a given domain is the one in a position to voluntarily violate the rules of that domain. For example, the expert archer can ensure that her arrows miss the target, whereas the novice archer might accidentally hit the target she’s trying to miss. Socrates claims, shockingly, that this point holds for justice as well: it is the expert in justice who will have the power to deliberately act unjustly. Though some accuse Socrates of drawing this conclusion on the basis of uncritical reliance on the craft analogy, I argue that in fact Socrates is identifying common ground between a variety of forms of practical normativity. In any activity that can be assessable as going well or badly, those who intentionally flout the norm, by erring on purpose, are better at it than those who unintentially flub the norm, by erring accidentally. Socrates’ argument places powerrather than the exercise of powerat the heart of ethics. The Hippias Minor shows why Socratic ethics is an ethics of virtue, rather than an ethics of virtue activation.
Plato’s philosophical thinking begins from views and assumptions that he presupposes in his readers or in himself, whether or not he states them explicitly. This chapter surveys the following influences: (1) Homer. (2) Political developments and the moral questions they raise. (3) The interactions of natural philosophy (‘Presocratic’ philosophy) and religion. (4) The epistemological questions arising from natural philosophy. (5) Sceptical tendencies in naturalist epistemology. (6) Sophistic and rhetoric and the intellectual and political tensions connected with them. (7) Plato’s reactions to natural philosophy, sophistic and rhetoric. (8) Socratic inquiry and its sources in drama and forensic oratory.
Since the emergence of modern science in the West (roughly the 17th century), there has been tension between classical theism (there is a God, as envisioned in the Abrahamic faiths of Judaism, Christianity, and Islam) and different forms of naturalism (the denial of theism and the affirmation of a natural world with no souls, no afterlife, no supernatural, and so on). It is argued that the case for recognizing that some nonhuman animals have thoughts and feelings, and are thus morally significant, is stronger from a theistic perspective rather than from the standpoint of naturalism. Special attention is given to upholding a humane, Christian animal ethic.
This chapter highlights the close interconnection between cosmology and human nature in the Timaeus. According to Timaeus, human beings are not merely part of the cosmos; they play a crucial role in explaining how the cosmos came to be. The cosmos must contain three kinds of mortal beings in order to be complete, and all three derive from human beings, as a result of varying degrees of moral and cognitive failure. Recognizing the distinctive role human beings play in completing the cosmos complicates the standard picture of Timaeus’ cosmology, as well as his account of human nature. While in large part the cosmos is a product of divine craft, in some part it is the product of the inevitable disturbance of immortal souls due to mortal embodiment. Human beings have a special status as the first generation of mortal beings, as well as the only ones produced solely by divine craft. However, this distinction does not extend beyond the first generation, nor does it include any women. Ultimately, Timaeus’ account of human nature blurs the lines between humans and gods, as well as between humans and non-human animals.
The landscape of contemporary religious ecology is presented in this article as a variety of responses to disenchantment and what Lynn White identified as the theological roots of environmental ruin (Biblical divine transcendence and human exceptionality). The various positions are mapped in terms of those who deny divine transcendence and make nature, either as actually or only potentially infinite, the highest (pantheists); those who deny divine unicity and return to a pre-Christian, “enchanted” nature (neo-pagans); and those who defend in various ways the ecology of the Biblical account of creation (Jewish, Muslim, and Christian monotheists).
The Introduction provides an overview of the Caribbean, its Indigenous peoples, particular colonial and slave histories, as well as migrant and immigrant pasts, all presented as reasons regarding why each island/country is culturally and musically distinct. Understanding Caribbean history is essential to understanding the musics of the islands. This introduction provides that broad summary of Caribbean history, emphasising its binding relationship with the music of the islands – a necessary task for understanding and appreciating forthcoming chapters of the book.
Modern Black horror literature and film depict the complex mechanisms of social death threatening contemporary African Americans. Drawing on slavery to metaphorize social death, texts like Linden Hills and Stigmata, films such as The House Invictus and popular media like Lovecraft Country and “This Is America” also reveal how the lure of the American Dream seduces African Americans into colluding in their own suffering and the suffering of others like them. Yet even as slavery is presented as a point of historical horror, it is also presented as a source of ancestral knowledge, as African American artists rewrite the history of Black slave resistance to urge modern audiences to a much needed and long-overdue revolution.
We have little information from external sources about the order in which Plato composed his dialogues. In the mid-nineteenth century, scholars began to study stylistic affinities among certain groups of dialogues, conjecturing that stylistically similar works were composed during the same period of Plato’s life. A consensus among scholars working independently of each other emerged, according to which the Sophist, Politicus, Philebus, Timaeus, Critias, and Laws were placed in a discrete chronological group – thought to be late, in part because we have external evidence that Laws is a late work. In recent decades, computer analysis has aided the investigation of Plato’s word choice and style. These studies can also address long-standing doubts about the authenticity of some works attributed to Plato, including his Letters. Using a variety of techniques, the Republic, Parmenides, Phaedrus, and Theaetetus can also be put into a chronological group that comes before the late dialogues but after the other dialogues. Some scholars have sought to use stylometric measures to sort the earlier dialogues, but there is not much basis for any such arrangement.
Studies of trade are predicated on the antithesis between ‘personalised exchange’ (the Network) and ‘arms-length exchange’ (the anonymous Market). As regards ancient trade, the putative incongruity between the two has informed the view of the supremacy of personalised exchange, and the concomitant absence of market exchange. In historical analyses, furthermore, trade networks are appraised solely for their role in the distribution of raw materials and commodities. This chapter challenges these views. Focusing on a formalised kind of network, the association, it first charts the diffusion of traders’ associations to, and their integration in the economic life of, eastern Mediterranean commercial centres. Then, it investigates the mechanisms that enabled associational networks to act as fighters of trade constraints, distance-shortening entities, bridge builders between state/fiscal concerns and private profit, co-determinants of routes and prices, and as producers of knowledge and trust. Formalised networks, it is concluded, helped trade to break out of its lone-peddler mode and to amalgamate with a wider organisational world, whose newly fashioned business behaviour approximated that of the firm. In all this, this chapter is in alignment with the more recent trend among social scientists to consider networks as integral parts of market models of the economy.
This chapter demonstrates how decolonisation serves as a crucial point of reference in this book. Each chapter has unpacked ‘the colonial encounter’ – that sustained collision of ‘new’ and ‘old’ worlds, from the mass movements of people (many taken into the Caribbean against their will) to imperialism’s continued economic, political and social conquests – through music analysis, thereby addressing the visibility of issues confronting the colonising methods and scope of music scholarship of previous scholarship on the Caribbean and Caribbean music.
Northern Greece is much less well known than regions further south, and the Black Sea area is rarely referred to in works about historical economies. Despite this lack of modern curiosity about the region, its importance in economic terms cannot be underestimated. The southern parts of what is now Ukraine and Russia were one of the great bread baskets of the ancient Mediterranean, and merchants from various Greek islands, and coastal cities of the Aegean, shipped foodstuffs (wine, olive oil, nuts, fish products) in the opposite direction. Surviving written and archaeological evidence offers a very broadbrush picture of these relations. Inscriptions and graffiti from a limited number of exporting, recipient, or transshipment centres (notably Kallatis, Methone, Olbia, Pistirus, Thasos, Pantikapaion), give more detail and nuance, as well as pointing towards dimensions of these economic relations that have not fed back into the dominant economic models. The economic power of some players, notably Byzantium and Pantikapaion, as well as rulers of inland states, including Thrace, and cities of the Hellespontine Straits and Bosporus, deserve greater recognition. Lead letters and contracts, as well as commercial graffiti, also provide important data on the infrastructure of trade.