Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 8
Real-time Composition as Performance Ecosystem
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- Published online by Cambridge University Press:
- 28 June 2011, pp. 145-153
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- Cited by 8
Appropriation, Culture and Meaning in Electroacoustic Music: A composer's perspective
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- Published online by Cambridge University Press:
- 30 June 2014, pp. 110-116
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- Cited by 8
Sonic memory material as ‘pathetic trigger’
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- Published online by Cambridge University Press:
- 15 March 2006, pp. 13-18
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- Cited by 8
Modelling of natural sounds by time–frequency and wavelet representations
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- Published online by Cambridge University Press:
- 04 April 2001, pp. 179-191
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- Cited by 8
Experiments with a new customisable interactive evolution framework
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- Published online by Cambridge University Press:
- 26 June 2003, pp. 267-273
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- Cited by 8
Computer models and compositional applications of plastic corrugated tubes
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- Published online by Cambridge University Press:
- 23 May 2005, pp. 67-73
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- Cited by 8
‘Nimble Fingers’ in Electronic Music: Rethinking sound through neo-colonial labour
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- Published online by Cambridge University Press:
- 12 July 2017, pp. 250-258
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- Cited by 8
Composing for an ensemble of atoms: the metamorphosis of scientific experiment into music
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- Published online by Cambridge University Press:
- 15 February 2002, pp. 131-145
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- Cited by 8
Sonic Autoethnographies: Personal listening as compositional context
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- Published online by Cambridge University Press:
- 26 December 2017, pp. 121-130
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- Cited by 8
Noise/music and representation systems
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- Published online by Cambridge University Press:
- 14 August 2006, pp. 173-178
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- Cited by 8
Timelines in Spectral Composition: A cognitive approach to musical creativity
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- Published online by Cambridge University Press:
- 06 August 2020, pp. 142-155
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- Cited by 8
CODES: a Web-based environment for cooperative music prototyping
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- Published online by Cambridge University Press:
- 29 November 2005, pp. 243-253
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- Cited by 8
Voices from the Past: compositional approaches to using recorded speech
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- Published online by Cambridge University Press:
- 15 March 2006, pp. 3-11
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- Cited by 8
Electroacoustic Music with Moving Images: the art of media pairing
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- Published online by Cambridge University Press:
- 11 March 2010, pp. 26-34
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- Cited by 8
Spatiality of sound and stream segregation in twentieth century instrumental music
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- 01 August 1998, pp. 147-166
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- Cited by 8
Generative processes and the electronic arts
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- Published online by Cambridge University Press:
- 25 September 2001, pp. 47-53
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- Cited by 8
Public Sound Objects: a shared environment for networked music practice on the Web
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- Published online by Cambridge University Press:
- 29 November 2005, pp. 233-242
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- Cited by 8
Spontaneous organisation, pattern models, and music
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- 06 October 2004, pp. 151-165
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- Cited by 8
The Pontydian Performance: the performative layer
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- Published online by Cambridge University Press:
- 29 June 2009, pp. 134-141
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- Cited by 7
Morphological notation for interactive electroacoustic music
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- 04 July 2007, pp. 123-128
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