Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 17
Aural landscape: musical space
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- Published online by Cambridge University Press:
- 01 August 1998, pp. 135-140
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- Cited by 17
Socio-Sonic: An ethnographic methodology for electroacoustic composition
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- Published online by Cambridge University Press:
- 30 June 2014, pp. 117-124
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- Cited by 16
GeNotator: an environment for exploring the application of evolutionary techniques in computer-assisted composition
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- Published online by Cambridge University Press:
- 11 January 2001, pp. 127-133
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- Cited by 16
Spatial Perception and Cognition in Multichannel Audio for Electroacoustic Music
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- Published online by Cambridge University Press:
- 25 October 2010, pp. 228-238
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- Cited by 16
Performing electroacoustic music: a wider view of interactivity
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- Published online by Cambridge University Press:
- 21 April 2004, pp. 297-304
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- Cited by 16
Instrumental Listening: sonic gesture as design principle
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- Published online by Cambridge University Press:
- 29 June 2009, pp. 177-187
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- Cited by 15
Is there a Québec sound?
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- Published online by Cambridge University Press:
- 01 April 1996, pp. 23-28
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- Cited by 15
Sonification, Science and Popular Music: In search of the ‘wow’
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- Published online by Cambridge University Press:
- 26 February 2014, pp. 30-40
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- Cited by 15
Ecoacoustic and shamanic technologies for multimedia composition and performance
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- Published online by Cambridge University Press:
- 23 May 2005, pp. 3-19
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- Cited by 15
Meaning in Electroacoustic Music and the Everyday Mind
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- Published online by Cambridge University Press:
- 11 March 2010, pp. 63-74
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- Cited by 15
Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments
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- Published online by Cambridge University Press:
- 04 March 2020, pp. 64-74
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- Cited by 15
Ecological Sound Art: Steps towards a new field
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- Published online by Cambridge University Press:
- 07 March 2017, pp. 32-41
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- Cited by 15
Soundscape Composition and Field Recording as a Platform for Collaborative Creativity
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- Published online by Cambridge University Press:
- 15 November 2011, pp. 272-281
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- Cited by 14
Timbre Spatialisation: The medium is the space
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- Published online by Cambridge University Press:
- 02 December 2009, pp. 277-285
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- Cited by 14
The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback
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- Published online by Cambridge University Press:
- 24 January 2003, pp. 215-220
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- Cited by 14
‘Primacy of the Ear’ – But Whose Ear?: The case for auraldiversity in sonic arts practice and discourse
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- Published online by Cambridge University Press:
- 30 May 2019, pp. 85-95
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- Cited by 14
Spatio-musical composition strategies
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- Published online by Cambridge University Press:
- 26 June 2003, pp. 313-323
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- Cited by 14
Composition and diffusion: space in sound in space
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- Published online by Cambridge University Press:
- 01 August 1998, pp. 141-146
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- Cited by 14
Sonic Placemaking: Three approaches and ten attributes for the creation of enduring urban sound art installations
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- Published online by Cambridge University Press:
- 30 June 2016, pp. 147-159
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- Cited by 13
Software Agents in Music and Sound Art Research/Creative Work: current state and a possible direction
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- Published online by Cambridge University Press:
- 29 June 2009, pp. 156-167
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