Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 6
The Analysis of Electroacoustic Music: from sources to invariants
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- Published online by Cambridge University Press:
- 14 August 2006, pp. 101-112
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- Cited by 6
Composers' views on mapping in algorithmic composition
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- Published online by Cambridge University Press:
- 17 January 2003, pp. 145-156
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- Cited by 6
Can Micro-Gestural Inflections Be Used to Improve the Soniculatory Effectiveness of Parameter Mapping Sonifications?
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- Published online by Cambridge University Press:
- 26 February 2014, pp. 52-59
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- Cited by 6
Compositional strategies of the hip-hop turntablist
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- Published online by Cambridge University Press:
- 08 June 2001, pp. 75-79
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- Cited by 6
Imaginal Listening: a quaternary framework for listening to electroacoustic music and phenomena of sound-images
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- 11 March 2010, pp. 43-53
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- Cited by 6
Reflections on sound image design in electroacoustic music
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- 05 April 2007, pp. 25-33
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- Cited by 6
A Real-Time Score for Collaborative Just-in-Time Composition
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- Published online by Cambridge University Press:
- 13 November 2014, pp. 260-267
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- Cited by 6
Creative process and performance practice of interactive computer music: a performer's tale
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- Published online by Cambridge University Press:
- 21 April 2004, pp. 289-296
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- Cited by 6
The exploitation of ‘tangible ghosts’: conjectures on soundscape recording and its reappropriation in sound art
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- 18 January 2001, pp. 25-29
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- Cited by 6
The UbuWeb Electronic Music Corpus: An MIR investigation of a historical database
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- 05 March 2015, pp. 122-134
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- Cited by 6
An Action–Sound Approach to Teaching Interactive Music
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- Published online by Cambridge University Press:
- 11 July 2013, pp. 178-189
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- Cited by 6
Music, Space and Theatre: Site-specific approaches to multichannel spatialisation
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- Published online by Cambridge University Press:
- 25 October 2010, pp. 251-259
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- Cited by 6
Composing instrument control dynamics
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- Published online by Cambridge University Press:
- 26 June 2003, pp. 255-266
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- Cited by 6
Acousmatic Foley: Staging sound-fiction
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- Published online by Cambridge University Press:
- 11 November 2016, pp. 242-248
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- Cited by 5
Categorising complex dynamic sounds
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- 08 June 2001, pp. 95-102
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- Cited by 5
‘Atomic’ Music: Navigating experimental electronica and sound art through microsound
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- Published online by Cambridge University Press:
- 13 November 2014, pp. 295-303
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- Cited by 5
Uncanny Soundscapes: Towards an inoperative acoustic community
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- Published online by Cambridge University Press:
- 15 November 2011, pp. 264-271
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- Cited by 5
Corporeality of Music and Sound Sculpture
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- Published online by Cambridge University Press:
- 07 July 2015, pp. 182-190
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- Cited by 5
Ontologies, categories, folksonomies: an organised language of sound
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- Published online by Cambridge University Press:
- 04 July 2007, pp. 101-111
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- Cited by 5
Sound Art as Sonification, and the Artistic Treatment of Features in our Surroundings
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- Published online by Cambridge University Press:
- 26 March 2009, pp. 57-64
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