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Cited by
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This article has been cited by the following publications. This list is generated based on data provided by Crossref.
Hoffmann, Peter 2000. The New GENDYN Program. Computer Music Journal, Vol. 24, Issue. 2, p. 31.
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Hoffmann, Peter 2002. Towards an "automated art": Algorithmic processes in Xenakis' compositions. Contemporary Music Review, Vol. 21, Issue. 2-3, p. 121.
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Ariza, Christopher 2005. The Xenakis Sieve as Object: A New Model and a Complete Implementation. Computer Music Journal, Vol. 29, Issue. 2, p. 40.
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Exarchos, Dimitris 2009. Mathematics and Computation in Music. Vol. 37, Issue. , p. 419.
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Miranda, Eduardo R. and Williams, Duncan 2015. Artificial Intelligence inOrganised Sound. Organised Sound, Vol. 20, Issue. 1, p. 76.
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Darbon, Nicolas 2015. Littérature et vocalité chez Xenakis ou comment traiter des abîmes. Intersections, Vol. 34, Issue. 1-2, p. 113.
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Haworth, Christopher 2018. Protentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound. Contemporary Music Review, Vol. 37, Issue. 5-6, p. 606.
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Chagas, Paulo C. 2022. Music as Cultural Heritage and Novelty. Vol. 24, Issue. , p. 83.
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Determinacy and indeterminacy
  • Volume 1, Issue 3
  • IANNIS XENAKIS (a1)
  • DOI: https://doi.org/10.1017/S1355771896000210
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Determinacy and indeterminacy
  • Volume 1, Issue 3
  • IANNIS XENAKIS (a1)
  • DOI: https://doi.org/10.1017/S1355771896000210
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Determinacy and indeterminacy
  • Volume 1, Issue 3
  • IANNIS XENAKIS (a1)
  • DOI: https://doi.org/10.1017/S1355771896000210
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