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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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REFUSAL, THE LOOK OF LOVE, AND THE BEASTLY WOMAN OF MACHAUT'S BALADES 27 AND 38
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- Published online by Cambridge University Press:
- 27 September 2013, pp. 71-118
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The Mary Magdalene scene in the ‘Visitatio sepulchri’ ceremonies
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- Published online by Cambridge University Press:
- 05 December 2008, pp. 227-255
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O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE
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- 01 September 2003, pp. 1-65
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Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons*
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- 05 December 2008, pp. 91-149
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THESAURUS LITANIARUM: THE SYMBOLISM AND PRACTICE OF MUSICAL LITANIES IN COUNTER-REFORMATION GERMANY
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- 23 September 2015, pp. 45-95
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‘THE SOUNDS OF THE HOLLOW MOUNTAIN’: MUSICAL TRADITION AND INNOVATION IN SEVILLE CATHEDRAL IN THE EARLY RENAISSANCE
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- 21 July 2010, pp. 189-239
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Gary Tomlinson, Monteverdi and the End of the Renaissance. Oxford, Clarendon Press, 1987. xii + 280 pp.
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- 05 December 2008, pp. 245-260
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LUZZASCHI'S SETTING OF DANTE: ‘QUIVI SOSPIRI, PIANTI, ED ALTI GUAI’
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- 24 August 2009, pp. 97-138
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SCOLICA ENCHIRIADIS AND THE ‘NON-DIATONIC’ PLAINSONG TRADITION
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- 24 August 2009, pp. 61-96
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THE ITALIAN EXPERIENCE OF THE HOLY ROMAN EMPEROR CHARLES IV: MUSICAL AND LITERARY ASPECTS
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- 04 October 2018, pp. 1-44
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Rinuccini the craftsman: A view of his L'Arianna*
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- 05 December 2008, pp. 75-117
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Music, identity and the Inquisition in fifteenth-century Spain*
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- Published online by Cambridge University Press:
- 05 December 2008, pp. 161-181
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