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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT
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- 24 October 2001, pp. 199-226
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CRISTLE COLLINS JUDD, Reading Renaissance Music Theory: Hearing with the Eyes. Cambridge Studies in Music Theory, 14. Cambridge, Cambridge University Press. 2000. xxiii + 339 pp.
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- 24 October 2001, pp. 267-321
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The Chirk Castle partbooks*
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- 05 December 2008, pp. 17-42
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Sixteenth-century patronage at St Mark's, Venice*
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- 05 December 2008, pp. 81-115
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A perspective on the southern Italian sequence: the second tonary of the manuscript Monte Cassino 318*
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- 05 December 2008, pp. 117-164
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CIRCULATING MUSICAL KNOWLEDGE IN EARLY SEVENTEENTH-CENTURY GERMANY: MUSICA POETICA TREATISES OF JOHANN HERMANN SCHEIN AND MICHAEL ALTENBURG IN THE LIBRARY OF JOHANN CASPAR TROST
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- 28 September 2016, pp. 131-201
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Music publishing in sixteenth- and seventeenth-century Umbria*
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- 05 December 2008, pp. 1-36
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‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI
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- 14 July 2005, pp. 213-286
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HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET
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- 12 September 2017, pp. 31-104
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New sources of English fifteenth- and sixteenth-century polyphony
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- 05 December 2008, pp. 297-346
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THE FEAST OF THE SEVEN SORROWS OF THE VIRGIN: PIETY, POLITICS AND PLAINCHANT AT THE BURGUNDIAN-HABSBURG COURT
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- 28 September 2016, pp. 261-307
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Kenneth Levy, Gregorian Chant and the Carolingians. Princeton, Princeton University Press. 1998. x + 271 pp.
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- 05 December 2008, pp. 279-291
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Royal image-making and textual interplay in Gilbert Banaster's O Maria et Elizabeth*
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- 05 December 2008, pp. 237-278
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JAMES MCKINNON, The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper. Berkeley, Los Angeles and London, University of California Press. 2000. xiv + 466 pp.
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- 24 October 2001, pp. 279-321
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The Beneventan apostrophus in south italian notation A. D. 1000–1100*
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- 05 December 2008, pp. 43-66
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RETHINKING THE SIENA CHOIRBOOK: A NEW DATE AND IMPLICATIONS FOR ITS MUSICAL CONTENTS
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- 14 July 2005, pp. 1-52
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S. Wälli, Melodien aus mittelalterlichen Horaz-Handschriften: Edition und Interpretation der Quellen. Monumenta Monodica Medii Aevi. Subsidia, Band III. Kassel, Bärenreiter, 2002. xii+379 pp.
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- 16 September 2004, pp. 285-305
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THE CANZONE VILLANESCA AND COMIC CULTURE: THE GENESIS AND EVOLUTION OF A MIXED GENRE (1537–1557)
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- 17 August 2006, pp. 59-104
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EMH volume 10 Cover and Back matter
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- 05 December 2008, pp. b1-b2
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ACCLAIMING ADVENT AND ADVENTUS IN JOHANNES BRASSART’S MOTET FOR FREDERICK III
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- 01 October 2008, pp. 137-180
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