Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 33
Production, consumption and political function of seventeenth-century opera
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- Published online by Cambridge University Press:
- 05 December 2008, pp. 209-296
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- Cited by 23
Reading and singing: on the genesis of occidental music-writing*
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- Published online by Cambridge University Press:
- 05 December 2008, pp. 135-208
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- Cited by 19
Mapping the soundscape: church music in English towns, 1450–1550*
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- 05 December 2008, pp. 1-46
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- Cited by 17
SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO
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- 08 September 2011, pp. 55-103
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- Cited by 15
Toledo, Rome and the legacy of Gaul
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- 05 December 2008, pp. 49-99
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- Cited by 14
Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece*
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- 05 December 2008, pp. 113-153
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- Cited by 14
Guillaume Du Fay's benefices and his relationship to the court of Burgundy*
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- 05 December 2008, pp. 117-171
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- Cited by 14
ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS
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- 24 October 2001, pp. 1-86
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- Cited by 13
Deception, exegesis and sounding number in Machaut's motet 15
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- 05 December 2008, pp. 15-27
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- Cited by 13
TINCTORIS ON VARIETAS
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- Published online by Cambridge University Press:
- 01 October 2008, pp. 99-136
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- Cited by 12
ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING
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- Published online by Cambridge University Press:
- 08 September 2011, pp. 105-175
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- Cited by 12
‘SHE HAS A WHEEL THAT TURNS …’: CROSSED AND CONTRADICTORY VOICES IN MACHAUT'S MOTETS
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- 24 August 2009, pp. 185-240
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- Cited by 12
The office of the cantor in early Western monastic rules and customaries: a preliminary investigation*
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- 05 December 2008, pp. 29-51
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- Cited by 11
Diatonic ficta
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- 05 December 2008, pp. 1-48
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- Cited by 11
CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE
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- 17 August 2006, pp. 209-256
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- Cited by 11
Music, ritual and patronage at the Church of Our Lady, Antwerp*
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- 05 December 2008, pp. 1-57
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- Cited by 10
On the origin of neumes
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- 05 December 2008, pp. 59-90
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- Cited by 10
Modal representation in polyphonic offertories*
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- 05 December 2008, pp. 43-86
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- Cited by 10
European politics and the distribution of music in the early fifteenth century
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- 05 December 2008, pp. 305-323
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- Cited by 10
Rome as the centre of the universe: papal grace and music patronage*
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- 05 December 2008, pp. 223-262
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