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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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THE PRODUCTION OF POLYPHONIC MANUSCRIPTS IN THIRTEENTH-CENTURY PARIS: NEW EVIDENCE FOR STANDARDISED PROCEDURES
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- 04 October 2018, pp. 91-139
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‘SOUSPIRANT EN TERRE ESTRAINGE’: THE POLYPHONIC RONDEAU FROM ADAM DE LA HALLE TO GUILLAUME DE MACHAUT
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- 01 October 2007, pp. 1-42
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- Cited by 2
Dietrich Bartel, Musica Poetica. Lincoln, Nebraska, University of Nebraska Press. 1997. xv + 471 pp.
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- 05 December 2008, pp. 398-404
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Urban minstrels in late medieval southern France: opportunities, status and professional relationships*
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- 05 December 2008, pp. 201-235
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A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII
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- 05 December 2008, pp. 203-234
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PLAGUE, PERFORMANCE AND THE ELUSIVE HISTORY OF THE STELLA CELI EXTIRPAVIT
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- 21 July 2010, pp. 1-31
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FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST
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- 08 September 2011, pp. 1-53
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- Cited by 1
Musical aspects of Old Testament canticles in their biblical setting
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- 05 December 2008, pp. 221-264
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Experimental polyphony, ‘according to the… Latins’, in late Byzantine psalmody*
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- 05 December 2008, pp. 1-16
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Patricia Myers, ed., Luca Marenzio, Il settimo libro de' madrigali a cinque voci (1595), Luca Marenzio, The Secular Works, ed. Stephen Ledbetter and Patricia Myers, 14. New York, Broude Brothers, 1980. xxxv + 224 pp.
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- 05 December 2008, pp. 369-377
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A COURTLY LOVER AND AN EARTHLY KNIGHT TURNED SOLDIERS OF CHRIST IN MACHAUT'S MOTET 5
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- 14 July 2005, pp. 169-211
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‘Premierement ma baronnie de Chasteauneuf’: Jean de Ockeghem, treasurer of St Martin's in Tours*
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- 05 December 2008, pp. 165-258
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Claude Le Jeune, Adrian Willaert and the Art of Musical Translation
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- 05 December 2008, pp. 123-148
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Ronsard, the Lyric Sonnet and the Late Sixteenth-Century Chanson*
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- 05 December 2008, pp. 65-84
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Preface
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- 05 December 2008, p. vii
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New sources of English fifteenth- and sixteenth-century polyphony
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- 05 December 2008, pp. 297-346
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‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI
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- 14 July 2005, pp. 213-286
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A perspective on the southern Italian sequence: the second tonary of the manuscript Monte Cassino 318*
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- 05 December 2008, pp. 117-164
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CRISTLE COLLINS JUDD, Reading Renaissance Music Theory: Hearing with the Eyes. Cambridge Studies in Music Theory, 14. Cambridge, Cambridge University Press. 2000. xxiii + 339 pp.
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- 24 October 2001, pp. 267-321
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‘HOW HARD AN ENTERPRISE IT IS’: AUTHORIAL SELF-FASHIONING IN JOHN DOWLAND’S PRINTED BOOKS
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- 01 October 2007, pp. 43-90
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