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Today as in the past, most often crises take people by surprise. This fact has recently provoked strong criticism of the ability of an economic theory to predict crises, to understand their course and to establish solutions to mitigate their effects. History can thus serve as a reservoir of facts and experiences, and the use of a broad chronological perspective has been recently highlighted as essential to providing a wider, comparative knowledge of past crises. Recent economic historiography has highlighted the importance of studying financial and commercial crises alongside agrarian and demographic crises, as well as questioning specific aspects of these shocks. Another important dimension stressed by recent historical studies is the importance of recognising that crises in the past occurred against a background in which uncertainty was the norm. In societies that experienced various forms of ordinary uncertainty (linked for example to the ‘dead’ season in food or textile production), crises constitute peaks of exceptional uncertainty.
This article examines the impact of the Continental Blockade upon a local fishing and agricultural economy in the Mediterranean by focusing on the illicit trades that flourished on Stromboli. The island became a strategic location for smuggling between the warring kingdoms of British allied Naples and French ruled Sicily. This paper argues that the Blockade allowed Stromboli to join the network of maritime traffic that had been dominated by the two biggest islands in the archipelago. Although equally integrated into agriculture and fishing, women participated in the fraudulent sale of prize goods but were excluded from large-scale smuggling operations.
The story of Israel's foundation has often been told from the perspective of Jewish immigration to the Land of Israel. Leaving Zion turns this historical narrative on its head, focusing on Jewish out-migration from Palestine and Israel between 1945 and the late 1950s. Based on previously unexamined primary sources collected from twenty-two archives in six countries, Ori Yehudai demonstrates that despite the dominant view that displaced Jews should settle in the Jewish homeland, many Jews instead saw the country as a site of displacement or a way-station to more desirable lands. Weaving together the perspectives of governments, aid organizations, Jewish communities and the personal stories of individual migrants, Yehudai brings to light the ideological, political and social tensions surrounding emigration. Covering events in the Middle East, Europe and the Americas, this study provides a fresh transnational perspective on the critical period surrounding the birth of Israel and the post-Holocaust reconstruction of the Jewish world.
In the early summer of 1588, twenty-seven inhabitants of the large parish of Rickmansworth (Hertfordshire) presented a petition to two local Justices of the Peace complaining about disorder in Mill End, on the outskirts of the main town, caused by those frequenting Richard Heyward’s alehouse. Most recent work on alehouse sociability has considered attitudes towards drinking and its regulation after the early Jacobean legislation; in contrast, this article considers attitudes towards drunkenness in late sixteenth-century England, including the views expressed in the official ‘homily against drunkenness’ and in the Sabbatarian pamphlet published in 1572 by Humfrey Roberts. Similarly, most work on early modern protest considers complaints against the activities of the protestors’ social superiors; in this instance petitioners complained about the conduct of their inferiors. Although, due to archival attrition, it is impossible to determine what action the authorities took against Heyward and his clientele, thanks to the chance survival of a personal letter it is possible to reconstruct the reactions of the JPs to whom the petition was addressed, thus shedding light on how JPs might act outside the Quarter Sessions.
The central contention of this article is that early nineteenth-century Irish landlords were constrained in their ability to control their estates by the prospect of peasant resistance. The apex of that resistance took the form of what are generically known as whiteboy movements, and this article examines the impact of one particular such movement, the Whitefeet, active in the East Midlands and South-East in the early 1830s. The article argues that two forms of landlord versus tenant conflicts can be identified: an absolute form, in which landlords (or subletting rentiers called middlemen) behaved as if they had absolute rights over their properties and were the victims of retaliatory violence; and a negotiated form, in which landlords (or their agents) proceeded in a more restrained, and piecemeal fashion, and compromised in the face of opposition. The fact that the magistracy, at least in some instances, condemned the practitioners of absolute conflict would suggest that more measured approaches were the socially accepted norm, precisely because of the potential for retaliatory violence. The article will conclude with a discussion framing the foregoing in terms of moral economy. It will be argued that the balance between landlord power and tenant resistance created a grudging acceptance of respective rights.
The concept of ‘normal’ climatic conditions reflects the complexities of human understandings of the environment. Scholarship on settler societies has explored how culture, science and state imperatives combine to construct a notion of ‘normal’ climate. This study of the Callide Valley settlement (1924–34) in northern Australia, draws on government propaganda, farmers’ submissions to a 1934 government inquiry and meteorological data to reveal the discrepancy between rainfall reality and expectations. Promised fertile soil, plentiful water and an ideal climate by the government, new settlers flocked to the Callide Valley, many without farming experience or knowledge of the region’s subtropical climate. Drought and flood soon challenged the promises of a bountiful climate. These confused understandings of a normal climate continue today to shape agriculture in central Queensland.
The poacher has been closely studied by historians of crime and protest in England. While much has been done to reveal the complex nature of poaching, this work has tended to concentrate on the nineteenth century and been largely concerned with practice. By shifting attention to the opening decades of the twentieth century, and by focusing instead on representation, this article explores the place of the Edwardian poacher in a rapidly expanding cultural landscape. Pointing to an inverse relationship between physical presence and representational weight and throw, the article shows how the idea of the poacher was not just a by-product of Edwardian ruralism, but was integral to a deeply felt ruralist sensibility that strongly informed contemporary debates on the control and use of land and related matters of national identity and wellbeing. In considering how this ostensibly marginal figure became so embedded in the popular imagination, the full extent of the poacher’s cultural usability is revealed. Like ruralism itself, the representational poacher had many facets and served many needs.
The interlocking relationships between agriculture, nature, science and modernity underwent fundamental, far-reaching change in mid-twentieth-century Britain. This article examines Ladybird’s iconic, bestselling but under-researched ‘What to Look For’ seasonal natural history series, focusing particularly on the illustrations by the distinguished wildlife artist Charles Tunnicliffe and their relationship to the text by the biologist Elliot Lovegood Grant Watson. Beneath their apparent simplicity, the ‘What to Look For’ books attempt an ambitious, forwards-looking synthesis between mechanisation and tradition, nature and livelihood that calls into question historiographical critiques (by Newby, Miller and Bunce, for example) of contemporary representations of the rural as nostalgic and evasive. The ‘What to Look For’ books quietly subvert some of the more distorting tropes of English landscape representation. People are shown going about their everyday work (in contrast to the ‘landscape without figures’ tradition) and modern farm machinery such as tractors and seed drills are also acknowledged and even celebrated. Tunnicliffe and Grant Watson sought to harmonise these potentially discordant elements; their vision of the rural was an inclusive one that accommodated working women, children and even to some extent ethnic diversity. Yet in the second half of the twentieth century attempts to imagine a positive relationship between rurality and modernity such as Ladybird’s were increasingly undermined by escalating ecological crises.
When Poland was re-established as an independent state one hundred years ago, one of its political priorities was to implement a land reform, as the ‘agrarian question’ was an extremely sensitive socio-economic problem. In Poland at that time, two thirds of its inhabitants made their living by working in the agricultural sector. A ‘land craving’ phenomenon was notorious, as was rural poverty, especially among smallholders. On the other hand, almost half of the total area of farmland in the Second Polish Republic was held by huge landowners. The situation led to ever louder political calls for land redistribution to peasant smallholders. The Land Reform Implementation Act of 1920, and its amendment of 1925, laid legal foundations for land redistribution. By the Second World War, 2,654,800 hectares of land had undergone redistribution, as a result of which 734,100 new farms were established. However, this land reform did not achieve its goal, namely the empowering of efficient smaller farms, as quantitative analysis showed a continuing process of agricultural land fragmentation.