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New global histories of punishment are steadily decentring the history of punishment and convict labour, challenging traditional conceptions of a linear path towards a single penal modernity and the penitentiary as the telos of its history. Through an exploration of three strands of extramural convict labour emerging in Copenhagen (1558), Ulm (1561), and Almadén (1566), this interpretative essay argues that this challenge can be furthered by taking a view of Europe's own penal history from which the focus is less on origins and more on how the landscape of punishment evolved through a continuous and largely contingent process of assemblage. In this process, a few key elements – labour, displacement, pain, and confinement – were combined and mixed to different effects in specific contexts. Along with that approach comes the need to historicize the process by relating it to other practices of labour coercion, both within the penal field and outside it.
This study draws on ethnographic and archival evidence from the Italian Archipelago of La Maddalena, offshore from the northeastern corner of Sardinia, where in 1972 the U.S. Navy installed a base for nuclear submarines. It addresses two questions: (1) How do non-experts make sense of radiological risk absent knowledge and classified information about its instantiations and consequences? (2) How do objectifications of risk change and stabilize within the same community over time? STS scholarship has emphasized the epistemic and relational dimensions of lay/expert controversies over risk assessment. Many case studies, mostly focused on the Anglo-Saxon world, have assumed lay and expert ways of knowing are incompatible due to clashing cultural identities. I use Keane's concept of “semiotic ideologies” and Peircean semiotic theory to critically reassess the validity of that assumption and examine the role of material evidence in processes of signification to explain how experts and non-experts fix, challenge, and negotiate the meanings of radiological risk in sociotechnical controversies. I critically review empirical studies and analyze ethnographic and archival data to advance a set of methodological and substantive arguments: meanings of risk change as new signs become available for interpretation; and meanings of risk are semiotically regimented: their emergence or silencing depend upon the power relations in place in a given community and organizational efforts to assemble coherent technopolitical arguments. I call this set of organizational practices “politics of coherence.”
This article examines the sedentarization of transhumants in northern Greece within the context of the political, legal, social, and economic transformation of the region that occurred throughout the nineteenth century. Based on a wide range of primary sources, this research conducts a chronological survey of the local actors, events, and institutions with reference to a broader political and economic context. It emphasizes that, in the first half of the century, a provincial-elite regime and imperial policies did not create substantial change in transhumance. In the 1860s, however, economic transformations at both imperial and global levels did accelerate change in the region's land and labour regimes. In response, regional landholders began to institute sedentarization, adopting various legal and economic means based on strategies including negotiation, persuasion, and compulsion.
This article examines the concept of the “true hunter” (vrai chasseur) among big game hunters in French colonial Indochina. Drawing primarily on French language texts published by highly experienced European hunters between 1910 and 1950, it first examines in detail the true hunter ethic, which required hunters to hunt and kill their prey in a “sporting” (sportif) manner. This ethic involved adherence to an expansive and complicated set of rules related to stalking, marksmanship, knowledge possession, restraint, prey selection, choice of firearms and ammunition, and others. True hunting was regarded as by definition difficult and, as is argued, the practical realization of the true hunter ideal entailed not simply engaging in hunting as an activity, but instead successfully performing a very difficult but specific type of killing. The article's second purpose is to engage a paradox associated with the texts, their authors, and the ethic. While critical of other hunters for “unnecessary slaughter,” many killed staggering numbers of animals. This paradox is accounted for by placing the true hunters in the broader social context of colonial Indochina. Both their type of sport hunting and the virtuosity of their killing distinguished them from the indigenous populations that served their hunts and other European hunters. This virtuosity also legitimized the scale of their killing and placed these hunters into a distinctive social and moral community.
This article examines revolutionary discourses of national historical transformation in Bolivia and tracks the ways those discourses are appropriated, contested, and recast by farmers in the rural agricultural province of Ayopaya. During fieldwork carried out with Quechua-speaking farmers in Ayopaya between 2011 and 2012, I learned about people's enduring concerns with a recent hacienda past. Against governmental declarations that Bolivia's colonial past was dead or had passed, farmers meditated on the duration of earlier histories of colonial land dispossession and violations of indigenous sovereignty. Talk about the region's oppressive history here allowed people to assess deficient state aid and resources but also to oppose unwelcome state interventions pushing a legal model of bounded collectivity. I trace the ways that farmers and villagers mobilized the hacienda past to address inequitable land tenure, violated sovereignty, and women's marginalization from political life, and thereby raise new questions about the critical possibilities opened up by the re-politicization of this colonial history. Rural support for Bolivia's Movement Toward Socialism party government eroded nearly a decade ago, and this complicates both triumphalist and defeatist accounts of President Evo Morales’ 2019 resignation, which tend to paint Morales’ rural indigenous supporters as innocent and naïve.
Starting with the author's own experience of ghostliness in the archive, the article explores the political meaning of the postwar Volkswagen in West Germany as embodiment of the country's “economic miracle.” The investigation follows the uncanny in texts and images about the Volkswagen between 1945 and 1960 and argues that the car carried with it a “public secret” as a “debris” from the Nazi empire that silently transcended the 1945 divide. This reading of the Volkswagen as well as the methodological path toward it highlight a phenomenon that postcolonial scholars have described as “haunting”: a confusion about the relationship between past and present that also bears on those who study the past. Taking this analysis as an encouragement to revisit the powerful myths and “miracles” of postwar consumer cultures in the West from a new angle, the article calls for historical genealogies of these myths that conceive of the postwar West as a—not yet—postcolonial space and that cross the 1945 threshold.
The role played by Christianity and Christian churches in the demonization of the Jews by the German National Socialist and Italian Fascist regimes remains a subject of intense controversy. The historiography at the base of this debate has been largely rooted in research on either Germany or Italy, yet comparative empirical study is particularly well-suited to allow broader generalizations. Such work is especially valuable given the very different relationships the two regimes maintained with the churches. This article identifies similarities and differences in the Nazi and Italian Fascist uses of Christianity in their efforts to turn their populations against the Jews through examination of two of their most influential popular anti-Semitic propaganda vehicles: La difesa della razza in Italy and Der Stürmer in Germany. Both mixed pseudoscientific racial theories with arguments based on Christian religious authority, and both presented themselves as defenders of Christianity against the Jewish threat. Yet while the Italian publication, reflecting the Fascist regime's close relationship with the Roman Catholic Church, took care to present itself as in harmony with the Church, the German publication adopted a much more critical attitude toward contemporary German churches and churchmen, casting them as having strayed from the true teachings of Jesus.
At the end of the eighteenth century, the large-scale warfare that confronted the major European powers exceeded their financial capabilities. This, in turn, affected the operational effectiveness of their military machinery and disturbed its disciplinary order. Consequently, by the 1790s, French, British, and Dutch naval crews resorted to mutiny on an enormous scale. They were driven by fatigue, harsh conditions of service, and disagreements with higher command. Decades later, the Real Armada witnessed a series of riots, resembling those of its rival powers but linked to the struggles for independence in the Hispanic-American colonies. Nearly all historians have overlooked the Spanish case, but the motives and direct consequences of the Spanish mutinies are worthy of explanation as part of global processes driven by the Age of Revolutions. Moreover, they offer an opportunity to improve the knowledge of early modern Spanish naval society.
This article investigates the violent aftermaths of Rwanda's 1994 Genocide and Liberation war by analyzing its Gacaca Courts, which framed themselves as a “traditional” mechanism of transitional justice. These specialized genocide tribunals, in operation between 2002 and 2012, authorized laypersons to sentence their neighbors to up to life in prison. They passed judgment on almost two million cases, at an official conviction rate of 86 percent. I argue that through their practice, “genocide” came to be constituted as a crime whose contours extended far beyond the boundaries of any international legal definition. It included a wide range of acts, utterances, and inner states, as potentially infinite manifestations of a boundless criminal interiority named “genocide ideology,” the necessary ‘driving force’ behind acts of genocide. Within Gacaca, genocide ideology was constituted as the continuing destructive potential of Hutu to menace or even disrespect innocent Tutsi, who were constituted as metonymic of the “new” state. The paranoid hermeneutics of those trials led them to project such an interiority within ‘others,’ imagined as constantly on the verge of erupting into insurrectionary violence, threatening the state's very foundation. The figure of the “Hutu” was transformed into a negative political category operating as a spectral threat haunting the New Rwanda. Gacaca led to a realization throughout the vast population that it marked as “Hutu” that the crime of genocide could potentially inhabit any and perhaps even all of them, thereby producing a generalized fear and pervasive silence.
Studies of southern Africa's liberation movements have turned attention to the great importance of their transnational lives, but have rarely focused on the effects of the military training Cold War-era allies provided in sites across the globe. This is a significant omission in the history of these movements: training turns civilians into soldiers and creates armies with not only military but also social and political effects, as scholarship on conventional militaries has long emphasized. Liberation movement armies were however different in that they were not subordinated to a single state, instead receiving training under the flexible rubric of international solidarity in a host of foreign sites and in interaction with a great variety of military traditions. The training provided in this context produced multiple “military imaginaries” within liberation movement armies, at once creating deep tensions and enabling innovation. The article is based on oral histories of Zimbabwe People's Revolutionary Army (ZIPRA) veterans trained by Cuban and Soviet instructors in Angola in the late 1970s. These soldiers emerged from the Angolan camps with a military imaginary they summed up in the Cuban exhortation “Adelante!” (Forward!). Forty years later, they stressed how different their training had made them from other ZIPRA cadres, in terms of their military strategy, mastery of advanced Soviet weaponry, and aggressive disposition, as well as their “revolutionary” performance of politics and masculinity in modes of address, salute, and drill. Such military imaginaries powerfully shaped the southern African battlefield. They offer novel insight into the distinctive institutions, identities, and memories forged through Cold War-era military exchanges.
The conclusion reviews the principle arguments of the book as part of a coda which reflects on how and why the post-revolutionary culture of collecting was redefined in the final decade of the nineteenth century. A combination of new intellectual paradigms, changes in museum funding and the growing weight of the transatlantic market undercut private collectors’ claims to be stewards of French heritage. Yet amidst these changes the conclusion stresses continuities in how the amateur was conceived in tension with the bureaucratic state, and a study of major donations at the close of the nineteenth century- such as that of Eugène Piot- underlines the persistence of aristocratic forms of distinction within the support given to republican institutions. Challenging conventional narratives about the birth of a uniform national heritage, the book concludes by arguing for the resilience of private patrimony outside of state control.
Chapter 1 traces the transformation of the art market across the revolutionary era, drawing on recent scholarship to consider how the French Revolution changed the availability of artworks and the cultural meanings attached to their preservation. These processes are observed through the writings of Pierre-Marie Gault de Saint-Germain, whose manuscripts and publications documented the demise of the old regime of curiosity he knew in his youth. The introduction argues that the eclipse of corporate institutions and the attack on the privileged orders changed the meaning of collecting by opening the title of amateur to much wider social constituency whilst nonetheless retaining the idea that the correct exercise of taste was even more important in the disorderly new circumstances. The chapter traces the emergence of dealers in art and curiosities across post-revolutionary Paris and argues that the revamped category of the amateur was simultaneously dependent upon but hostile to these new commercial forces.