The United States is one of the largest consumers of meat globally. The traditional production of meat contributes substantially to climate change due to the levels of greenhouse gases emitted and the amount of land, water, feed, and other natural resources required to raise animals used for meat. Conventional meat production is also a major source for the emergence of zoonotic diseases and antimicrobial-resistant pathogens. Nevertheless, Americans consume more meat now than at any time in the nation’s history.

Advocates for policy change aimed at addressing the risks currently associated with meat production have typically focused on reducing meat consumption, alternatives to meat, or improving the standards of conventional meat production. These are laudable goals, but an emerging technology now promises meat production that may avoid these risks entirely. Enter “lab-grown meat” — meat cultivated in an efficient and controlled laboratory environment without the need for fields, feed, or even animals.

The technology has been in development for over 100 years but has seen exponential growth in the past five years. What was previously considered a science fiction fantasy became a reality in the United States in 2023, when UPSIDE Foods and GOOD Meat received approval from USDA for sale of their cultivated chicken to U.S. consumers.

This article highlights the benefits and drawbacks associated with lab-grown meat, assesses the existing regulatory framework, and offers considerations for policy reform as regulators address the emergence and scale-up of this important technology.

This article argues that an understanding of male same-sex practices in ancient Greece point towards a queer desirous spectatorship – a male ‘gayze’. Ancient tragic scholarship has often omitted discussion of male same-sex practices, despite using marriage and heterosexual social norms to elucidate meaning in text and performance. This article seeks to redress the exclusion of queer histories and perspectives from understanding tragedy in its social context. The article outlines evidence of male same-sex practices, including pederasty; relates ancient understandings of desire to the gaze; and evidences how and where young men, like those who danced in the tragic chorus, were courted and coveted. The article concludes with a case study of the chorus of young huntsmen from Euripides’ Hippolytus, read through the lens of a desirous gayze.

In a recent think piece for the new-music media site I Care If You Listen, the London-based writer and director Jessica Bailey advocates for accessible notation practices in classical-music pedagogy (‘Earned, Not Learned: How Classical Music Notation is Not Built for Neurodivergent Students’ https://icareifyoulisten.com/2024/06/classical-music-notation/ (18 June 2024)). As an avid pianist with Nonverbal Learning Disorder, Bailey finds numbers and symbols more challenging than words and letters, and she recounts how forbidding conventional music notation was for her. Bailey developed her own workarounds, but advanced music study was essentially off limits. She now wonders what doors might be opened to her and other neurodivergent musicians through even small adjustments to notation systems. Drawing a connection between the accessible pre-grade piano-method books of her childhood and modern digital solutions like Lime Lighter and the Odla tactile console, Bailey ponders how notation technologies might help us ‘reimagine and re-programme the sheet music model’.

The murder of Jîna Aminî by the Iranian police in September 2022 led to wide-scale demonstrations. Women in Iranian Kurdistan have developed tactics for creating art and literature that empowers them to fi ght for their rights as women and as Kurds. “Doing art” invites them to cross the border between fictional and real, private and public, and to create negotiations with the patriarchal society and legal system that oppresses them.