I went back to work in the hospital in Edinburgh, as my previous employers could not give me part-time work. Experience as a psychiatric trainee in this hospital was hard. Passed MRCPsych Part 2.

The fin-de-siècle aesthetes, of course, react against the moral project expressed in realist novels like Eliot’s and Ward’s. Indeed, Oscar Wilde uses liturgy to attack what he sees as realism’s stunted imagination. But, as this chapter and the next show, aestheticism too is deeply suspicious of how excarnation separates the material and the spiritual. Again, if modernity typically sunders these realms, liturgy joins them. It therefore offers the perfect channel for aestheticism’s veneration of material reality – of beautiful bodies, lovely objects, and stimulating experiences. Such devotion pervades Walter Pater’s novel Marius the Epicurean (1885) – itself a kind of liturgical and aesthetic bildungsroman. Set in second-century Italy, the novel follows the pious Marius, who cherishes the pagan rituals of his boyhood and finds their fulfillment in the early Christian Mass. For Marius, the Eucharist not only sacralizes material objects but also defends matter – specifically the body – against the ritual violence of imperial Rome. Just as Wordsworth depicts industrialism as a liturgy of desecration, Pater sees Roman imperial power in similar terms.

How, this chapter asks, does twentieth- and twenty-first-century Haitian theater shed new light on Haitian history and ask burning questions of the nation’s present? Turning to drama has enabled many Haitian dramatists to reach out to wider audiences including illiterate or semi-literate people, as they straddle the divide between oral and written, as well as French and Creole. Many of the dramas explored here retell Haitian origin tales of dismemberment and reassembly. I identify a tradition and dynamics of adapting, remaking, reworking, and remixing that span much Haitian theater. Haitian drama often not only remakes the original material itself but also changes ways of seeing the world from a Haitian point of view. Haitian dramatists’ approaches to translation, adaptation, remaking, and remixing sometimes change the original language, or shift the political and cultural contexts to a Haitian worldview. These acts of rasanblaj often reflect on Haitian history, culture, and current events through a process of constant remaking and call-and-response collaborative interaction. Haitian drama portrays the Haitian people as the main actors and agents in their own stories.

Civil war soldiers worried a lot about cowardice in combat, something few historians have been willing to admit. The Introduction explains its importance and sets up how this book will explore the topic by focusing on two civil war regiments accused of cowardice and the lasting effects such allegations had on them. It also discusses what historian Drew Faust calls “war stories” and how constructed celebratory tales of martial glory often hide war’s chaos and horrors.

Beginning in 1840, the acceptance of emancipation among liberals became more general, no doubt, but still remained deeply ambivalent. The chapter uses the example of Baden to show this fact and moves from there to the early stages of the 1848 Revolution, during which pogroms against Jews, first in the French provinces along the border with Germany and then within Germany itself, gradually spread across the country. Once again, the fate of the Jews represented the duality of the overall German situation. Meanwhile, efforts to formulate a new constitution at the Paulskirche did indeed grant full emancipation to the Jews, but soon suffered the fate of the rest of the liberal constitution, with the collapse of the revolution. The Prussian king refused to cooperate with the revolutionaries, but even more important for their final collapse was their own weakness vis-à-vis the forces of reaction and the inner split among them due to their inability to reconcile liberalism, democracy, and nationalism.

Henry More, the most speculatively gifted of the Cambridge Platonists, engaged critically with all the major thinkers of the early modern age. He provided an in-depth refutation of the materialist and determinist system of Thomas Hobbes, exposing its shortcomings with great argumentative vigor in his principal philosophical prose work of 1659 entitled The Immortality of the Soul. His critique of René Descartes, first outlined in his celebrated correspondence with the French rationalist in the late 1640s and culminating in his Enchiridium Metaphysicum of 1671, won him European fame and the sobriquet of the “Hammer of the Cartesians.”1 It was in the late 1670s, however, that he combated the most formidable of the early modern foes of his ancient theology of a supremely benign Deity watching over an animate cosmos inhabited by accountable rational agents: Baruch de Spinoza.2

This chapter provides an overview of this book’s core arguments and structure.

This chapter begins with the contrasting narratives of the Third Indochina War from the perspectives of Singapore and Cambodia which serves as the springboard to the study of the Cambodia conflict. It then proceeds to describe the debates on the war in Cambodia, following which the chapter outlines the objectives of the book and provides a historiography of the existing literature.

An introduction and overview of intellectual disability. The American Psychiatric Association (APA) diagnostic criteria for intellectual disability (DSM-5 criteria) are covered: Deficits in general mental abilities; Impairment in adaptive functioning for individual’s age and sociocultural background which may include communication, social skills, person independence, and school or work functioning; All symptoms must have an onset during the developmental period; The condition may be subcategorised according to severity based on adaptive functioning as mild, moderate, or severe. The chapter also covers the role and evidence base for medication and key issues when prescribing for people with intellectual disability.

This chapter presents an overview of what is currently known about phonetic and phonological first language (L1) attrition and drift in bilingual speech and introduces a new theory of bilingual speech, Attrition & Drift in Access, Production, and Perception Theory (ADAPPT). Attrition and drift are defined and differentiated along several dimensions, including duration of change, source in second language (L2) experience, consciousness, agency, and scope. We address why findings of attrition and drift are important for our overall understanding of bilingual speech and draw links between ADAPPT and well-known theories of L2 speech, such as the revised Speech Learning Model (SLM-r), the Perceptual Assimilation Model-L2 (PAM-L2), and the Second Language Linguistic Perception model (L2LP). The significance of findings revealing attrition and drift is discussed in relation to different linguistic subfields. The chapter raises the question of how attrition and drift potentially interact to influence speech production and perception in the bilingual’s L1 over the life span; additional directions for future research are pointed out as well.

While Jacques Roumain’s classic novel Gouverneurs de la rosée foregrounds the possibility and necessity of return to Haiti, in many other literary versions of Haitian exile such a reconnection is never achieved. The returning wanderer can never just pick up where they left off, and the exile is definitive, unending. The chapter argues that exile for Haitian authors of the twentieth century is not merely a question of space or place; it has temporal dimensions that can compound the sense of separation or loss. Following a consideration of nineteenth-century exile-related poems, the chapter engages with some of the most prominent essayists, poets, and novelists whose works serve as chronicles of the multi-generational experiences of separation from Haiti before, during, and after the Duvalier dictatorships. As the examples show, experiences of exile vary widely and are determined by many factors, including personal circumstance, the place and conditions of exile, changing realities in the homeland, and evolving notions of exile itself, and of the ways in which it is written by successive generations of authors.