Research Article
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath
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- 14 February 2022, pp. 1-23
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All Rights Reserved: Behind the Strategic Copyright of “We Shall Overcome”
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- 13 July 2022, pp. 253-269
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“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy
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- 02 May 2022, pp. 131-152
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Hearing Epistemic Sound in Experimental (Music) Systems, 1958–73
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- 17 October 2022, pp. 361-380
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Blending the Popular and the Profound: Organ Concerts at the 1893 World's Columbian Exposition
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- 24 May 2022, pp. 153-183
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Dancers on a Grid: Musical Minimalism Arrives at New York City Ballet in 1983
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- 25 October 2022, pp. 381-398
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Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–1920
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- 08 July 2022, pp. 270-297
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“I'd Rather [Sound] Blue”: Listening to Agency, Hybridity, and Intersectionality in the Vocal Recordings of Fanny Brice and Barbra Streisand
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- 21 February 2022, pp. 24-46
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Max Lifchitz: A Transmodern Composer in American Music?
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- 25 October 2022, pp. 399-420
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Leslie Uggams, Sing Along with Mitch (1961–64), and the Reverberations of Minstrelsy
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- 16 March 2022, pp. 47-68
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Sell a Song of Safety: Children, Radio, and the Safety Patrol
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- 24 August 2022, pp. 298-318
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Music and Deafness in the Nineteenth-Century U.S. Imagination
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- 11 April 2022, pp. 184-205
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“The Silent Partner”: Tonearms and Modular Masculinities in U.S. Midcentury Hi-Fi Culture
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- 20 June 2022, pp. 319-342
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Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 1968
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- 14 February 2022, pp. 69-91
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A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2
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- 08 April 2022, pp. 206-232
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“A Most Valuable Curiosity”: Music Manuscripts, Authorship, Composition, and Gender at the Ephrata Cloister in Eighteenth-Century Pennsylvania
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- 17 October 2022, pp. 421-450
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Book Review
Hillbilly Maidens, Okies, and Cowgirls: Women's Country Music, 1930–1960 By Stephanie Vander Wel. Urbana: University of Illinois Press, 2020.
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- 11 April 2022, pp. 233-235
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The American Piano Industry: Episodes in the History of a Great Enterprise By William E. Hettrick. Hillsdale, NY: Pendragon Press, 2020.
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- 17 October 2022, pp. 451-453
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Research Article
Defining the Songs of Incarceration: The Lomax Prison Project at a Critical Juncture
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- 15 February 2022, pp. 92-114
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Book Review
Panpipes and Ponchos: Musical Folklorization and the Rise of the Andean Conjunto Tradition in La Paz, Bolivia By Fernando Rios. New York: Oxford University Press, 2020.
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- 24 August 2022, pp. 343-345
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