Volume 25 - 1993
Other
Information for Authors
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- 07 March 2019, p. v
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Editor's Preface
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- 07 March 2019, p. x
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Articles
Ottoman Sources on the Development of the Taksîm
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- 07 March 2019, pp. 1-28
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Musique, Nation & Territoire En Asie Interieure
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- 07 March 2019, pp. 29-42
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Power Structures, Culture Policy, and Traditional Music in Soviet Central Asia
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- 07 March 2019, pp. 43-50
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The Reterritorialization of Culture in the New Central Asian States: A Report from Uzbekistan
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- 07 March 2019, pp. 51-59
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A Traditional Musician in Modern Society: A Case Study of Turgun Alimatov's Art
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- 07 March 2019, pp. 60-66
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The Shāndωng Highwayman: Mechanisms of Inclusion and Resistance and the Predication of Cantonese Identity Through Cantonese Opera
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- 07 March 2019, pp. 67-80
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Gondang, Gods and Ancestors. Religious Implications of Batak Ceremonial Music
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- 07 March 2019, pp. 81-88
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Prelude to a Comparative Investigation of Protestant Hymnody in Polynesia
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- 07 March 2019, pp. 89-99
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Country Reports
Ethnomusicology and Folk Music Research in Denmark
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- 07 March 2019, pp. 100-125
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Folk Dance Collections and Folk Dance Research in Denmark and the Færoe Islands
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- 07 March 2019, pp. 126-135
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Folk Music Research and Folk Music Collecting in Greenland
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- 07 March 2019, pp. 136-147
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Book Reviews
Marcia Herndon, and Susanne Ziegler (editors). Music, Gender, and Culture. International Institute for Comparative Music Studies and Documentation, Berlin: Intercultural Music Studies, 1. Wilhelmshaven: Florian Noetzel Verlag, 1990. 307 pp., photographs, tables, musical transcriptions, bibliography, index.
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- 07 March 2019, pp. 148-1500
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Max Peter Baumann (editor). Music in the Dialogue of Cultures: Traditional Music and Cultural Policy. International Institute for Comparative Music Studies and Documentation, Berlin: Intercultural Music Studies, 2. Wilhelmshaven: Florian Noetzel Verlag, 1991. 439 pp., tables, index.
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- 07 March 2019, pp. 150-152
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Peter Manuel (editor). Essays on Cuban Music, North American and Cuban Perspectives. Lanham, Maryland: University Press of America, 1991. xvi, 327 pp., music, glossary, index.
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- 07 March 2019, pp. 152-154
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Meki Nzewi. Musical Practice and Creativity: An African Traditional Perspective. Bayreuth: Iwalewa-Haus, University of Bayreuth, 1991. 164 pp., musical examples, figures, photographs, bibliography.
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- 07 March 2019, pp. 154-156
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Jacqueline Cogdell DjeDje (editor). African Musicology: Current Trends, Volume II. A Festschrift Presented to J. H. Kwabena Nketia. Los Angeles: International Studies and Overseas Program (ISOP)/The James S. Coleman African Studies Center, University of California, Los Angeles, Crossroads Press/African Studies Association, 1992. xiv, 302 pp., musical examples, figures, photographs, index.
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- 07 March 2019, pp. 156-157
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Karin Barber. I Could Speak Until Tomorrow: Oríkì, Women and the Past in a Yoruba Town. International African Library, 7. Edinburgh: University of Edinburgh Press. Washington, DC: Smithsonian Institution Press, 1991. 354 pp., index, maps, diagrams, tables, textual transcriptions, photographs.
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- 07 March 2019, pp. 157-158
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Veit Erlmann. African Stars: Studies in Black South African Performance. Chicago Studies in Ethnomusicology. Chicago: The University of Chicago Press, 1991. 214 pp., index, maps, diagrams, musical examples, textual examples, photographs.
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- 07 March 2019, pp. 158-160
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