The last fifteen years have witnessed rapid growth in the number of students studying Arabic and of programs concerned with the teaching of the language. This is directly attributable to the awakened interest in the United States in the Middle East in general, and the Arab world in particular, as a result of the entry of the U.S. in World War II and its emergence as a global power with strategic, economical, and political interests in the area. This is not to say that the teaching of Arabic is a new phenomenon in the U.S. As an indespensible tool of Orientalistic scholarship, Arabic was taught for many years in a few institutions which offered programs in Oriental and Semitic Studies.

The international community is witnessing the resurgence of an old, yet new entity in its midst—the Persian Gulf. Since this decade began, the October War, the Oil embargo, the energy crisis, the massive American arms sales in the region, the concomitant presence of substantial numbers of American personnel and the expanding roles of Iran and Saudi Arabia have all forced this area to the center of international politics and economics. The new perceptions which have been created by these developments have focused on the modern Persian Gulf as a major source of oil, a subsystem of competing local nationalisms, an area of superpower rivalry, an insatiable market for consumer products, a pivotal factor in regional and international conflicts and of course a fascinating case study for social science researchers. The recent outpouring of studies, reports and background summaries testifies to the many facets of the region which are of interest to policy makers, businessmen and academicians.

A consideration of the contemporary musical soundscape in Syria provides unique insights into how Syrians of multiple classes and generations discriminate between critical points in their own past, who they perceive they are today, and how they might think about their future. This review, based on fieldwork in Syria conducted between 1997 and 2001, suggests that people in Syria can use music to negotiate the following complex issues: 1) the struggle between an identity rooted in the modern nation-state of Syria and one rooted in the more traditional concept of ‘Bilad al-Sham’ (roughly ‘the lands governed from Damascus,’ a region that included all of modern Lebanon, as well as portions of Turkey, Palestine, and Jordan); 2) the struggle between a Syrian identity and an Arab identity; and 3) the maintenance of a strongly Arab and necessarily anti-Western canon.

The SSRC’S Joint Near and Middle East Committee has organized a series of workshops on the state in its Middle Eastern context. The format consists of discussions of papers written by members of the committee, as well as of articles and chapters of books presented as background material by a small number of invited guests. A report on the first workshop, held at Buyukada, Istanbul, in September 1989 appeared in the MESA Bulletin 24 (1990), pages 179 to 183. A third workshop was held at St. Antony’s College, Oxford in December 1990.

Like most other fields, the study of Islamic art is both the beneficiary and the victim of its own past. Like many fields, it is affected in various more or less successful ways by developments and needs in related areas of learning. Like all fields, it is tied to the quality and idiosyncrasies of the men who practice it. Inasmuch as bibliographical surveys according to traditional lines of techniques and periods are available (Pearson, Index Islamicus with supplements, London, 1958, 1962, 1968; especially K.A.C. Creswell, A Bibliography of the Architecture, Arts and Crafts of Islam, Cairo, 1961) and current works are listed with a fair degree of completeness in the yearly Abstracta Islamica published by the Revue des Etudes Islamiques, my concern in this paper will be to review the state of the field, the ways in which one can find out about it, and the work being done according to three major categories: traditional techniques and documentation; new problems and solutions; light and dark areas of research.

This report summarizes the results of a survey of Kansas high school teachers of World History conducted in the Spring of 1972. Though the data were gathered in the state of Kansas, the textbooks used in the World History course are “national” in the sense that (1) the authors are not local or even regional and (2) the books are widely used in various parts of the country.

Nearly two decades of war in Lebanon crippled possibilities for historical research during a period when scholarship underwent significant theoretical and methodological developments. The last several years, however, have seen a renewed vigor to preserve, catalog, and promote all types of sources that could possibly shed light on the rich history of the country and of the Middle East in general. Sources and resources in Lebanon are largely decentralized, rendering the country something of a logistical labyrinth that can cost scholars considerable expenditures of time and energy. This article is a modest attempt to facilitate research in Beirut. Although mostly geared towards historians, we hope that this article may prove useful to scholars from other fields as well. It is slightly slanted towards the British and American academies, particularly since the Francophone world has been so much more embedded in the intellectual and scholarly atmosphere of the country.

Is The Cold War finally coming to an end, as some would have us believe? And if so, what does this mean for the Middle East? These are questions that will be with us for some time. They do not lend themselves to clear answers, but they nonetheless demand our attention.

For students of the contemporary Middle East, these questions pose special analytical problems—how can one best assess the relationship between the area that we study and the broader currents of international politics? Middle East specialists are rightly skeptical of efforts to analyze their region of study from a “globalist” perspective. Most of us have little patience with theorizing that fails to take into account that which is distinctive in the cultures, politics, and societies of the Middle East. We have even less use for crude empiricism which tries to reduce the complexities of the Middle East to quantifiable events or entries in simplistic classification schemes.

Historians confront numerous difficulties while doing research on Central Asia, particularly concerning the contemporary period. Historical developments in the relations between Iran and Central Asia, especially following the rise of the Soviet Union, have led to the creation of high walls separating Iran from those countries, and have made research and information exchange impossible. Historical sources for this period are scarce and inaccessible, and researchers cannot easily access the little that exists in the form of manuscripts kept in the archives of Iranian libraries. Moreover, the writers of the Qajar period have dealt with only a very small sample of the events that took place in that part of the world, and then mostly with those occurring along the Iranian borders. Thus, they reveal little about developments inside Transoxiana.

In the summer of 2002, more Americans – 1.3 million – heard the music of Central Asia in just a few days than in the entire previous history of the United States. Some 370,000 of them picked up the extensive, well-documented guidebook to the 36th annual Smithsonian Folklife Festival, which broke all attendance records. As they traipsed through the humid haze of the Washington Mall, staggering into the sun baked tents to see crafts and hear music, this crowd was in a good mood. Kids asked to see the Bactrian camels, who, like their handlers, were Texans. People crowded the sprawling crafts exhibits to watch artisans, then jammed the sales pavilions to scoop up gifts and albums, also at unprecedented levels. The surging spectators jammed the tents for most of the shows on the two days I was there. The reception was rousing. The organizers had brought not just “classic” performers, but contemporary musicians, like the Kazakh rock band Roksonaki. The small stock of their CDs sold out on the first day, and their performances regularly received standing ovations.

According to its Mission Statement, MESA's Committee on Academic Freedom (CAF) is tasked with monitoring violations of academic freedom in the MENA region as well as in North America. Violations of academic freedom are often understood as comprising governmental attempts to prevent scholars from conducting scholarly research, publishing their findings, delivering academic lectures, and traveling to international scholarly meetings. However, CAF often addresses cases in which professors and academic researchers irrespective of discipline are harassed, persecuted, dismissed or detained for their peaceful professional or personal activities, particularly if they encourage respect for human rights. In some instances, the committee has also protested state violence that has deliberately targeted educational institutions’ buildings or campuses.