Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 1
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy
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- 22 August 2022, pp. 55-58
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Activating Audiences: How spatial music can help us to listen
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- 29 November 2019, pp. 297-306
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The Terminology of Borrowing
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- 24 September 2019, pp. 139-156
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Audiovisual Harmony: The realtime audiovisualisation1 of a single data source in Construction in Zhuangzi
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- 19 July 2012, pp. 148-155
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A Cinematic Spatial Sound Display for Panorama Video Applications
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- 25 October 2010, pp. 260-270
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Thomas Gardner, Salomé Voegelin (eds.), Colloquium: Sound Art – Music. Winchester: Zero Books, 2016. ISBN: 978178279 895 8
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- 12 July 2017, pp. 308-310
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Translation, Emphasis, Synthesis, Disturbance: On the function of music in visual music
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- 19 July 2012, pp. 120-127
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The Oramics Machine: From vision to reality
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- 19 July 2012, pp. 137-147
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Towards a Phenomenology of Musical Borrowing
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- 24 September 2019, pp. 174-183
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Letter to a twenty-five-year old electroacoustic composer
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- 16 November 2000, pp. 147-150
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Desire and distance in Kaija Saariaho's Lonh
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- 19 January 2004, pp. 71-84
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Zirkonium: Non-invasive software for sound spatialisation*
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- 02 December 2009, pp. 268-276
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Composers' Desktop Project: a musical imperative
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- 01 April 1997, pp. 29-33
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The Role of Apps in Electroacoustic Music: A new dimension for music through tablets and other devices
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- 05 March 2015, pp. 99-104
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Electroacoustic music studies: some thoughts and possibilities
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- 04 July 2007, pp. 167-169
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A Collaborative Approach to Teaching Sound Sculpting, Embodied Listening and the Materiality of Sound
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- 11 July 2013, pp. 207-217
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Auto-synthesis
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- 15 August 2002, pp. 215-223
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Wavefront Aesthetics: Attuning to a dark ecology
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- 07 July 2015, pp. 249-262
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Complex systems in composition and improvisation
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- 06 October 2004, pp. 121-122
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OSO volume 24 issue 2 Cover and Front matter
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- 24 September 2019, pp. f1-f2
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