Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 1
Development of electronic music in Ukraine: emergence of a research methodology
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- Published online by Cambridge University Press:
- 04 July 2007, pp. 153-165
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Holzwege on Mount Fuji: a doctrine of no-aesthetics for computer and electroacoustic music
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- Published online by Cambridge University Press:
- 23 July 2001, pp. 127-133
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- Cited by 1
Carl Michael von Hausswolff
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- Published online by Cambridge University Press:
- 29 February 2008, pp. 21-29
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Sound in space
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- Published online by Cambridge University Press:
- 01 August 1998, pp. 91-92
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Sonification and the Mysticism of Negation
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- 13 November 2014, pp. 304-309
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Staging the Kinetic: How music automata sensitise audiences to sound art
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- Published online by Cambridge University Press:
- 21 December 2018, pp. 235-245
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Lowercase Strategies in Public Sound Art: celebrating the transient audience
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- Published online by Cambridge University Press:
- 26 March 2013, pp. 14-21
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A Metamorphosis of the Muses: Referential and contextual aspects in sound art*
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- 26 March 2009, pp. 27-37
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Sound Objects and Spatial Morphologies
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- 30 May 2019, pp. 20-29
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Sounds and sources in Powers of Two: towards a contemporary myth
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- 01 April 1996, pp. 13-21
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M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).
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- 17 April 2023, pp. 257-263
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Editorial: Time in Electroacoustic Music
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- Published online by Cambridge University Press:
- 06 August 2020, pp. 127-129
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Consumer, Producer, Creator: The mixtape as creative form
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- Published online by Cambridge University Press:
- 24 September 2019, pp. 164-173
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Computational Designing of Sonic Morphologies
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- Published online by Cambridge University Press:
- 04 March 2020, pp. 15-24
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Pauline Oliveros: A shared resonance
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- 07 March 2017, pp. 7-10
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Acid Patterns: How people are sharing a visual notation system for the Roland TB-303 to create and recreate acid house music
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- 22 August 2022, pp. 7-19
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Analytical Approaches to Electroacoustic Music Improvisation
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- 27 January 2022, pp. 117-130
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Web-based Form as Expression of Networked Sociality in the Community-based Piano Piece Wiki-Piano.Net
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- Published online by Cambridge University Press:
- 22 December 2021, pp. 354-367
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Listening for Context: Interpretation, abstraction and the real
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- 07 March 2017, pp. 11-19
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Music without Musicians ... but with Scientists, Technicians and Computer Companies
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- Published online by Cambridge University Press:
- 12 July 2017, pp. 286-296
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