This essay reviews the following works:
Theories of the Nonobject: Argentina, Brazil, Venezuela, 1944–1969. By Mónica Amor. Oakland: University of California Press, 2016. Pp. x + 309. $65.00 hardcover. ISBN: 9780520286627.
Brazil through French Eyes: A Nineteenth-Century Artist in the Tropics. By Ana Lucia Araujo. Albuquerque: University of New Mexico Press, 2015. Pp. xxvi + 238. $55.00 hardcover. ISBN: 9780826337450.
Tarsila do Amaral: Inventing Modern Art in Brazil. By Stephanie D’Alessandro and Luis Pérez-Oramas. New Haven: Yale University Press; Chicago: Art Institute of Chicago, 2017. Pp. 192. $50.00 hardcover. ISBN: 9780300228618.
Cultural Exchanges between Brazil and France. Edited by Regina R. Félix and Scott D. Juall. West Lafayette, IN: Purdue University Press. Pp. 225. $45.00 paperback. ISBN: 9781557537461.
Proust’s Latin Americans. By Rubén Gallo. Baltimore: John Hopkins University Press, 2014. Pp. 280. $45.00 hardcover. ISBN: 9781421413457.
Transatlantic Encounters: Latin American Artists in Paris between the Wars. By Michele Greet. New Haven: Yale University Press, 2018. Pp. viii + 288. $27.50 hardcover. ISBN: 9780415933048.
Tropical Travels: Brazilian Popular Performance, Transnational Encounters, and the Construction of Race. By Lisa Shaw. Austin: University of Texas Press, 2018. Pp. 231. $29.95 paperback. ISBN: 9781477314791.
Art Systems: Brazil and the 1970s. By Elena Shtromberg. Austin: University of Texas Press, 2016. Pp. 210. $29.95. ISBN: 9781477308585.
Making the Americas Modern: Hemispheric Art, 1910–1960. By Edward J. Sullivan. London: Lawrence King Publishing, 2018. Pp. 336. $50.00 hardcover. ISBN: 9781786271556.