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  3. Cambridge Studies in Modern Theatre

The new Cambridge Studies in Modem Theatre series explores, through the discussion of theatre, what it has meant to be modern over the last two centuries. Encompassing a global range of theatrical exchange, cultural productivity and historiography, it encourages contributions that probe both the aesthetic and sociopolitical dimensions of performance. Studies will cover not only plays, but operas, musicals, dance, circus and public ceremonies and rites and incorporate new inflections in Theatre Studies that recognise the importance of space, architecture and time. Building on the first wave of books published under David Bradby's editorship, the series will generate a dialogue as to what constitutes a global theatrical culture within modernity and how local cultures help constitute that global context. It also seeks to explore how theatre operates as an active agent in the political and social world, by bringing communities together and formulating agendas, both in the cultural and social field.

  • Founding Editors: David Bradby, Royal Holloway, University of London
  • General Editors: Maria Delgado, The Royal Central School of Speech and Drama, University of London, Simon Williams, University of California, Santa Barbara
  • Advisory Boards: Maggie Gale, University of Manchester, Carl Lavery, University of Glasgow, Erin Mee, New York University, Mark Ravenhill, David Savran, City University of New York, Joanne Tompkins, University of Queensland, Patricia Ybarra, Brown University, Rhode Island, Ted Ziter, New York University

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20 results in Cambridge Studies in Modern Theatre

Contemporary Performance Translation
  • Challenges and Opportunities for the Global Stage
  • Jean Graham-Jones
  • Coming soon
  • Expected online publication date:
    December 2024
    Print publication:
    12 December 2024
  • Radically rethinking translation for the contemporary international stage, Jean Graham-Jones interrogates standard linguistic and cultural categories and proposes an overhaul of the translation process itself, incorporating dramaturgical logic and staging, actor training and performance styles, gesture and embodiment, and performance aesthetics and reception. She demonstrates how a theory of translationality – in which translations do not erase the original but rather stand in relation to it and to other texts and performances – encapsulates the collaborative process between contemporary translators and theatre artists. Presenting multiple experiential cases and drawing on Graham-Jones's own career as a translator, actor, director and scholar working in Argentina, the US, and the UK, this richly interdisciplinary work extends a traditional understanding of contemporary performance translation and its potential in theatrical practice.

Staging Haiti in Nineteenth-Century America
  • Revolution, Race and Popular Performance
  • Peter Reed
  • Published online:
    18 November 2022
    Print publication:
    01 December 2022
  • American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.

Visualising Lost Theatres
  • Virtual Praxis and the Recovery of Performance Spaces
  • Joanne Tompkins, Julie Holledge, Jonathan Bollen, Liyang Xia
  • Published online:
    18 August 2022
    Print publication:
    25 August 2022
  • This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Cantonese opera performances in Australia's goldfields in the 1850s; and the Stardust showroom in 1950s Las Vegas. Shaping some of the most enduring genres of world theatre and cultural production, each venue marks a significant cultural transformation, charted here through detailed discussion of theatrical praxis and socio-political history. Using virtual models as performance laboratories for research, Visualising Lost Theatres recreates the immersive feel of venues and reveals performance logistics for actors and audiences. Proposing a new methodology for using visualisations as a tool in theatre history, and providing 3D visualisations for the reader to consult alongside the text, this is a landmark contribution to the digital humanities.

The Theatre of Sa'dallah Wannous
  • A Critical Study of the Syrian Playwright and Public Intellectual
  • Edited by Sonja Mejcher-Atassi, Robert Myers
  • Published online:
    14 May 2021
    Print publication:
    27 May 2021
  • The Theatre of Sa'dallah Wannous is the first book in English to provide a clear sense of the significance and complexity of Wannous' life and work. It is unique in bringing cross-disciplinary scholarship on Wannous together and aligning it with cultural practice and memory by including contributions from leading academics as well as renowned cultural figures from the Arab world. This volume should be of interest to literary and theatre studies scholars, cultural historians, theatre practitioners and anyone who cares about contemporary theatre, Syria and the Arab world. Collectively, the contributions demonstrate the role of cultural production - especially dramatic literature - in providing a portrait of and shaping a culture in the throes of profound transformation.

The Globalization of Theatre 1870–1930
  • The Theatrical Networks of Maurice E. Bandmann
  • Christopher B. Balme
  • Published online:
    12 October 2019
    Print publication:
    24 October 2019
  • Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872–1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.

A History of the Berliner Ensemble
  • David Barnett
  • Published online:
    05 May 2015
    Print publication:
    19 March 2015
  • The Berliner Ensemble was founded by Bertolt Brecht and his wife Helene Weigel in 1949. The company soon gained international prominence, and its productions and philosophy influenced the work of theatre-makers around the world. David Barnett's book is the first study of the company in any language. Based on extensive archival research, it uncovers Brecht's working methods and those of the company's most important directors after his death. The book considers the boon and burden of Brecht's legacy, and provides new insights into battles waged behind the scenes for the preservation of the Brechtian tradition. The Berliner Ensemble was also the German Democratic Republic's most prestigious cultural export, attracting attention from the highest circles of government, and from the Stasi, before it privatised itself after German reunification in 1990. Barnett pieces together a complex history that sheds light on both the company's groundbreaking productions and their turbulent times.

The Performance of Nationalism
  • India, Pakistan, and the Memory of Partition
  • Jisha Menon
  • Published online:
    05 December 2012
    Print publication:
    29 November 2012
  • Imagine the patriotic camaraderie of national day parades. How crucial is performance for the sustenance of the nation? The Performance of Nationalism considers the formation of the Indian and Pakistani nation, in the wake of the most violent chapter of its history: the partition of the subcontinent. In the process, Jisha Menon offers a fresh analysis of nationalism from the perspective of performance. Menon recuperates the manifold valences of 'mimesis' as aesthetic representation, as the constitution of a community of witnesses, and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina, and the cinema of Ritwik Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles, and doppelgängers that suffuse these performances, this study troubles the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics.

The Political Theatre of David Edgar
  • Negotiation and Retrieval
  • Janelle Reinelt, Gerald Hewitt
  • Published online:
    05 August 2011
    Print publication:
    14 July 2011
  • David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost, and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life.

Irony and the Modern Theatre
  • William Storm
  • Published online:
    01 June 2011
    Print publication:
    05 May 2011
  • Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre.

An Introduction to Post-Colonial Theatre
  • Brian Crow, Chris Banfield
  • Published online:
    26 February 2010
    Print publication:
    21 March 1996
  • In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.

Theatre Matters
  • Performance and Culture on the World Stage
  • Edited by Richard Boon, Jane Plastow
  • Foreword by Wole Soyinka
  • Published online:
    25 October 2009
    Print publication:
    10 December 1998
  • Theatre, in a variety of forms and contexts, can make, and indeed has made, positive political and social interventions in a range of developing cultures across the world. In this book a distinguished team of theatre historians and dramatists explores how theatre has a dynamic and often difficult relationship with societies and states, arguing positively that theatrical activity can make a difference. The collection begins with a foreword by Wole Soyinka and, through the volume, specially chosen plays, projects and movements are examined, embracing a variety of theatrical forms from conventional text to on-site developmental work. The communities addressed range from the national to the local, from middle-class elites to the economically dispossessed in countries such as Brazil and Argentina, Nigeria, Eritrea and South Africa, and India and the Caribbean countries.

Feminist Views on the English Stage
  • Women Playwrights, 1990–2000
  • Elaine Aston
  • Published online:
    22 September 2009
    Print publication:
    24 November 2003
  • Feminist Views on the English Stage, first published in 2003, is an exciting and insightful study on drama from a feminist perspective, one that challenges an idea of the 1990s as a 'post-feminist' decade and pays attention to women's playwriting marginalized by a 'renaissance' of angry young men. Working through a generational mix of writers, from Sarah Kane, the iconoclastic 'bad girl' of the stage, to the 'canonical' Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the century's end. Aston also explores writing for the 1990s in theatre by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.

Strategies of Political Theatre
  • Post-War British Playwrights
  • Michael Patterson
  • Published online:
    22 September 2009
    Print publication:
    22 May 2003
  • This volume provides a theoretical framework for some of the most important play-writing in Britain in the second half of the twentieth century. Examining representative plays by Arnold Wesker, John Arden, Trevor Griffith, Howard Barker, Howard Brenton, Edward Bond, David Hare, John McGrath and Caryl Churchill, the author analyses their respective strategies for persuading audiences of the need for a radical restructuring of society. The book begins with a discussion of the way that theatre has been used to convey a political message. Each chapter is then devoted to an exploration of the engagement of individual playwrights with left-wing political theatre, including a detailed analysis of one of their major plays. Despite political change since the 1980s, political play-writing continues to be a significant element in contemporary play-writing, but in a very changed form.

The Royal Court Theatre and the Modern Stage
  • Philip Roberts
  • Published online:
    22 September 2009
    Print publication:
    25 November 1999
  • The Royal Court Theatre is one of the primary forums in the development of post-war drama. Under the title of the English Stage Company the theatre's house actors and dramatists commissioned and produced some of the most influential plays in modern theatre history, including the works of Brenton, Churchill, Bond and Osborne. The story of the Royal Court is also the history of the contemporary stage. In this absorbing account of the theatre's history from 1956 to 1998, Philip Roberts draws on previously unpublished archives in both public and private collections and a series of interviews with people prominent in the Court's life. The book also includes a Foreword by the former Director of the Royal Court, Max Stafford-Clark. The result is an intimate account of the working of the foremost house of modern drama and its relationships to the world of the theatre in Britain and abroad.

The Politics of Irish Drama
  • Plays in Context from Boucicault to Friel
  • Nicholas Grene
  • Published online:
    22 September 2009
    Print publication:
    27 January 2000
  • In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national self-expression. Here it is argued that Irish plays, in their self-conscious representation of the otherness of Ireland, are outwardly directed towards audiences both at home and abroad. The political dynamics of such relations between plays and audiences is the book's multiple subject: the stage interpretation of Ireland from The Shaughraun to Translations; the contentious stage images of Yeats, Gregory and Synge; reactions to revolution from O'Casey to Behan; the post-colonial worlds of Purgatory and All that Fall; the imagined Irelands of Friel and Murphy, McGuinness and Barry. With its fundamental reconception of the politics of Irish drama, this book represents an alternative view of the phenomenon of Irish drama itself.

Contemporary Black and Asian Women Playwrights in Britain
  • Gabriele Griffin
  • Published online:
    22 September 2009
    Print publication:
    08 December 2003
  • This text was the first monograph to document and analyse the plays written by Black and Asian women in Britain. The volume explores how Black and Asian women playwrights theatricalize their experiences of migration, displacement, identity, racism and sexism in Britain. Plays by writers such as Tanika Gupta, Winsome Pinnock, Maya Chowdhry and Amrit Wilson, among others - many of whom have had their work produced at key British theatre sites - are discussed in some detail. Other playwrights' work is also briefly explored to suggest the range and scope of contemporary plays. The volume analyses concerns such as geographies of un/belonging, reverse migration (in the form of tourism), sexploitation, arranged marriages, the racialization of sexuality, and asylum seeking as they emerge in the plays, and argues that Black and Asian women playwrights have become constitutive subjects of British theatre.

Dramaturgy
  • A Revolution in Theatre
  • Mary Luckhurst
  • Published online:
    22 September 2009
    Print publication:
    19 January 2006
  • Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.

Brian Friel, Ireland, and The North
  • Scott Boltwood
  • Published online:
    22 September 2009
    Print publication:
    16 August 2007
  • After nearly five decades as one of Ireland's most celebrated playwrights, Brian Friel has been the subject of ten books and dozens of articles. This study expands Friel criticism into a sizeable body of material and into a fresher interpretative direction. Along with considering Friel's more recent plays, the book analyzes his interviews and essays to chart the author's ideological evolution throughout a career of more than forty years. Moreover, a chapter is devoted to his often ignored articles for The Irish Press (1962–1963), a series that reveals unsuspected insights into Friel's disposition towards the Irish Republic. Refining our understanding of Friel's relationship to Republicanism is central to the argument; rather than assuming that the author embraces nationalist ideology, the book relocates the conceptual concerns of his work away from Dublin and to 'The North', this bridge between Ireland and the British province of Northern Ireland.

Theatre and Empowerment
  • Community Drama on the World Stage
  • Edited by Richard Boon, Jane Plastow
  • Published online:
    22 September 2009
    Print publication:
    19 August 2004
  • Theatre and Empowerment examines the ability of drama, theatre, dance and performance to empower communities of very different kinds, and it does so from a multi-cultural perspective. The communities involved include poverty-stricken children in Ethiopia and the Indian sub-continent, disenfranchised Native Americans in the USA and young black men in Britain, victims of violence in South Africa and Northern Ireland, and a threatened agricultural town in Italy. The book asserts the value of performance as a vital agent of necessary social change, and makes its arguments through the close examination, from 'inside' practice, of the success - not always complete - of specific projects in their practical and cultural contexts. Practitioners and commentators ask how performance in its widest sense can play a part in community activism on a scale larger than the individual, 'one-off' project by helping communities find their own liberating and creative voices.

Holocaust Drama
  • The Theater of Atrocity
  • Gene A. Plunka
  • Published online:
    01 July 2009
    Print publication:
    02 April 2009
  • The Holocaust - the systematic attempted destruction of European Jewry and other 'threats' to the Third Reich from 1933 to 1945 - has been portrayed in fiction, film, memoirs, and poetry. Gene Plunka's study will add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel. Biographical information about the playwrights, production histories of the plays, and pertinent historical information are provided, placing the plays in their historical and cultural contexts.