PLAYSCRIPTSAdshead, Kay. ‘Thatcher's Women.’ Mary Remnant, ed. Plays by Women. Vol. Ⅵ. London: Methuen, 1988. 13–50
Adshead, Kay. The Bogus Woman. London: Oberon Books, 2001
Ahmad, Rukhsana. ‘Song for a Sanctuary.’ In George 1993. 159–86
Ahmad, Rukhsana. Black Shalwar. 1998. Playscript ms 8638. British Lib., London
Ahmad, Rukhsana. River on Fire. 2000. Playscript ms 9397. British Lib., London
Ajibabe, Yemi. A Long Way from Home. 1990. Playscript ms 4877. British Lib., London
Ajibabe, Yemi. Parcel Post. N.d. Playscript ms 608. British Lib., London
Bancil, Parv. ‘Made in England.’ In Nkrumah 2000. 90–131
Baptiste, Roselia John. ‘Back Street Mammy.’ In Considine and Slovo 1987. 67–79
Baptiste, Roselia John. ‘No Place Like Home.’ In Considine and Slovo 1987. 141–55
Brewster, Yvonne, ed. Black Plays. London: Methuen, 1987
Brewster, Yvonne, ed. Black Plays: Two. London: Methuen, 1989
Brewster, Yvonne, ed. Black Plays: Three. London: Methuen, 1995
Buchanan, Wayne. ‘Under Their Influence.’ In Nkrumah 2000. 236–309
Celeste, Michele. ‘Obeah.’ Barrie Keeffe, ed. The 1988 Verity Bargate Award-Winning New Plays. London: Methuen, 1989. 43–84
Chowdhry, Maya. Appetite for Living. 1996. Playscript ms 7694. British Lib., London
Chowdhry, Maya. Kaahini. 1997 (rehearsal draft). Playscript ms 8025. British Lib., London
Chowdhry, Maya. Splinters. 1997 (rehearsal draft). Playscript ms 8398. British Lib., London
Chowdhry, Maya. ‘Monsoon.’ In George 1993. 56–75
Churchill, Caryl. ‘Cloud Nine.’ 1979. Churchill Plays: One. London: Methuen, 1985. 242–320
Churchill, Caryl. Far Away. London: Nick Hern Books, 2000
Churchill, Caryl. Top Girls. 1982. London: Methuen, 1984
Considine, Ann and Rovyn Slovo, eds. Dead Proud from Second Wave Young Women Playwrights. London: Women's Press, 1987
Cooke, Trish. ‘Back Street Mammy.’ Kate Harwood, ed. First Run 2. London: Nick Hern Books, 1990. 38–95
Cooke, Trish. ‘Running Dream.’ In George 1993. 187–227
Cooke, Trish. Gulp Fiction. N.d. Playscript ms 7376. British Lib., London
Cooper, Mary. ‘Heartgame.’ Mary Remnant, ed. Plays by Women. Vol. Ⅷ. London: Methuen, 1990. 31–105
Cumper, Pat. The Key Game. First performed at the Riverside Studios, London, 3 October 2002
Daley, Tracey, Martin, Jo, and Josephine Melville. Shoot 2 Win. London: Oberon Books, 2002
Daniels, Sarah. ‘Masterpieces.’ 1983. Rpt in Sarah Daniels, Plays 1. London: Methuen, 1991. 159–230
Davis, Jill, ed. Lesbian Plays. London: Methuen, 1987
Dayley, Grace. ‘Rose's Story.’ Michelene Wandor, ed. Plays by Women. Vol. Ⅳ. London: Methuen, 1985. 55–80
Delaney, Shelagh. A Taste of Honey. 1959. Rpt London: Methuen, 1982
Dempsey, Shawna and Lorri Millan. ‘Mary Medusa.’ In Goodman 2000. 247–57
Dhingra, Prabjot Dolly. One Night (When Love and Desire Became a Sin). 1996 (1st draft). Playscript ms 7777. British Lib., London
Dhingra, Dolly. Unsuitable Girls. London: Oberon Books, 2001
Dhingra, (Prabjot) Dolly. Unsuitable Girls. N.d. Playscript ms 9342. British Lib., London
Drew, Rani. ‘The Play That Never Got Done.’ The Making of A Chinese Play. Cambridge: Cambridge Poetry Workshop, n.d. 81–188
Drew, Rani. B for Beef: Buy British. 1996. Bristol University Theatre Collection
Drew, Rani. Myself Alone/Asia Calling. 1996. Bristol University Theatre Collection
Drew, Rani. Bradford's Burning. 2001. Unpubl. ms, courtesy of the author
Drew, Rani. Caliban. n.d. Unpubl. ms
Dyson, Ketaki Kushari. Night's Sunlight. Kidlington, Oxon: Virgilio Libro, 2000
George, Kadija, ed. Six Plays by Black and Asian Women Writers. London: Aurora Metro Press, 1993
Ghose, Nandita. ‘Ishtar Descends.’ 1986. In Gray 1990. 85–110
Ghose, Nandita. Bhangra Girls. 1989. Unpubl. ms, 3rd draft, courtesy of the author
Gideon, Killian M. ‘England is De Place for Me.’ 1987. In Gray 1990. 13–66
Goodman, Lizbeth, ed. Mythic Women/Real Women. London: Faber and Faber, 2000
Gray, Frances, ed. Second Wave Plays: Women at the Albany Empire. Sheffield: Sheffield Academic Press, 1990
Griffin, Gabriele and Elaine Aston, eds. Herstory. 2 vols. Sheffield: Sheffield Academic Press, 1991
Griffin, Gabriele and Elaine Aston, eds. Pulp and Other Plays by Tasha Fairbanks. London: Harwood Academic Publishers, 1996
Gupta, Tanika. Skeleton. London: Faber and Faber, 1997
Gupta, Tanika. The Waiting Room. London: Faber and Faber, 2000
Gupta, Tanika. Inside Out. London: Oberon Books, 2002
Gupta, Tanika. Sanctuary. London: Oberon Books, 2002
Harwood, Kate, ed. First Run: New Plays by New Writers. London: Nick Hern Books, 1989
Hilaire, Patricia. Just Another Day. N.d. Playscript ms 1655. British Lib., London
Jinton, Soraya. An Arranged Marriage. N.d. Playscript ms 3802. British Lib., London
Kane, Sarah. ‘Skin.’ Sarah Kane: Complete Plays. Intro. David Greig. London: Methuen, 2001. 247–68
Kaur Bhatti, Gurpreet. Besharam (Shameless). London: Oberon Books, 2001
Kay, Jackie. ‘Chiaroscuro.’ Jill Davis, ed. Lesbian Plays. London: Methuen, 1987. 57–83
Kay, Jackie. ‘Twice Over.’ Philip Osment, ed. Gay Sweatshop: Four Plays and a Company. London: Methuen, 1989. 121–46
Kay, Jackie. Every Bit of It. 1992. Unpubl. ms, courtesy of the author
Kayla, Lisselle. ‘When Last I Did See You.’ In Considine and Slovo 1987. 97–107
Keatley, Charlotte. My Mother Said I Never Should. London: Methuen, 1988
Khan-Din, Ayub. East is East. London: Nick Hern Books and the Royal Court Theatre, 1997
Khan-Din, Ayub. Last Dance at Dum Dum. London: Nick Hern Books and the Royal Court Theatre, 1999
Kotak, Ash. Hijra. 2000. Rpt London: Oberon Books, 2002
Lakshmi, C. S., intro. Body Blows: Women, Violence and Survival – Three Plays. Calcutta: Seagull Books, 2000
Mason-John, Valerie. ‘Brown Girl in the Ring.’ In Mason-John 1999. 99–112
Mason-John, Valerie. ‘Sin Dykes.’ In Mason-John 1999. 41–90
Mason-John, Valerie. Brown Girl in the Ring. London: Get a Grip Publishers, 1999
McMillan, Michael. ‘Brother to Brother.’ In Nkrumah 2000. 132–75
Miller, Kara. Hyacinth Blue. 1999 (4th draft). Playscript ms 8871. British Lib., London
Nkrumah, Afia, intro. Black and Asian Plays Anthology. Compiler. Cheryl Robson. London: Aurora Metro Press, 2000
Norman, Marsha. ’Night Mother. 1983. London: Faber and Faber, 1984
Norton-Taylor, Richard. The Colour of Justice. London: Oberon Books, 1999
Oshodi, Maria. ‘Blood Sweat and Fears.’ In Brewster 1989. 93–142
Oshodi, Maria. Here Comes a Candle. N.d. Bristol University Theatre Collection
Oshodi, Maria. The ‘S’ Bend. N.d. Playscript ms 2301. British Lib., London
Padmanabhan, Manjula. ‘Lights Out.’ In Lakshmi 2000. 1–54
Pinnock, Winsome. ‘A Rock in Water.’ In Brewster 1989. 45–91
Pinnock, Winsome. ‘Leave Taking.’ Kate Harwood, ed. First Run: New Plays by New Writers. London: Nick Hern Books, 1989. 139–89
Pinnock, Winsome. ‘A Hero's Welcome.’ In George 1993. 21–55
Pinnock, Winsome. ‘Talking in Tongues.’ In Brewster 1995. 171–228
Pinnock, Winsome. Mules. London: Faber and Faber, 1996
Pinnock, Winsome. Water. 2000. Playscript ms 9296. British Lib., London
Raif, Ayshe. ‘Caving In.’ Mary Remnant, ed. Plays by Women. Vol. Ⅷ. London: Methuen, 1990. 125–60
Raif, Ayshe. ‘Fail/Safe.’ Cheryl Robson, ed. Seven Plays by Women. London: Aurora Metro Press, 1991. 185–221
Raif, Ayshe. I'm No Angel. 1993 (final draft). Playscript ms 5997. British Lib., London
Raif, Ayshe. Café Society. N.d. Playscript ms 1469. British Lib., London
Randall, Paulette. 24%. N.d. Playscript ms 4974. British Lib., London
Randall, Paulette. Fishing. N.d. Playscript ms 1654. British Lib., London
Rapi, Nina and Maya Chowdhry, eds. Acts of Passion: Sexuality, Gender and Performance. New York: Haworth Press, 1998
Remnant, Mary, ed. Plays by Women. Vol. Ⅴ. London: Methuen, 1986
Remnant, Mary, ed. Plays by Women. Vol. Ⅷ. London: Methuen 1990
Ritchie, Aileen. The Juju Girl. London: Nick Hern Books, 1999
River, Sol B. Plays. London: Oberon Books, 1997
Rudet, Jacqueline. God's Second in Command. 1985 (2nd draft). Playscript ms 2824. British Lib., London
Rudet, Jacqueline. ‘Money to Live.’ Mary Remnant, ed. Plays by Women. Vol. Ⅴ. London: Methuen, 1986. 145–81
Rudet, Jacqueline. ‘Basin.’ In Brewster 1987. 113–39
Rudet, Jacqueline. Take Back What's Yours. 1989. Playscript ms 4163. British Lib., London
Sengupta, Poile. ‘Mangalam.’ In Lakshmi 2000. 93–151
Shange, Ntozake. For colored girls who have considered suicide/when the rainbow is enuf. San Lorenzo CA: Shameless Hussy Press, 1975. Rpt in Shange. Plays One. London: Methuen, 1992. 1–66
Shapiro, Jacqui. One of Us. n.d. (1989?). Unpubl. ms, courtesy of the author
Silas, Shelley. ‘Calcutta Kosher.’ In Nkrumah 2000. 176–235
Smartt, Dorothea. ‘Medusa? Medusa Black !’ In Goodman 2000. 259–62
Syal, Meera. ‘My Sister-Wife.’ In George 1993. 111–58
Syal, Meera. Bombay Dreams. 2002. Playscript ms 10004. British Lib., London
Visniec, Matei. ‘The Body of a Woman as a Battlefield in the Bosnian War.’ Gina Landor, intro. Balkan Plots: Plays from Central and Eastern Europe. London: Aurora Metro Press, 2000. 13–62
Wandor, Michelene, ed. Plays by Women. Vol. Ⅳ. London: Methuen, 1985
Wertenbaker, Timberlake. Credible Witness. London: Faber and Faber, 2001
Wilson, Amrit. ‘Chandralekha.’Inqilab 3/2 (Autumn/Winter 1994): 25–9. Publ. London: South Asia Solidarity Group
Wilson, Amrit. Survivors. 1999. Unpubl. ms, courtesy of the author
Yudd, Yazmine. Unfinished Business. 1999. Playscript ms 8831. British Lib., London
Yudd, Yazmine. Identity. 2000. Playscript ms 9888. British Lib., London
Zindika. Paper and Stone. 1989. Unpubl. ms, courtesy of the author
Zindika. ‘Leonora's Dance.’ In George 1993. 76–110
Zindika. The Day Mother Took Us to the Seaside. N.d. Unpubl. ms, courtesy of the author
THEATRE THEORY AND CRITICISMArcher-Straw, Petrine. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s. London: Thames and Hudson, 2000
Aston, Elaine. An Introduction to Feminism and Theatre. London: Routledge, 1995
Aston, Elaine. Feminist Theatre Voices. Loughborough: Loughborough Theatre Texts, 1997
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Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press, 1990
Bayley, Clare. ‘Review of Mules.’ Independent 3 May 1996. In London Theatre Record 22 April–5 May 1996: 545
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Bharucha, Rustom. The Politics of Cultural Practice: Thinking Through Theatre in an Age of Globalization. London: Athlone Press, 2000
Billington, Michael. ‘White Out.’Guardian 18 October 2000. http://www.guardian.co.uk/arts/story, 17 January 2002. 1–3
Boon, Richard and Jane Plastow, eds. Theatre Matters: Performance and Culture on the World Stage. Cambridge: Cambridge University Press, 1998
Brater, Enoch, ed. Feminine Focus: The New Women Playwrights. Oxford: Oxford University Press, 1989
Brewer, Mary F. Race, Sex, and Gender in Contemporary Women's Theatre. Brighton: Sussex Academic Press, 1999
Brewster, Yvonne (interviewed by Liz Goodman). ‘Drawing the Black and White Line: Defining Black Women's Theatre.’New Theatre Quarterly 7/28 (1991): 361–8
Case, Sue-Ellen. Feminism and Theatre. Houndsmill: Macmillan, 1998
Chaudhuri, Una. ‘The Future of the Hyphen: Interculturalism, Textuality, and the Difference Within.’ Bonnie Marranca and Gautam Dasgupta, eds. Interculturalism and Performance: Writings from PAJ. New York: PAJ, 1991. 192–207
Chowdhry, Maya. ‘Living Performance.’ In Rapi and Chowdhry 1998. 9–20
Connor, Geraldine. Carnival Messiah. Programme notes. Leeds: West Yorkshire Playhouse, 2002
Coren, Michael. Theatre Royal: 100 Years of Stratford East. London: Quartet Books, 1984
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Cousin, Geraldine. Women in Dramatic Place and Time. London: Routledge, 1996
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Croft, Susan. She Also Wrote Plays. London: Faber and Faber, 2001
Curb, Rosemary. ‘Core of the Apple: Mother-Daughter Fusion/Separation in Three Recent Lesbian Plays.’ Karla Jay and Joanne Glasgow, eds. Lesbian Texts and Contexts. New York: New York University Press, 1990. 355–76
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Dahl, Mary Karen. ‘Postcolonial British Theatre: Black Voices at the Center.’ In Gainor 1995. 38–55
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Fischer-Lichte, Erika. The Show and the Gaze of Theatre: A European Perspective. Iowa City: University of Iowa Press, 1997
Gainor, J. Ellen, ed. Imperialism and Theatre: Essays on World Theatre, Drama and Performance. London: Routledge, 1995
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CONTEXTUAL MATERIALAfshar, Haleh. ‘Muslim Women in West Yorkshire: Growing Up with Real and Imaginary Values amidst Conflicting Views of Self and Society.’ In Afshar and Maynard 1994. 127–47
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