Articles, etc.Alexander, Francis, ed., The Chelsea Centre Annual Report (1998).
Archer, William, ‘The Mausoleum of Ibsen’, Fortnightly Review 54 (July 1893): 77–91.
Arnold, Matthew, ‘The French Play in London’, Nineteenth Century 6 (August 1879): 228–43.
Barker, Harley Granville, ‘At the Moscow Art Theatre’, Seven Arts 2 (1917): 659–61.
Barker, Harley Granville, ‘Repertory Theatres’, New Quarterly 2 (1909): 491–504.
Barker, Harley Granville, ‘Two German Theatres’, Fortnightly Review 89 (January–June 1911): 60–70.
Billington, Michael, ‘Hindsight sagas’, Guardian, 29.12.1999, G2, pp. 10–11.
Billington, Michael,‘The other Marx brother’, Guardian, 10.2.1998, G2, p. 9.
Burnand, F. C., ‘Authors and Managers’, Theatre (February–July 1879): 17.
Canaris, Volker, ‘Style and the Director,’ trans. Claudia Rosoux, in Hayman, ed., German Theatre, pp. 250–1.
Chandos, Oliver Lyttelton, Viscount, Letter to the Editor, in The Times, 2.5.1967.
Crawfurd, Oswald, ‘The London Stage’, Fortnightly Review 47 (April 1890): 499–516.
Crawfurd, Oswald, ‘The London Stage, II. A Rejoinder’, Fortnightly Review 47 (June 1890): 931–6.
Crawfurd, Oswald, ‘The London Stage’, Fortnightly Review 48 (August 1890): 315–316.
Craze, Tony, ed., Going Black Under the Skin (London: New Playwrights Trust, 1997).
Deeney, John, ed., The Mentoring Scheme for Women Writers (London: New Playwrights Trust, 1996).
Finegan, J. J., ‘All about “Juno”: a job well done’, Evening Herald, 7.5.1966, p. 8.
Girault, Alain, ed.-in-chief, ‘Dramaturgie’, Théâtre/public 67 (January–February 1986).
Holland, Peter, ‘David Garrick: 3rdly, as an Author’, Studies in Eighteenth Century Culture 25: 39–62.
Holland, Peter,‘Theatre’, in Latham and Matthews, eds., Samuel Pepys: Companion, pp. 431–45.
Hunt, Leigh, ‘Rules for the Theatrical Critic of a Newspaper’, in Archer and Lowe, eds., Dramatic Essays, pp. 124–7.
Irving, Henry, ‘Actor-Managers II’, Nineteenth Century 27 (June 1890): 1052–3.
Jones, H. A., ‘The Actor-Manager’, Fortnightly Review 48 (July 1890): 1–18.
Kott, Jan, ‘The Dramaturg’, New Theatre Quarterly 6.21 (February 1990): 3–4.
Luckett, Richard, ‘Plays’, in Latham and Matthews, eds., Samuel Pepys: Companion, pp. 337–42.
Luckhurst, Mary, ‘Mentors or Censors?’, New Playwrights Trust (Writernet) News 123 (February 1999): 3–4.
Marowitz, Charles, ‘Talk with Tynan’, Encore 10.44 (July/August 1963): 7–27.
McDonald, Jan, ‘Shaw and the Court Theatre’, in Innes, ed., Cambridge Companion to Shaw, pp. 261–83.
Meth, Jonathan, ed., Commissioning the Future (London: New Playwrights Trust, 1997).
Milhous, Judith, ‘Thomas Betterton's Playwriting’, Bulletin of the New York Public Library 77 (1974): 375–92.
Münsterer, Hans Otto, ‘Recollections of Brecht in 1919 in Augsburg’, in Witt, ed., Brecht As They Knew Him, pp. 23–31.
Piscator, Erwin, ‘Über Grundlagen und Aufgaben des Proletarischen Theaters’, in Piscator, Schriften, ii, 9–12.
Reade, Simon, ‘Young Blood’, Time Out, 3–10.9.1997, p. 139.
Rees, Jasper, ‘Stage Fright’, London Evening Standard, 26.11.1999, ES, pp. 48–52.
Seymour, Alan, ‘Theatre 1965’, London Magazine 5.5 (August 1965): 49–55.
Stoker, Bram, ‘Actor-Managers I’, Nineteenth Century 27 (June 1890): 1040–51.
Tenschert, Joachim, ‘Qu'est-ce qu'un dramaturge?’, Théâtre Populaire 38 (1960): 41–8.
Tree, H. Beerbohm, ‘The London Stage, I. A Reply’, Fortnightly Review 47 (June 1890): 922–31.
Tree, H. Beerbohm, ‘The London Stage, II. A Stage Reply’, Fortnightly Review 48 (July 1890): 18–21.
Tynan, Kenneth, ‘The National Theatre: A Speech to the Royal Society of Arts’, in Tynan, View of the English Stage, pp. 352–64.
Tynan, Kenneth,Letters to the Editor, The Times, 4.5.1967 and 7.5.1967.
Kerkhoven, Marianne, ed.-in-chief, ‘Über Dramaturgie/On dramaturgy/A propos de dramaturgie/Over dramaturgie’, Theaterschrift 5–6 (1993).
Veltman, Chloe, ‘dramaturg. dramawot?’, New Playwrights Trust (Writernet) News 119 (1998): 7–8.
Weber Carl, ‘Brecht and the Berliner Ensemble – the Making of a Model’, in Thomson and Sacks, eds., Cambridge Companion to Brecht, pp. 167–84.
Willett, John, ‘Bacon ohne Shakespeare? The problem of Mitarbeit’, in Fuegi et al., eds., Brecht, Women, Politics, pp. 121–37.
Wilson, Effingham, ‘Proposition for a National Theatre’, in Whitworth, National Theatre, pp. 26–9.
Wilson, Effingham, A House for Shakespeare; a Proposition for the Consideration of the Nation (London: Mr Hurst, King William Street, Strand, 1848).
Wilson, Effingham, A House for Shakespeare; a Proposition for the Consideration of the Nation (London: Mr Mitchell, Red Lion Court, Fleet Street, 1848).
Wyndham, Charles, ‘Actor-Managers III’, The Nineteenth Century 27 (June 1890): 1054–8.
Books1832 Report from the Select Committee on Dramatic Literature, in Stage and Theatre I (Shannon: Irish University Press, 1968) [British Parliamentary Papers].
1866 Report from the Select Committee on Theatrical Licences and Regulations, in Stage and Theatre II (Shannon: Irish University Press, 1970) [British Parliamentary Papers].
Addenbrooke, David, The Royal Shakespeare Company (London: William Kimber, 1974).
Archer, William, About The Theatre (London: T. Fisher Unwin, 1886).
Archer, William, English Dramatists of Today (London: Sampson Low, Marston, Searle and Rivington, 1882).
Archer, William, The Old Drama and the New (London: William Heinemann, 1923).
Archer, William, Play-making (1912; 4th edn, London: Chapman and Hall, 1930).
Archer, William and Barker, H. Granville, Scheme and Estimates for a National Theatre (London: Duckworth and Co., 1907).
Archer, William and Lowe, Robert W., eds., Dramatic Essays (London: Walter Scott, 1894).
Aristotle, Poetics, general ed. Goold, G. P., trans. and ed. Stephen Halliwell (Cambridge, MA: Harvard University Press, 1995) [Loeb Classical Library].
Aston, Elaine, Feminist Theatre Practice: A Handbook (London: Routledge, 1999).
Bahr, Ehrhard, ed., Was ist Aufklärung? (Stuttgart: Reclam, 1974).
Bancroft, Marie and Bancroft, Squire, The Bancrofts (London: John Murray, 1909).
Barker, Harley Granville(-), The Exemplary Theatre (London: Chatto and Windus, 1922).
Barker, Harley Granville(-), A National Theatre (London: Sidgwick and Jackson, 1930).
Bartram, Graham and Waine, Anthony, Brecht in Perspective (Harlow: Longman, 1982).
Bate, Jonathan, Shakespearean Constitutions: Politics, Theatre, Criticism 1730–1830 (Oxford: Clarendon Press, 1989).
Beauman, Sally, The Royal Shakespeare Company: A History of Ten Decades (Oxford: Oxford University Press, 1982).
Beerbohm, Max, ed., Herbert Beerbohm Tree (London: Hutchinson and Co., 1920).
Benjamin, Walter, Understanding Brecht, trans. Anna Bostock (1966; London and New York: Verso, 1983).
Bentley, Eric, The Brecht Memoir, 2nd edn (Manchester: Carcanet, 1989).
Bentley, Gerald Eades, The Profession of Dramatist in Shakespeare's Time 1590–1642 (Princeton: Princeton University Press, 1971).
Bentley, Gerald Eades, The Profession of Player in Shakespeare's Time (Princeton: Princeton University Press, 1984).
Bentley, Gerald Eades, Shakespeare and his Theatre (Lincoln: University of Nebraska Press, 1964).
Berlau, Ruth, Brecht, Bertolt, Hubalek, Claus, Palitzsch, Peter and Rülicke, Käthe, eds., Theaterarbeit 6: Aufführungen des Berliner Ensemble (Dresden: Desdner Verlag, 1952).
Bly, Mark, ed., The Production Notebooks (New York: Theatre Communications Group, 1996) [Theatre in Process].
Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991).
Borsa, Mario, The English Stage of Today, trans. and ed. Brinton, Selwyn (London and New York: John Lane, 1908).
Brecht, Bertolt, Bertolt Brecht Letters 1913–1956, trans. Ralph Manheim, ed. Willett, John (London: Methuen, 1990).
Brecht, Bertolt,Brecht on Theatre, trans. and ed. Willett, John (1964; London: Methuen, 1987).
Brecht, Bertolt,Brecht: Schriften zum Theater, ed. Hecht, Werner (1957; 6 vols., rev. edn, Frankfurt-on-Main: Suhrkamp, 1963).
Brecht, Bertolt,Briefe, ed. Glaeser, Günter, 2 vols. (Frankfurt-on-Main: Suhrkamp, 1981).
Brecht, Bertolt,Gesammelte Werke, ed. Hauptmann, Elisabeth, 8 vols. (Frankfurt-on-Main: Suhrkamp, 1967).
Brecht, Bertolt,Journals 1934–1955, ed. Willett, John (London: Methuen, 1993).
Brecht, Bertolt, The Messingkauf Dialogues, trans. John Willett (1965; London: Methuen, 1994).
Brecht, Bertolt,Werke, ed. Hecht, Werner, Knopf, Jan, Mittenzwei, Werner and Müller, Klaus-Detlef, 30 vols. (Berlin: Aufbau Verlag; Frankfurt-on-Main: Suhrkamp, 1988–98).
Brockett, Oscar G., The Essential Theatre (1976; 6th edn, New York: Harcourt Brace, 1996).
Brook, Peter, The Empty Space (1968; Harmondsworth: Penguin, 1990).
Brooker, Peter, Bertolt Brecht: Dialectics, Poetry, Politics (London: Croom Helm, 1988).
Bunge, Hans, ed., Brechts Lai-Tu: Erinnerungen und Notate von Ruth Berlau (1981; 2nd edn, Darmstadt: Hermann Luchterhand, 1985).
Bunn, Alfred, The Stage: Both Before and Behind the Curtain, 3 vols. (London: Richard Bentley, 1840).
Burling, William J., A Checklist of New Plays and Entertainments on the London Stage 1700–1732 (Rutherford: Fairleigh Dickinson University Press, 1993).
Byron, George Gordon, Lord, Letters and Journals, ed. Marchand, Leslie A., 12 vols. (London: John Murray, 1973–82).
Callow, Simon, ed., The National: The Theatre and its Work 1963–1997 (London: Nick Hern Books/Royal National Theatre, 1997).
Cardullo, Bert, ed., What is Dramaturgy? (New York: Peter Lang, 1995) [American University Studies, series 26, vol. 20].
Carson, Neil, A Companion to Henslowe's Diary (Cambridge: Cambridge University Press, 1988).
Chambers, E. K., William Shakespeare: A Study of Facts and Problems, 2 vols. (Oxford: Clarendon Press, 1930).
Chothia, Jean, English Drama of the Early Modern Period (London and New York: Longman, 1996) [Longman Literature in English Series].
Cibber, Colley, An Apology for the Life of Colley Cibber, ed. Fone, B. R. S (Ann Arbor: University of Michigan Press, 1968).
Cochrane, Claire, The Birmingham Rep (Birmingham: Sir Barry Jackson Trust, 2003).
Cole, J. W., The Life and Theatrical Times of Charles Kean, F. S. A., 2 vols. (London: Richard Bentley, 1859).
Cook, Dutton, On the Stage, 2 vols. (London: Sampson, Low, Marston, Searle and Rivington, 1883).
Cook, Judith, The National Theatre (London: Harrap, 1976).
Craig, Gordon, Henry Irving (London: J. M. Dent and Sons, 1930).
Davies, Thomas, Memoirs of the Life of David Garrick, 2 vols. (London: [n.p.] 1780).
Dexter, John, The Honourable Beast (London: Nick Hern Books, 1993).
Dibdin, Thomas, The Reminiscences of Thomas Dibdin, 2 vols. (London: Henry Colburn, 1827).
Dickson, Keith A., Towards Utopia: A Study of Brecht (Oxford: Clarendon Press, 1978).
Doty, Gresdna A. and Harbin, Billy J., eds., Inside the Royal Court Theatre, 1956–1981 (Baton Rouge: Louisiana State University Press, 1990).
Downes, John, Roscius Anglicanus, ed. Milhous, Judith and Hume, Robert D. (London: Society for Theatre Research, 1987).
Dukore, Bernard F., Bernard Shaw, Director (London: Allen and Unwin, 1971).
Eddershaw, Margaret, Performing Brecht: Forty Years of British Performances (London: Routledge, 1996).
Edgar, David, ed., State of Play (London: Faber and Faber, 1999).
Egan, Michael, ed., Ibsen: The Critical Heritage (London: Routledge and Kegan Paul, 1972).
Elsom, John, Post-War British Theatre Criticism (London: Routledge and Kegan Paul, 1981).
Elsom, John and Tomalin, Nicholas, The History of the National Theatre (London: Jonathan Cape, 1978).
Esslin, Martin, Brecht: A Choice of Evils (London: Eyre and Spottiswoode, 1959).
Filon, Augustin, The English Stage, trans. Frederic Whyte (London: John Milne; New York: Dodd, Mead and Co., 1897).
Findlater, Richard, ed., At the Royal Court: 25 Years of the English Stage Company (Derby: Amber Lane, 1981).
Fitzball, Edward, Thirty-Five Years of a Dramatic Author's Life, 2 vols. (London: T. C. Newby, 1859).
Fitzgerald, Percy, Henry Irving. Twenty Years at the Lyceum (London: Chapman and Hall, 1893).
Foulkes, Richard, ed., Shakespeare and the Victorian Stage (Cambridge: Cambridge University Press, 1986).
Foulkes, Richard, ed.,British Theatre in the 1890s (Cambridge: Cambridge University Press, 1992).
Fuegi, John, Bertolt Brecht: Chaos, According to Plan (Cambridge: Cambridge University Press, 1987).
Fuegi, John, Brecht and Company: Sex, Politics, and the Making of the Modern Drama (New York: Grove Press, 1994).
Fuegi, John, Bahr, Gisela and Willett, John, eds., Brecht, Women, Politics (Detroit: Wayne State University Press, 1983).
Garrick, David, The Letters of David Garrick, ed. Little, David M. and Kahrl, George M., 3 vols. (Oxford: Oxford University Press, 1963).
Gaskill, William, A Sense of direction (London: Faber and Faber, 1988).
Gentleman, FrancisThe Modish Wife … to Which is Prefixed a Summary View of the Stage (1775; New York: Readex Microprints, 1963).
Gottlieb, Vera and Chambers, Colin, eds., Theatre in a Cool Climate (Oxford: Amber Lane, 1999).
Gray, Charles Harold, Theatrical Criticism in London to 1795 (New York: Columbia University Press, 1931).
Gray, Ronald, Brecht the Dramatist (Cambridge: Cambridge University Press, 1976).
Hall, Peter, Making an Exhibition of Myself (London: Sinclair-Stevenson, 1993).
Hall, Peter,Peter Hall's Diaries, ed. Goodwin, John (London: Hamish Hamilton, 1983).
Hanssen, Paula, Elisabeth Hauptmann: Brecht's Silent Collaborator (New York: Peter Lang, 1994) [New York Ottendorfer Series].
Harrold, Charles Frederick, Carlyle and German Thought 1819–1834 (London: Archon, 1963).
Hauptmann, Elisabeth, Julia ohne Romeo, ed. Eggert, Rosemarie and Hill, Rosemarie (Berlin: Aufbau Verlag, 1977).
Hayman, Ronald, ed., The German Theatre (London: Oswald Wolf, 1975).
Hecht, Werner, ed., Alles was Brecht ist, 3rd edn (Frankfurt-on-Main: Suhrkamp, 1998).
Hecht, Werner, Brecht Chronik 1898–1956 (Frankfurt-on-Main: Suhrkamp, 1997).
Highfill, Philip H., Burnim, Kalman A. and Langhans, Edward A., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and other Stage Personnel in London 1660–1800, 16 vols. (Carbondale: Southern Illinois University Press, 1973–93).
Hill, Aaron and Popple, William, The Prompter, ed. Appleton, William W. and Burnim, Kalman A. (New York: Benjamin Bloom, 1966).
Holland, Peter, The Ornament of Action (Cambridge: Cambridge University Press, 1979).
Hume, Robert D., The Development of English Drama in the Late Seventeenth Century (Oxford: Clarendon Press, 1976).
Hume, Robert D., Henry Fielding and the London Theatre 1728–1737 (Oxford: Clarendon Press, 1988).
Hume, Robert D., ed., The London Theatre World 1660–1800 (Carbondale: Southern Illinois University Press/London and Amsterdam: Feffer and Simons, 1980).
Hunt, Leigh, Autobiography of Leigh Hunt, ed. Ingpen, Roger, 2 vols. (London: Archibald Constable and Co., 1903).
Hutchison, Robert, The Politics of the Arts Council (London: Sinclair Browne, 1982).
Innes, Christopher, Erwin Piscator's Political Theatre: The Development of Modern German Drama (Cambridge: Cambridge University Press, 1972).
Innes, Christopher, Modern German Drama: A Study in Form (Cambridge: Cambridge University Press, 1979).
Innes, Christopher, ed., The Cambridge Companion to George Bernard Shaw (Cambridge: Cambridge University Press, 1998).
Itzin, Catherine, Stages in the Revolution (London: Methuen, 1980).
Jackson, Russell, ed., Victorian Theatre (London: A. and C. Black, 1989).
Johnson, John, The Lord Chamberlain's Blue Pencil (London: Hodder and Stoughton, 1990).
Jonas, Susan, Proehl, Geoff and Lupu, Michael, eds., Dramaturgy in American Theater: A Source Book (New York: Harcourt Brace, 1997).
Jones, H. A., Renascence of the English Drama (London and New York: Macmillan, 1895).
Joseph, Stephen, New Theatre Forms (London: Isaac Pitman and Sons, 1968).
Joseph, Stephen, The Story of the Playhouse in England (London: Barrie and Rockliff, 1963).
Joseph, Stephen, Theatre in the Round (London: Barrie and Rockliff, 1967).
Kebir, Sabine, Ein akzeptabler Mann? Brecht und die Frauen (Berlin: Aufbau Verlag, 1998).
Kebir, Sabine, Helene Weigel: Abstieg in den Ruhm (Berlin: Aufbau Verlag, 2002).
Kebir, Sabine, Ich Fragte Nicht Nach Meinem Anteil: Elisabeth Hauptmanns Arbeit mit Bertolt Brecht (Berlin: Aufbau Verlag, 1997).
Kennedy, Dennis, Granville Barker and the Dream of Theatre (1985; repr. with corr., Cambridge: Cambridge University Press, 1989).
Kleber, Pia and Visser, Colin, Reinterpreting Brecht: His Influence on Contemporary Drama and Film (Cambridge: Cambridge University Press, 1990).
Klotz, C. A., ed., Deutsche Bibliothek der schönen Wissenschaften (Halle, 1769).
Knopf, Jan, Bertolt Brecht. Eine Forschungsbericht. Fragwürdiges in der Brechtforschung (Frankfurt-on-Main: Fischer, 1974).
Knopf, Jan, Brecht-Handbuch. Lyrik, Epik, Schriften. Eine Asthetik der Widersprüche (Stuttgart: J. B. Metzler, 1984).
Knopf, Jan, Brecht-Handbuch: Theater. Eine Asthetik der Widersprüche (Stuttgart: J. B. Metzler, 1980).
Kruger, Loren, The National Stage (Chicago: University of Chicago Press, 1992).
Kruger, Loren, Post-Imperial Brecht: Politics and Performance, East and South (Cambridge: Cambridge University Press, 2004).
Kustow, Michael, Theatre@risk (London: Methuen, 2000).
Lamport, F. J., German Classical Drama (1990; Cambridge: Cambridge University Press, 1992).
Lamport, F. J., Lessing and the Drama (Oxford: Clarendon Press, 1981).
Latham, R. C. and Matthews, W., eds., The Diary of Samuel Pepys, volume x, Companion (London: HarperCollins, 1995).
Lennard, John and Luckhurst, Mary, The Drama Handbook: A Guide to Reading Plays (Oxford: Oxford University Press, 2002).
Lessing, G. E., Hamburgische Dramaturgie, in Lessing's Werke, ed. Petersen, J. and Olshausen, W., 25 vols. (Berlin: Bong and Co., 1925).
Lessing, G. E.Hamburgische Dramaturgie, ed. Berghahn, Klaus L. (Stuttgart: Reklam, 1981).
Lessing, G. E.Sämtliche Schriften, ed. Lachmann, K., 23 vols. (Berlin: Muncker, 1886–1924).
Lessing, G. E.,Selected Prose Works, ed. Bell, E., trans. E. C. Beasley and Helen Zimmern (London: George Bell and Sons, 1879).
Littlewood, Joan, Joan's Book (London: Minerva, 1995).
Lyon, James K., Bertolt Brecht in America (Princeton: Princeton University Press, 1980).
MacCarthy, Desmond, The Court Theatre 1904–1907 (London: A. H. Bullen, 1907).
Macready, William Charles, The Diaries, ed. Toynbee, William, 2 vols. (London: Chapman and Hall, 1912).
Macready, William Charles,Reminiscences and Selections from his Diaries and Letters, ed. Pollock, Frederick, 2 vols. (London: Macmillan, 1875).
Marshall, Norman, The Producer and the Play (1957; 2nd edn, London: MacDonald, 1962).
Martin-Harvey, John, The Autobiography of Sir John Martin-Harvey (London: Sampson, Low, Marston and Co., 1933).
Marx, Karl and Engels, Friedrich, Marx-Engels-Werke, Institut für Marxismus-Leninismus beim Zentralkommittee der Sozialistische Einheitspartei Deutschlands, 43 vols. (Berlin: Dietz Verlag, 1958).
Mason, A. E. W., Sir George Alexander and the St James Theatre (London: Macmillan, 1935).
Mayer, Hans, Erinnerung an Brecht (Frankfurt-on-Main: Suhrkamp, 1996).
McCabe, Terry, Mis-directing the Play (Chicago: Ivan R. Dee, 2001).
Melville, Lewis, The Life and Letters of Tobias Smollett (New York: Kennikat Press, 1966).
Mews, Siegfried, ed., A Bertolt Brecht Reference Companion (Westport, CT, and London: Greenwood Press, 1997).
Milhous, Judith D. and Hume, Robert D., Producible Interpretation (Carbondale: Southern Illinois University Press, 1985).
Milhous, Judith D. and Hume, Robert D., A Register of English Theatrical Documents 1660–1737, 2 vols. (Carbondale: Southern Illinois University Press, 1991).
Milibrand, Ralph, Parliamentary Socialism (London: Merlin Press, 1979).
Mittenzwei, Werner, Das Leben Bertolt Brecht, 2 vols. (Berlin: Aufbau Verlag, 1986).
Mittenzwei, Werner, Wer war Brecht (Berlin: Aufbau Verlag, 1977).
Münsterer, Hanns Otto, The Young Brecht, 2nd edn, trans. Tom Kuhn and Karen Leeder (London: Libris, 1992).
Nagler, A. M., A Source Book in Theatrical History (New York: Dover Press, 1959).
Needle, Jan and Thomson, Peter, Brecht (Oxford: Basil Blackwell, 1981).
Olivier, Laurence, Confessions of an Actor (1982; London: Orion Books, 1994).
Parsons, Mrs Clement, Garrick and his Circle (London: Methuen, 1906).
Paulin, Roger, Ludwig Tieck: A Literary Biography (Oxford: Clarendon Press, 1985).
Pavis, Patrice, Dictionary of the Theatre (Paris: Dunod, 1996; trans. Christine Shantz, Toronto: University of Toronto Press, 1998).
Pemberton, T. Edgar, Sir Charles Wyndham (London: Hutchison and Co., 1904).
Pickard-Cambridge, Arthur, The Dramatic Festivals of Athens, 2nd edn, rev. John Gould and D. M. Lewis (Oxford: Clarendon Press, 1988).
Piscator, Erwin, Das Politische Theater (1929; rev. Felix Gasbarra, Hamburg: Rowohlt, 1963).
Piscator, Erwin,Schriften, ed. Hoffmann, Ludwig, 2 vols. (Berlin: Henschelverlag, 1968).
[Platt, Agnes,] Anonymous (London: John Murray, 1936).
Purdom, C. B., Harley Granville Barker: Man of the Theatre, Dramatist and Scholar (Westport, CT: Greenwood Press, 1956).
Reinelt, Janelle, After Brecht. British Epic Theatre (Ann Arbor: University of Michigan Press, 1994).
Richards, Kenneth and Thomson, Peter, Essays on Nineteenth-Century British Theatre (London: Methuen, 1971).
Rilla, Paul, Lessing und sein Zeitalter (Berlin: Aufbau Verlag, 1981).
Roberts, Philip, The Royal Court and the Modern Stage (Cambridge: Cambridge University Press, 1999).
Roberts, Philip, The Royal Court Theatre 1965–1972 (Cambridge: Cambridge University Press, 1986).
Robertson, J. D., Lessing's Dramatic Theory (Cambridge: Cambridge University Press, 1939).
Rouse, John, Brecht and the West German Theatre (Ann Arbor: UMI Research Press, 1989) [Theatre and Dramatic Studies, no. 62].
Rowell, George, The Old Vic Theatre: A History (Cambridge: Cambridge University Press, 1993).
Rowell, George, The Victorian Theatre: A Survey (Oxford: Clarendon Press, 1956).
Rowell, George and Jackson, Anthony, The Repertory Movement. A History of Regional Theatre in Britain (Cambridge: Cambridge University Press, 1984).
Rülicke-Weiler, Käthe, Die Dramaturgie Brechts (Berlin: Henschelverlag, 1966).
Christopher, St John, ed., Ellen Terry and Bernard Shaw. A Correspondence (London: Constable and Co., 1931).
Salberg, Derek, My Love Affair with a Theatre (Luton: Cortney Publications, 1978).
Salmon, Eric, Granville Barker: A Secret Life (London: William Heinemann, 1983).
Salmon, Eric, Granville Barker and his Correspondents (Detroit: Wayne State University Press, 1986).
Schiller, Friedrich, Der Briefwechsel zwischen Schiller und Goethe, ed. Staiger, Emil (Frankfurt-on-Main: Insel, 1966).
Schiller, Friedrich,Sämtliche Werke, ed. Fricke, Gerhard and Göpfert, Herbert G., 5 vols. (Munich: Karl Hanser, 1980).
Schnapp, Jeffrey T., Staging Fascism (Stanford: Stanford University Press, 1996).
Shaw, George Bernard, Bernard Shaw's Letters to Granville Barker, ed. Purdom, C. B. (London: Phoenix, 1956).
Shaw, George Bernard,Collected Letters 1874–1897, ed. Laurence, Dan H. (London: Max Reinhardt, 1965).
Shaw, George Bernard, Major Critical Essays (1932; standard edn, London: Constable and Co., 1947).
Shaw, George Bernard, Our Theatres in the Nineties (1932; 3 vols., standard edn, London: Constable and Co., 1948).
Shellard, Dominic, Kenneth Tynan: A Life (New Haven: Yale University Press, 2003).
Senelick, Laurence, ed., National Theatre in Northern and Eastern Europe (Cambridge: Cambridge University Press, 1991).
Smith, Chris, Creative Britain (London: Faber and Faber, 1998).
Smollett, Tobias, The Letters of Tobias Smollett, ed. Knapp, Lewis M. (Oxford: Clarendon Press, 1970).
Stafford-Clark, Max, Letters to George: The Account of a Rehearsal (London: Nick Hern Books, 1997).
Steinmetz, Horst, Lessing – ein unpoetischer Dichter (Frankfurt and Bonn: Athenäum, 1969).
Steinmetz, Horst, ed., Schriften zur Literatur (Stuttgart: Reklam, 1982).
Steinweg, Reiner, Das Lehrstück. Brechts Theorie einer ästhetischen Erziehung (Stuttgart: J. B. Metzler, 1972).
Steinweg, Reiner, ed., Auf Anregung Bertolt Brechts: Lehrstücke mit Schülern, Arbeitern, Theaterleuten (Frankfurt-on-Main: Suhrkamp, 1978).
Steinweg, Reiner, Brechts Modell der Lehrstücke. Zeugnisse, Diskussionen, Erfahrungen (Frankfurt-on-Main: Suhrkamp, 1976).
Stephens, John Russell, The Profession of the Playwright: British Theatre 1800–1900 (Cambridge: Cambridge University Press, 1992).
Stern, Carola, Männer lieben anders: Helene Weigel und Bertolt Brecht (Berlin: Rowohlt, 2000).
Stern, Tiffany, Rehearsal from Shakespeare to Sheridan (Oxford: Oxford University Press, 2000).
Suvin, Darko, To Brecht and Beyond: Soundings in Modern Dramaturgy (Brighton: Harvester Press, 1984).
Taylor, George, Players and Performances in the Victorian Theatre (Manchester: Manchester University Press, 1989).
Taylor, John Russell, Anger and After: A Guide to the New British Drama (Harmondsworth: Penguin [Pelican], 1963).
Taylor, John Russell, The Penguin Dictionary of the Theatre (Harmondsworth: Penguin, 1966; London: Methuen, 1967).
Thomas, David, ed., Restoration and Georgian England 1660–1788 (Cambridge: Cambridge University Press, 1989) [Theatre in Europe: A Documentary History Series].
Thomson, Peter and Sacks, Glendyr, eds., The Cambridge Companion to Brecht (Cambridge: Cambridge University Press, 1994).
Trewin, John Courtenay, The Theatre Since 1900 (London: Andrew Dakers, 1951).
Trewin, John Courtenay and Trewin, Wendy, The Arts Theatre London 1927–1981 (London: Society for Theatre Research, 1986).
Tynan, Kathleen, The Life of Kenneth Tynan (London: Methuen, 1988).
Tynan, Kathleen, ed., Kenneth Tynan: Letters (London: Weidenfeld and Nicolson, 1994).
Tynan, Kenneth, Curtains (London: Longmans, 1961).
Tynan, Kenneth, He That Plays The King (London: Longmans, Green and Co., 1950).
Tynan, Kenneth,Profiles, eds. Tynan, Kathleen and Eban, Ernie (London: Nick Hern Books, 1989).
Tynan, Kenneth, Tynan Right and Left (London: Longman, 1967).
Tynan, Kenneth, A View of the English Stage (London: Davis-Poynter, 1975).
Tynan, Kenneth, ed., Othello (London: Rupert Hart-Davis, 1965).
Tynan, Kenneth, ed.,The Recruiting Officer (London: Rupert Hart-Davis, 1965).
Lennep, William, Avery, Emmet L., Scouten, Arthur H., Stone, George Winchester and Hogan, Charles Beecher, The London Stage 1660–1800, 11 vols. (Carbondale: Southern Illinois University Press, 1965–8).
Völker, Klaus, Brecht, trans. John Nowell (London: Marion Boyars, 1979).
Völker, Klaus, Brecht-Chronik (Munich: Carl Hanser, 1971).
Weigel, Hélène, Briefwechsel 1935–1971, ed. Mahlke, Stefan (Berlin: Theater der Zeit, 2000).
Wekwerth, Manfred, Notate: Über die Arbeit des Berliner Ensembles 1956–1966 (Frankfurt-on-Main: Suhrkamp, 1967).
Wekwerth, Manfred, Schriften: Arbeit mit Brecht (Berlin: Henschelverlag, 1975).
White, Martin, Renaissance Drama in Action: An Introduction to Aspects of Theatre Practice and Performance (London and New York: Routledge, 1998).
Whitebrook, Peter, William Archer: A Biography (London: Methuen, 1993).
Whitworth, Geoffrey, The Making of a National Theatre (London: Faber and Faber, 1951).
Wilke, Judith, ed., Hélène Weigel 100 (Madison: University of Wisconsin Press, 2000) [Brecht Yearbook 25].
Willet, John, The Theatre of Bertolt Brecht: A Study from Eight Aspects (1959; 3rd edn, London: Methuen, 1967).
Willet, John, The Theatre of the Weimar Republic (New York and London: Holmes and Meier, 1988).
Willet, John, ed., Brecht Then and Now, damals und heute (Madison: University of Wisconsin Press, 1995) [Brecht Yearbook 20].
Winston, James, Drury Lane Journal. Selections from James Winston's Diaries 1819–1827, ed. Nelson, Alfred L. and Cross, Gilbert B. (London: Society of Theatre Research, 1974).
Witt, Hubert, ed., Brecht As They Knew Him (trans. John Peet, 1974; 3rd edn, London: Lawrence and Wishart, 1980).
Wizisla, Erdmut, ed., 1898 Bertolt Brecht 1998 (Berlin: Akademie der Künste, 1998).
Zeydel, Edwin H., Ludwig Tieck, The German Romanticist (Princeton: Princeton University Press, 1935).
Zimmern, Helen, G. E. Lessing: His Life and Works (London: Longmans, Green and Co., 1878).
