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Cambridge Companions are lively, accessible introductions to major writers, artists, philosophers, topics and periods. All are collections of specially commissioned essays, shaped and introduced to appeal to student readers. Together the chapters add up to a systematic critical account of, for example Plato, Luther, Jane Austen, Tom Stoppard or Stravinsky, the French Novel or Jewish American Literature, and each book is supported by reference features such as a chronology and guide to further reading.Companions have colonised several fields within Humanities. The first two titles - Companions to Shakespeare and to Chaucer - were published in 1986. They were commissioned to meet a demand from students who wanted reasonably priced critical books that offered a variety of viewpoints rather than a single, idiosyncratic voice. From those beginnings we now have over 130 titles in Literature, over 60 in Philosophy and plenty more on musical, classical, religious and artistic topics. We have moved beyond single figures to offer Companions to literary and artistic genres and periods, musical instruments, and modern European cultures.Companions are designed not only to offer a comprehensive overview of their chosen topic, but to display and provoke lively and controversial debate.

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444 results in Cambridge Companions to Literature

Page 23 of 23

The Cambridge Companion to Edith Wharton
  • Edited by Millicent Bell
  • Published online:
    28 May 2006
    Print publication:
    30 June 1995
  • The Cambridge Companion to Edith Wharton offers a series of fresh examinations of Edith Wharton's fiction written both to meet the interest of the student or general reader who encounters this major American writer for the first time and to be valuable to advanced scholars looking for new insights into her creative achievement. The essays cover Wharton's most important novels as well as some of her shorter fiction, and utilise both traditional and innovative critical techniques, applying the perspectives of literary history, feminist theory, psychology or biography, sociology or anthropology, or social history. The Introduction supplies a valuable review of the history of Wharton criticism which shows how her writing has provoked varying responses from its first publication, and how current interests have emerged from earlier ones. A detailed chronology of Wharton's life and publications and a useful bibliography are also provided.

The Cambridge Companion to Herman Melville
  • Edited by Robert S. Levine
  • Published online:
    28 May 2006
    Print publication:
    13 May 1998
  • The Cambridge Companion to Herman Melville is intended to provide a critical introduction to Melville's work. The essays have been specially commissioned for this volume, and provide a comprehensive overview of Melville's career. All of Melville's key works, including Moby-Dick, Typee, White Jacket, The Tambourine in Glory and The Confidence Man, are examined, as well as most of his poetry and short fiction. Written at a level both challenging and accessible, the volume provides fresh perspectives on one of the most significant writers of nineteenth-century America whose work continues to fascinate readers and stimulate new study.

The Cambridge Companion to Mark Twain
  • Edited by Forrest G. Robinson
  • Published online:
    28 May 2006
    Print publication:
    26 May 1995
  • The Cambridge Companion to Mark Twain offers new and thought provoking essays on an author of enduring pre-eminence in the American canon. The book is a collaborative project, assembled by scholars who have played crucial roles in the recent explosion of Twain criticism. Accessible enough to interest both experienced specialists and students new to Twain criticism, the essays examine Twain from a wide variety of critical perspectives, and include timely reflections by major critics on the hotly debated dynamics of race and slavery perceptible throughout his writing.The volume includes a chronology of Twain's life and a list of suggestions for further reading, to provide the students or general reader with sources for background as well as additional information.

The Cambridge Companion to Chekhov
  • Edited by Vera Gottlieb, Paul Allain
  • Published online:
    28 May 2006
    Print publication:
    04 November 2000
  • This volume of specially commissioned essays explores the world of Anton Chekhov - one of the most important dramatists in the repertoire - and the creation, performance and interpretation of his works. The Companion, first published in 2000, begins with an examination of Chekhov's life, his Russia, and the original productions of his plays at the Moscow Art Theatre. Later film versions and adaptations of Chekhov's works are analysed, with valuable insights also offered on acting Chekhov, by Ian McKellen, and directing Chekhov, by Trevor Nunn and Leonid Heifetz. The volume also provides essays on 'special topics' such as Chekhov as writer, Chekhov and women, and the Chekhov comedies and stories. Key plays, such as The Cherry Orchard and The Seagull, receive dedicated chapters while lesser-known works and genres are also brought to light. The volume concludes with appendices of primary sources, lists of works, and a select bibliography.

Page 23 of 23