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Cambridge Companions are lively, accessible introductions to major writers, artists, philosophers, topics and periods. All are collections of specially commissioned essays, shaped and introduced to appeal to student readers. Together the chapters add up to a systematic critical account of, for example Plato, Luther, Jane Austen, Tom Stoppard or Stravinsky, the French Novel or Jewish American Literature, and each book is supported by reference features such as a chronology and guide to further reading.Companions have colonised several fields within Humanities. The first two titles - Companions to Shakespeare and to Chaucer - were published in 1986. They were commissioned to meet a demand from students who wanted reasonably priced critical books that offered a variety of viewpoints rather than a single, idiosyncratic voice. From those beginnings we now have over 130 titles in Literature, over 60 in Philosophy and plenty more on musical, classical, religious and artistic topics. We have moved beyond single figures to offer Companions to literary and artistic genres and periods, musical instruments, and modern European cultures.Companions are designed not only to offer a comprehensive overview of their chosen topic, but to display and provoke lively and controversial debate.

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443 results in Cambridge Companions to Literature

Page 17 of 23

The Cambridge Companion to Medieval Women's Writing
  • Edited by Carolyn Dinshaw, David Wallace
  • Published online:
    28 May 2006
    Print publication:
    22 May 2003
  • The Cambridge Companion to Medieval Women's Writing seeks to recover the lives and particular experiences of medieval women by concentrating on various kinds of texts: the texts they wrote themselves as well as texts that attempted to shape, limit, or expand their lives. The first section investigates the roles traditionally assigned to medieval women (as virgins, widows, and wives); it also considers female childhood and relations between women. The second section explores social spaces, including textuality itself: for every surviving medieval manuscript bespeaks collaborative effort. It considers women as authors, as anchoresses 'dead to the world', and as preachers and teachers in the world staking claims to authority without entering a pulpit. The final section considers the lives and writings of remarkable women, including Marie de France, Heloise, Joan of Arc, Julian of Norwich, Margery Kempe, and female lyricists and romancers whose names are lost, but whose texts survive.

The Cambridge Companion to Harriet Beecher Stowe
  • Edited by Cindy Weinstein
  • Published online:
    28 May 2006
    Print publication:
    15 July 2004
  • The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe's writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom's Cabin, as well as on topics of perennial interest, such as Stowe's representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe's impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe's writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe's work. The volume, which offers a comprehensive chronology of Stowe's life and a helpful guide to further reading, will be of interest to students and teachers alike.

The Cambridge Companion to English Literature, 1740–1830
  • Edited by Thomas Keymer, Jon Mee
  • Published online:
    28 May 2006
    Print publication:
    17 June 2004
  • This 2004 volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The first part of the volume focuses on broad themes including taste and aesthetics, national identity and empire, and key cultural trends such as sensibility and the gothic. The second part pays close attention to the work of individual writers including Sterne, Blake, Barbauld and Austen, and to the role of literary schools such as the Lake and Cockney schools. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism.

The Cambridge Companion to the Latin American Novel
  • Edited by Efraín Kristal
  • Published online:
    28 May 2006
    Print publication:
    26 May 2005
  • The diverse countries of Latin America have produced a lively and ever evolving tradition of novels, many of which are read in translation all over the world. This Companion offers a broad overview of the novel's history and analyses in depth several representative works by, for example, Gabriel García Márquez, Machado de Assis, Isabel Allende and Mario Vargas Llosa. The essays collected here offer several entryways into the understanding and appreciation of the Latin American novel in Spanish-speaking America and Brazil. The volume conveys a real sense of the heterogeneity of Latin American literature, highlighting regions whose cultural and geopolitical particularities are often overlooked. Indispensable to students of Latin American or Hispanic studies and those interested in comparative literature and the development of the novel as genre, the Companion features a comprehensive bibliography and chronology and concludes with an essay about the success of Latin American novels in translation.

The Cambridge Companion to Victorian and Edwardian Theatre
  • Edited by Kerry Powell
  • Published online:
    28 May 2006
    Print publication:
    19 February 2004
  • This 2004 Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre, both in its own time and on the contemporary stage. The volume opens with a brief overview and introduction surveying the theatre of the time followed by an essay contextualizing the theatre within the frame of Victorian and Edwardian culture as a whole. Succeeding chapters examine specific aspects of performance, production, and theatre, including the music, the actors, stagecraft and the audiences themselves; plays and playwriting and issues of class and gender are also explored. Chapters also deal with comedy, farce and melodrama, while other essays bring forward new topics and approaches that cross the boundaries of traditional investigation, including analysis of the economics of theatre and of the theatricality of personal identity.

The Cambridge Companion to Virginia Woolf
  • Edited by Sue Roe, Susan Sellers
  • Published online:
    28 May 2006
    Print publication:
    08 May 2000
  • Virginia Woolf is now hailed as one of the greatest, most innovative writers of our age. This landmark collection of essays by leading scholars in the field addresses the full range of her intellectual perspectives - literary, artistic, philosophical and political. The Cambridge Companion to Virginia Woolf provides original, new readings of all nine novels and fresh insight into Woolf's letters, diaries and essays allowing easy reference to individual themes and texts. The progress of Woolf's thinking is revealed from Bloomsbury aestheticism through her hatred of censorship, corruption and hierarchy to her concern with all aspects of modernism. The volume reflects the changing face of Woolf scholarship especially in the light of new feminist approaches, and explores the immense range of social and political issues behind her ongoing search for new narrative forms.

The Cambridge Companion to Kafka
  • Edited by Julian Preece
  • Published online:
    28 May 2006
    Print publication:
    21 February 2002
  • Franz Kafka's writing has had a wide-reaching influence on European literature, culture and thought. The Cambridge Companion to Kafka, offers a comprehensive account of his life and work, providing a rounded contemporary appraisal of Central Europe's most distinctive Modernist. Contributions cover all the key texts, and discuss Kafka's writing in a variety of critical contexts such as feminism, deconstruction, psycho-analysis, Marxism, Jewish studies. Other chapters discuss his impact on popular culture and film. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading, and will be of interest to students of German, European and Comparative Literature, Jewish Studies.

The Cambridge Companion to Modernism
  • Edited by Michael Levenson
  • Published online:
    28 May 2006
    Print publication:
    11 February 1999
  • In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.

The Cambridge Companion to Ibsen
  • Edited by James McFarlane
  • Published online:
    28 May 2006
    Print publication:
    25 February 1994
  • In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.

The Cambridge Companion to Harold Pinter
  • Edited by Peter Raby
  • Published online:
    28 May 2006
    Print publication:
    20 September 2001
  • The Cambridge Companion to Harold Pinter provides an introduction to one of the world's leading and most controversial writers, whose output in many genres and roles continued to grow until the author's death in 2008. Harold Pinter, winner of the 2005 Nobel Prize for Literature, produced work for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter's work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practitioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology, checklist of works and bibliography.

The Cambridge Companion to the Classic Russian Novel
  • Edited by Malcolm V. Jones, Robin Feuer Miller
  • Published online:
    28 May 2006
    Print publication:
    30 April 1998
  • Many Russian novels of the nineteenth and twentieth centuries have made a huge impact, not only inside the boundaries of their own country but across the western world. The Cambridge Companion to the Classic Russian Novel offers a thematic account of these novels, in fourteen newly-commissioned essays by prominent European and North American scholars. There are chapters on the city, the countryside, politics, satire, religion, psychology, philosophy; the romantic, realist and modernist traditions; and technique, gender and theory. In this context the work of Pushkin, Dostoevsky, Tolstoy, Turgenev, Bulgakov, Nabokov, Pasternak and Solzhenitsyn, among others, is described and discussed. There is a chronology and guide to further reading; all quotations are in English. This volume will be invaluable not only for students and scholars but for anyone interested in the Russian novel.

The Cambridge Companion to Robert Frost
  • Edited by Robert Faggen
  • Published online:
    28 May 2006
    Print publication:
    14 June 2001
  • This collection of specially-commissioned essays by experts in the field explores key dimensions of Robert Frost's poetry and life. Frost remains one of the most memorable and beguiling of modern poets. Writing in the tradition of Virgil, Milton, and Wordsworth, he transformed pastoral and georgic poetry both in subject matter and form. Mastering the rhythms of ordinary speech, Frost made country life the point from which to view the world and the complexities of human psychology. The essays in this volume enable readers to explore Frost's art and thought, from the controversies of his biography to his subtle reinvention of poetic and metric traditions and the conflicts in his thought about politics, gender, science and religion. This volume will bring fresh perspectives to the lyric, narrative and dramatic poetry of an American master, and its chronology and guide to further reading will prove valuable to scholars and students alike.

The Cambridge Companion to Sam Shepard
  • Edited by Matthew Roudané
  • Published online:
    28 May 2006
    Print publication:
    27 May 2002
  • Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and scholarly audience. In this collection of seventeen original essays, American and European authors from different professional and academic backgrounds explore the various aspects of Shepard's career - his plays, poetry, music, fiction, acting, directing and film work. The volume covers the major plays, including Curse of the Starving Class, Buried Child, and True West, as well as other lesser known but vitally important works. A thorough chronology of Shepard's life and career, together with biographical chapters, a note from the legendary Joseph Chaikin, and an interview with the playwright, give a fascinating first-hand account of an exuberant and experimental personality.

The Cambridge Companion to Henry David Thoreau
  • Edited by Joel Myerson
  • Published online:
    28 May 2006
    Print publication:
    30 June 1995
  • The Cambridge Companion to Henry David Thoreau is intended as an accessible guide to reading and understanding the works of Thoreau. Presenting essays by a distinguished array of contributors, the Companion is a valuable resource for historical and contextual material, whether on early writings like A Week on the Concord and Merrimack Rivers, on the monumental Walden, or on his assorted journals and later books. It also serves in some ways as a biographical guide, offering new insights into his turbulent publishing career, and his brief but extraordinarily original life. In short, the Companion helps the reader come to Thoreau's writings, as he would say, 'deliberately and reservedly' by suggesting how Thoreau uses language, how his biography informs his writing, how personal and historical influences shaped his career, and how his writings function as literary works.

The Cambridge Companion to Keats
  • Edited by Susan J. Wolfson
  • Published online:
    28 May 2006
    Print publication:
    30 April 2001
  • In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture; the relation of his poetry to the visual arts; the critical traditions and theoretical contexts within which Keats's life and achievements have been assessed. These specially commissioned essays examine Keats's specific poetic endeavours, his striking way with language, and his lively letters as well as his engagement with contemporary cultures and literary traditions, his place in criticism, from his day to ours, including the challenge he poses to gender criticism. The contributions are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a descriptive list of contemporary people and periodicals, a source-reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide to further reading.

The Cambridge Companion to Chaucer
  • 2nd edition
  • Edited by Piero Boitani, Jill Mann
  • Published online:
    28 May 2006
    Print publication:
    12 January 2004
  • The Cambridge Companion to Chaucer is an extensively revised version of the first edition, which has become a classic in the field. This new volume responds to the success of the first edition and to recent debates in Chaucer Studies. Important material has been updated, and new contributions have been commissioned to take into account recent trends in literary theory as well as in studies of Chaucer's works. New chapters cover the literary inheritance traceable in his works to French and Italian sources, his style, as well as new approaches to his work. Other topics covered include the social and literary scene in England in Chaucer's time, and comedy, pathos and romance in the Canterbury Tales. The volume now offers a useful chronology, and the bibliography has been entirely updated to provide an indispensable guide for today's student of Chaucer.

The Cambridge Companion to David Mamet
  • Edited by Christopher Bigsby
  • Published online:
    28 May 2006
    Print publication:
    01 July 2004
  • This collection of specially written essays offers both student and theatregoer a guide to one of the most celebrated American dramatists working today. Readers will find the general and accessible descriptions and analyses provide the perfect introduction to Mamet's work. The volume covers the full range of Mamet's writing, including now classic plays such as American Buffalo and Glengarry Glen Ross, and his more recent work, Boston Marriage, among others, as well as his films, such as The Verdict and Wag the Dog. Additional chapters also explore Mamet and acting, Mamet as director, his fiction, and a survey of Mamet criticism. The Companion to David Mamet is an introduction which will prepare the reader for future work by this important and influential writer.

The Cambridge Companion to Nineteenth-Century American Women's Writing
  • Edited by Dale M. Bauer, Philip Gould
  • Published online:
    28 May 2006
    Print publication:
    15 November 2001
  • Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading.

The Cambridge Companion to Eighteenth-Century Poetry
  • Edited by John Sitter
  • Published online:
    28 May 2006
    Print publication:
    26 March 2001
  • The Cambridge Companion to Eighteenth-Century Poetry analyzes major premises, preoccupations, and practices of English poets writing from 1700 to the 1790s. These specially-commissioned essays avoid familiar categories and single-author approaches to look at the century afresh. Chapters consider such large poetic themes as nature, the city, political passions, the relation of death to desire and dreams, appeals to an imagined future, and the meanings of 'sensibility'. Other chapters explore historical developments such as the connection between poetic couplets and conversation, the conditions of publication, changing theories of poetry and imagination, growing numbers of women poets and readers, the rise of a self-consciously national tradition, and the place of lyric poetry in thought and practice. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students.

The Cambridge Companion to Goethe
  • Edited by Lesley Sharpe
  • Published online:
    28 May 2006
    Print publication:
    02 May 2002
  • The Cambridge Companion to Goethe provides a challenging yet accessible survey of this versatile figure, not only one of the world's greatest writers but also a theatre director and art critic, a natural scientist and state administrator. The volume places Goethe in the context of the Germany and Europe of his lifetime. His literary work is covered in individual chapters on poetry, drama (with a separate chapter on Faust), prose fiction and autobiography. Other chapters deal with his work in the Weimar Theatre, his friendship with Schiller, his scientific studies and writings, his engagement with the visual arts, with religion and philosophy, the controversies surrounding his political standpoint and the impact of feminist criticism. A wide-ranging survey of reception inside and outside Germany and an extensive guide to further reading round off this volume, which will appeal to students and specialists alike.

Page 17 of 23