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Cambridge Companions are lively, accessible introductions to major writers, artists, philosophers, topics and periods. All are collections of specially commissioned essays, shaped and introduced to appeal to student readers. Together the chapters add up to a systematic critical account of, for example Plato, Luther, Jane Austen, Tom Stoppard or Stravinsky, the French Novel or Jewish American Literature, and each book is supported by reference features such as a chronology and guide to further reading.Companions have colonised several fields within Humanities. The first two titles - Companions to Shakespeare and to Chaucer - were published in 1986. They were commissioned to meet a demand from students who wanted reasonably priced critical books that offered a variety of viewpoints rather than a single, idiosyncratic voice. From those beginnings we now have over 130 titles in Literature, over 60 in Philosophy and plenty more on musical, classical, religious and artistic topics. We have moved beyond single figures to offer Companions to literary and artistic genres and periods, musical instruments, and modern European cultures.Companions are designed not only to offer a comprehensive overview of their chosen topic, but to display and provoke lively and controversial debate.

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444 results in Cambridge Companions to Literature

Page 11 of 23

The Cambridge Companion to H. D.
  • Edited by Nephie J. Christodoulides, Polina Mackay
  • Published online:
    28 November 2011
    Print publication:
    06 October 2011
  • H. D. (Hilda Doolittle) was one of the central figures in literary modernism in the 1910s. She collaborated with Ezra Pound and others and played an important role in the early development of modernist poetry. This Cambridge Companion is a critical introduction to H. D. containing essays on all her major works. The first part explores the author's initial exclusion from the canon and her subsequent reinstatement; her tendency to merge fact with fiction in her autobiographical texts; her contribution to the little magazines; her relation to modernism; her representation of gender; and her influence on later generations of writers. The second part offers close and accessible critical analyses of H. D.'s style, her poems Hymen and Trilogy, her novels HERmione and Majic Ring, her understanding of translation as literary practice and of her notion of history in Tribute to Freud and The Gift.

The Cambridge Companion to Medieval English Theatre
  • 2nd edition
  • Edited by Richard Beadle, Alan J. Fletcher
  • Published online:
    28 November 2011
    Print publication:
    10 July 2008
  • The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.

The Cambridge Companion to European Modernism
  • Edited by Pericles Lewis
  • Published online:
    28 September 2011
    Print publication:
    08 September 2011
  • Modernism arose in a period of accelerating globalization in the late nineteenth century. Modernist writers and artists, while often loyal to their country in times of war, aimed to rise above the national and ideological conflicts of the early twentieth century in service to a cosmopolitan ideal. This Companion explores the international aspects of literary modernism by mapping the history of the movement across Europe and within each country. The essays place the various literary traditions within a social and historical context and set out recent critical debates. Particular attention is given to the urban centers in which modernism developed – from Dublin to Zürich, Barcelona to Warsaw – and to the movements of modernists across national borders. A broad, accessible account of European modernism, this Companion explores what this cosmopolitan movement can teach us about life as a citizen of Europe and of the world.

The Cambridge Companion to the Literature of London
  • Lawrence Manley
  • Published online:
    28 September 2011
    Print publication:
    18 August 2011
  • London has provided the setting and inspiration for a host of literary works in English, from canonical masterpieces to the popular and ephemeral. Drawing upon a variety of methods and materials, the essays in this volume explore the London of Langland and the Peasants' Rebellion, of Shakespeare and the Elizabethan stage, of Pepys and the Restoration coffee house, of Dickens and Victorian wealth and poverty, of Conrad and the Empire, of Woolf and the wartime Blitz, of Naipaul and postcolonial immigration, and of contemporary globalism. Contributions from historians, art historians, theorists and media specialists as well as leading literary scholars exemplify current approaches to genre, gender studies, book history, performance studies and urban studies. In showing how the tradition of English literature is shaped by representations of London, this volume also illuminates the relationship between the literary imagination and the society of one of the world's greatest cities.

The Cambridge Companion to Rudyard Kipling
  • Edited by Howard J. Booth
  • Published online:
    28 September 2011
    Print publication:
    01 September 2011
  • Rudyard Kipling (1865–1936) is among the most popular, acclaimed and controversial of writers in English. His books have sold in great numbers, and he remains the youngest writer to have won the Nobel Prize in Literature. Many associate Kipling with poems such as 'If–', his novel Kim, his pioneering use of the short story form and such works for children as the Just So Stories. For others, though, Kipling is the very symbol of the British Empire and a belligerent approach to other peoples and races. This Companion explores Kipling's main themes and texts, the different genres in which he worked and the various phases of his career. It also examines the 'afterlives' of his texts in postcolonial writing and through adaptations of his work. With a chronology and guide to further reading, this book serves as a useful introduction for students of literature and of Empire and its after effects.

The Cambridge Companion to Modernism
  • 2nd edition
  • Edited by Michael Levenson
  • Published online:
    28 September 2011
    Print publication:
    15 September 2011
  • This Companion has long been a standard introduction to the field. This second edition is updated and enhanced with four new chapters, addressing the key themes being researched, taught and studied in modernism. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture.

The Cambridge Companion to Ted Hughes
  • Edited by Terry Gifford
  • Published online:
    28 July 2011
    Print publication:
    30 June 2011
  • Ted Hughes is unquestionably one of the major twentieth-century English poets. Radical and challenging, each new title produced something of a shock to British literary culture. Only now is the breadth of his literary range and cultural influence being recognised. As well as his poetry and stories, writing for children, translations and prose essays and reviews, in recent years Hughes's own letters have received great critical attention. This Companion consolidates Hughes's life, writings and reputation. International experts from a variety of literary fields here confront the key questions posed by Hughes's work. New archival evidence is provided for fresh readings of his oeuvre with close attention to language, forms and the function of myth. Featuring a chronology and guide to further reading, this book is a valuable and insightful companion for those studying and reading Hughes in the context of his role in the development of modern poetry.

The Cambridge Companion to British Literature of the French Revolution in the 1790s
  • Edited by Pamela Clemit
  • Published online:
    28 July 2011
    Print publication:
    10 February 2011
  • The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.

The Cambridge Companion to Medieval English Mysticism
  • Edited by Samuel Fanous, Vincent Gillespie
  • Published online:
    28 July 2011
    Print publication:
    12 May 2011
  • The widespread view that 'mystical' activity in the Middle Ages was a rarefied enterprise of a privileged spiritual elite has led to isolation of the medieval 'mystics' into a separate, narrowly defined category. Taking the opposite view, this book shows how individual mystical experience, such as those recorded by Julian of Norwich and Margery Kempe, is rooted in, nourished and framed by the richly distinctive spiritual contexts of the period. Arranged by sections corresponding to historical developments, it explores the primary vernacular texts, their authors, and the contexts that formed the expression and exploration of mystical experiences in medieval England. This is an excellent, insightful introduction to medieval English mystical texts, their authors, readers and communities. Featuring a guide to further reading and a chronology, the Companion offers an accessible overview for students of literature, history and theology.

The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry
  • Edited by Jane Dowson
  • Published online:
    28 May 2011
    Print publication:
    17 March 2011
  • This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well established and less familiar poets, from Edith Sitwell and Mina Loy, through Stevie Smith, Sylvia Plath and Elizabeth Jennings to Anne Stevenson, Eavan Boland and Jo Shapcott. They also include poets at the forefront of poetry trends, such as Liz Lochhead, Jackie Kay, Patience Agbabi, Caroline Bergvall, Medbh McGuckian and Carol Ann Duffy. With a chronology and guide to further reading, this book is aimed at students and poetry enthusiasts wanting to deepen their knowledge of some of the finest modern poets.

The Cambridge Companion to English Poets
  • Claude Rawson
  • Published online:
    28 May 2011
    Print publication:
    27 January 2011
  • This volume provides lively and authoritative introductions to twenty-nine of the most important British and Irish poets from Geoffrey Chaucer to Philip Larkin. The list includes, among others, Shakespeare, Donne, Milton, Wordsworth, Browning, Yeats and T. S. Eliot, and represents the tradition of English poetry at its best. Each contributor offers a new assessment of a single poet's achievement and importance, with readings of the most important poems. The essays, written by leading experts, are personal responses, written in clear, vivid language, free of academic jargon, and aim to inform, arouse interest, and deepen understanding.

The Cambridge Companion to the Sonnet
  • Edited by A. D. Cousins, Peter Howarth
  • Published online:
    28 May 2011
    Print publication:
    03 February 2011
  • Beginning with the early masters of the sonnet form, Dante and Petrarch, the Companion examines the reinvention of the sonnet across times and cultures, from Europe to America. In doing so, it considers sonnets as diverse as those by William Shakespeare, William Wordsworth, George Herbert and e. e. cummings. The chapters explore how we think of the sonnet as a 'lyric' and what is involved in actually trying to write one. The book includes a lively discussion between three distinguished contemporary poets - Paul Muldoon, Jeff Hilson and Meg Tyler - on the experience of writing a sonnet, and a chapter which traces the sonnet's diffusion across manuscript, print, screen and the internet. A fresh and authoritative overview of this major poetic form, the Companion expertly guides the reader through the sonnet's history and development into the global multimedia phenomenon it is today.

The Cambridge Companion to Twentieth-Century Russian Literature
  • Edited by Evgeny Dobrenko, Marina Balina
  • Published online:
    28 May 2011
    Print publication:
    17 February 2011
  • In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.

The Cambridge Companion to Jane Austen
  • 2nd edition
  • Edited by Edward Copeland, Juliet McMaster
  • Published online:
    28 March 2011
    Print publication:
    23 December 2010
  • Jane Austen's stock in the popular marketplace has never been higher, while academic studies continue to uncover new aspects of her engagement with her world. This fully updated edition of the acclaimed Cambridge Companion offers clear, accessible coverage of the intricacies of Austen's works in their historical context, with biographical information and suggestions for further reading. Major scholars address Austen's six novels, the letters and other works, in terms accessible to students and the many general readers, as well as to academics. With seven new essays, the Companion now covers topics that have become central to recent Austen studies, for example, gender, sociability, economics, and the increasing number of screen adaptations of the novels.

The Cambridge Companion to Arthur Miller
  • 2nd edition
  • Edited by Christopher Bigsby
  • Published online:
    28 March 2011
    Print publication:
    22 April 2010
  • Arthur Miller is regarded as one of the most important playwrights of the twentieth century, and his work continues to be widely performed and studied around the world. This updated Companion includes Miller's work since the publication of the first edition in 1997 - the plays Mr Peters' Connections, Resurrection Blues, and Finishing the Picture - and key productions of his plays since his death in 2005. The chapter on Miller and the cinema has been completely revised to include new films, and demonstrates that Miller's work remains an important source for filmmakers. In addition to detailed analyses of plays including Death of a Salesman and The Crucible, Miller's work is also placed within the context of the social and political climate of the time. The volume closes with a bibliographic essay which reviews the key studies of Miller and also contains a detailed chronology of the work of this influential dramatist.

The Cambridge Companion to Andrew Marvell
  • Edited by Derek Hirst, Steven N. Zwicker
  • Published online:
    28 March 2011
    Print publication:
    23 December 2010
  • Andrew Marvell is one of the greatest English lyric poets of the seventeenth century and one of its leading polemicists. This Companion brings a set of fresh questions and perspectives to bear on the varied career and diverse writings of a remarkable writer and elusive man. Drawing on important new editions of Marvell's poetry and of his prose, scholars of both history and literature examine Marvell's work in the contexts of Restoration politics and religion, and of the seventeenth-century publishing world in both manuscript and print. The essays, individually and collectively, address Marvell within his literary and cultural traditions and communities; his almost prescient sense of the economy and ecology of the country; his interest in visual arts and architecture; his opaque political and spiritual identities; his manners in controversy and polemic; the character of his erotic and transgressive imagination and his biography, still full of intriguing gaps.

The Cambridge Companion to Anthony Trollope
  • Edited by Carolyn Dever, Lisa Niles
  • Published online:
    28 March 2011
    Print publication:
    23 December 2010
  • Anthony Trollope was among the most prolific, popular, and richly diverse writers of the mid-Victorian period, with forty-seven novels and a variety of other writings to his name. Both a serial and series writer whose novels traversed Ireland, England, Australia and New Zealand, and genres from realism to science fiction, Trollope also published criticism, short fiction, travel writing and biography. The Cambridge Companion to Anthony Trollope provides a state-of-the-field review of critical perspectives on his work, with the volume's sixteen essays addressing Trollope's biography, autobiography, canonical fiction, short stories and travel writing, as well as surveying diverse topics including gender, sexuality, vulgarity, and the law.

The Cambridge Companion to Bede
  • Edited by Scott DeGregorio
  • Published online:
    28 January 2011
    Print publication:
    06 May 2010
  • As the major writer and thinker of the Anglo-Saxon period, the Venerable Bede is a key figure in the study of the literature and thought of this time. This Companion, written by an international team of specialists, is a key introductory guide to Bede, his writings, and his world. The first part of the volume focuses on Bede's cultural and intellectual milieu, covering his life, the secular-political contexts of his day, the foundations of the Latin learning he inherited and sought to perpetuate, the ecclesiastical and monastic setting of early Northumbria, and the foundation of his home institution, Wearmouth-Jarrow. The book then considers Bede's writing in detail, treating his educational, exegetical and historical works. Concluding with a detailed assessment of Bede's influence and reception from the time of his death up to the modern age, the Companion enables the reader to view Bede's writings within a wider cultural context.

The Cambridge Companion to Allegory
  • Edited by Rita Copeland, Peter T. Struck
  • Published online:
    28 January 2011
    Print publication:
    25 March 2010
  • Allegory is a vast subject, and its knotty history is daunting to students and even advanced scholars venturing outside their own historical specializations. This Companion will present, lucidly, systematically, and expertly, the various threads that comprise the allegorical tradition over its entire chronological range. Beginning with Greek antiquity, the volume shows how the earliest systems of allegory developed in poetry dealing with philosophy, mystical religion, and hermeneutics. Once the earliest histories and themes of the allegorical tradition have been presented, the volume turns to literary, intellectual, and cultural manifestations of allegory through the Middle Ages and Renaissance. The essays in the last section address literary and theoretical approaches to allegory in the modern era, from reactions to allegory in the eighteenth and nineteenth centuries to reevaluations of its power in the thought of the twentieth century and beyond.

The Cambridge Companion to British Romanticism
  • 2nd edition
  • Edited by Stuart Curran
  • Published online:
    28 January 2011
    Print publication:
    22 July 2010
  • This new edition of The Cambridge Companion to British Romanticism has been fully revised and updated and includes two wholly new essays, one on recent developments in the field, and one on the rapidly expanding publishing industry of this period. It also features a comprehensive chronology and a fully up-to-date guide to further reading. For the past decade and more the Companion has been a much-admired and widely-used account of the phenomenon of British Romanticism that has inspired students to look at Romantic literature from a variety of critical angles and approaches. In this new incarnation, the volume will continue to be a standard guide for students of Romantic literature and its contexts.

Page 11 of 23