Did the movements of “1968” change societies fundamentally worldwide? This article examines “1968” from the perspective of Japanese history. Japan's “1968” shared such common elements with “1968” in other countries, as the social background, development of visual media, and progress of modernization. This article investigates Japan's “1968” in light of the common background and characteristics of the movements in Japan and globally. I conclude that “1968” was a product of the resonance of unrelated phenomena throughout the world, and many evaluations of “1968” confuse the general trend of modernization with the specific influences of the movements.

This article chronicles how two commercial TV stations in Toyama Prefecture exposed deep links between politicians and the Unification Church. It discusses how a local community of investigative journalists with close ties to adherents and politicians revealed ways the church and lawmakers cooperated on electioneering and policymaking, and it analyzes how their exposés were taken up in national-level coverage. Through a self-reflexive consideration of complex relationships between broadcasters, church representatives, and elected officials in Toyama, I affirm that attending to local media is vital for understanding ways religion and politics are narrated.

Unlike the United States and elsewhere, political comedy is rarely spotlighted in Japan. Through interviews with three comedians, Hamada Taichi, Yamamoto Tenshin (The Newspaper) and Muramoto Daisuke (Woman Rush Hour), this article seeks to understand the practice, reception and standing of political humor in Japan today. What has motivated these comedians to pursue controversial routines that may have hindered their careers? How do they account for the relative lack of political satire in Japan today? The interviews provide a complex picture of media self-censorship and indirect pressure from the government – a picture that is both pessimistic and hopeful for the future of political satire in Japan. Interviews are edited for clarity.

Japan's scrappy weekly magazines, led by Shukan Bunshun, are filling the void in investigative journalism left by the mainstream media. The editor of Shukan Bunshun, Shintani Manabu, says the magazine's combative reporting is driven by commercial not ideological concerns – and its bigger rivals must learn this lesson, or risk irrelevance.

Critical media studies have long understood the role of the media in not just illuminating disputes between nations but in inflaming them. The media can be used to inform or distort the background and causes of conflict and arouse public opinion. This article surveys the potentially calamitous decline of public perceptions in China and Japan toward the other and asks if the media is a monitor of this decline or a party to it.

Recent surveys have shown that over 90% of Japanese have a negative view of China and the Chinese people. This tendency appears to have become more pronounced since the beginning of Abe Shinzō's second term as prime minister in December 2012. It also coincides with greater and greater numbers of Chinese visiting Japan as tourists and consumers. This paper investigates portrayals of the Chinese people in Japanese media to identify positive and negative representations and to see if these correlate with the results of surveys of attitudes among the general population.

This essay analyses the Japanese sword boom in popular media in the 21st century, situating Touken Ranbu, an online video game franchise, within its wider political and historical context. In the first two decades of the 21st century, government, commercial, and semi-public institutions, such as museums, extensively deployed positive depictions of Japanese swords in popular media, including anime, manga, TV, and films in public relations campaigns. As a historical ideological icon, swords have been used to signify class in the Edo period (1603-1868) and to justify the Japanese Empire's expansion into Asia during the Asia-Pacific War (1931-1945). By emphasizing the object's symbolism and aestheticism, the sword boom of the 21st century is following a similar trajectory. Popular representations of swords in media culture selectively feature historical episodes that are deemed politically uncontroversial and beneficial for promoting a sense of national pride. This practice systematically ignores the shadow of modern Japanese history in which swords played a central role, such as the controversial wartime “contest to kill one hundred people using a sword” (hyakunin giri kyoso) in China in 1937. The recent notable rise of this idealized symbolism exemplifies the mechanism through which historical revisionism—serving neo-nationalist/right-wing interests—infiltrates Japanese society through popular culture. The sword has been mobilized in contemporary Japanese media as a symbolic cultural commodity to influence consumers' knowledge and consciousness and to condition their views of modern Japanese history.

When taking up the unlearned lessons of Fukushima, one of the biggest may have been the need for more robust oversight of the nuclear industry. In Japan, the failure of the major national news media to scrutinize the industry and hold it accountable was particularly glaring. Despite their own claims to serve as watchdogs on officialdom, the major media have instead covered Japan’s powerful nuclear industry with a mix of silent complicity and outright boosterism. This is true both before and after the Fukushima disaster. In the decades after World War II, when the nuclear industry was established, media played an active role in overcoming public resistance to atomic energy and winning at least passive acceptance of it as a science-based means for Japan to secure energy autonomy.

Since the July 2022 assassination of former Prime Minister Abe Shinzo, Japan has seen a flood of media and legal responses to connections between religion and politics. However, there has been little analysis to date of how we know what we know about developments in religion, law, and politics in Japan that were precipitated by this shocking event. These articles by Saitō Masami and Ioannis Gaitanidis contribute novel inquiries into local-level journalism and lawyers’ activism through interactions by these two researchers with the people who produce media narratives and legal interpretations. This brief introduction situates their insights within readings of opponents and defenders of the Unification Church who have shaped public discourse on intersections between religion and politics since July 2022.

This article explores the global political economy of paper—particularly newsprint—during the era of decolonisation. It shows how Third World countries, the United Nations Educational, Scientific, and Cultural Organisation (UNESCO), and the Food and Agricultural Organisation (FAO) understood newsprint as an infrastructural tool for accelerating development. However, a ‘paper famine’ in the mid-1970s exposed the major structural inequalities in the global newsprint trade, catalysing experiments to develop local paper manufacturing capacity in the Third World. The article demonstrates how debates about access to newsprint were tightly bound up with arguments about global information flows and the role of the press in the developing world. In so doing, the article argues that bringing global histories of commodities and communications into conversation enriches our understanding of the media by drawing attention to the material substance by which information circulates.

This study examines biased media portrayals of refugees, focusing on the contrast between Ukrainian and MENA refugees. It proposes a “politics-media cycle of reinforcement” where political agendas influence media narratives, and vice versa. This cycle amplifies racial bias, impacting how refugees are perceived. The research employs a comparative content analysis of Western media and political rhetoric. Findings reveal a stark difference: Ukrainians are seen as deserving victims, while MENA refugees face negative stereotypes. Interviews with media professionals and analysts support these conclusions. The study exposes racialized “othering” that marginalizes specific refugee groups. It confirms a more sympathetic portrayal of Ukrainians, likely due to political and racial factors. This research highlights the need for a more balanced and empathetic approach to all refugees.

This article describes the results of the Progetto di ricerca di interesse nazionale (Research Project of National Interest [PRIN]) ‘Il brigantaggio rivisitato’ (‘“Brigantaggio” Revisited’), which investigated the practices and imagery of brigandage (and the fight against it) in modern and contemporary Italy from a Euro-Atlantic perspective. A large community of scholars, both within Italy and further afield, tackled numerous historiographical issues: forms of rural criminality in the modern age; the profile of the brigands (both male and female); their level of politicisation and relationship with the Legitimists and the Catholic Church; the reaction of the security forces and the unification movement; the evolving definition of the word ‘brigand’; the politics and military strategy of the post-unification anti-brigandry campaign; and the interaction between the local dimension and global view of banditry and irregular warfare. In-depth work was also conducted on the image of the bandits spread through visual and material culture by the media and on their performative consequences in different eras, through to their present-day reuse.