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22063 results in Cambridge Companions

Page 532 of 1104

The Cambridge Companion to Virtue Ethics
  • Edited by Daniel C. Russell
  • Published online:
    05 February 2013
    Print publication:
    14 February 2013
  • Virtue ethics has emerged from a rich history, in which both Aristotle and Aquinas have played an important role, to become one of the fastest-growing fields in contemporary ethics. In this volume of newly commissioned essays, leading moral philosophers offer a comprehensive overview of virtue ethics. They examine the theoretical structure of virtue ethics and its place in contemporary moral theory and other topics discussed include the history of virtue-based approaches to ethics, what makes these approaches distinctive, what they can say about specific practical issues and where we can expect them to go in the future. This Companion will be useful to students of virtue ethics and the history of ethics and to others who want to understand how virtue ethics is changing the face of contemporary moral philosophy.

The Cambridge Companion to Michael Tippett
  • Edited by Kenneth Gloag, Nicholas Jones
  • Published online:
    05 February 2013
    Print publication:
    17 January 2013
  • Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century, whose music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars, this Companion provides a wide ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism, tradition, politics, sexuality and creativity that shaped Tippett's music and ideas, engaging with archive materials, relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed, including opera, symphony, string quartet, concerto and piano sonata, to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership, this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer.

The Cambridge Companion to the Roman Economy
  • Edited by Walter Scheidel
  • Published online:
    05 February 2013
    Print publication:
    08 November 2012
  • This book offers readers a comprehensive and innovative introduction to the economy of the Roman Empire. Focusing on the principal determinants, features and consequences of Roman economic development and integrating additional web-based materials, it is designed as an up-to-date survey that is accessible to all audiences. Five main sections discuss theoretical approaches drawn from economics, labor regimes, the production of power and goods, various means of distribution from markets to predation, and the success and ultimate failure of the Roman economy. The book not only covers traditionally prominent features such as slavery, food production and monetization but also highlights the importance of previously neglected aspects such as the role of human capital, energy generation, rent-taking, logistics and human wellbeing, and convenes a group of five experts to debate the nature of Roman trade.

The Cambridge Companion to Theatre History
  • Edited by David Wiles, Christine Dymkowski
  • Published online:
    05 February 2013
    Print publication:
    13 December 2012
  • Scholars, amateur historians and actors have shaped theatre history in different ways at different times and in different places. This Companion offers students and general readers a series of accessible and engaging essays on the key aspects of studying and writing theatre history. The diverse international team of contributors investigates how theatre history has been constructed, showing how historical facts are tied to political and artistic agendas and explaining why history matters to us. Beginning with an introduction to the central narrative that traditionally informs our understanding of what theatre is, the book then turns to alternative points of view - from other parts of the world and from the perspective of performers in fields such as music-theatre and circus. It concludes by looking at how history is written in the 'democratic' age of the Internet and offers a new perspective on theatre history in our globalised world.

Page 532 of 1104