Touching down in a few of the many geographies of Black sound, this chapter pauses to listen in between the lines and forms of Black literary creation. Inclusive of readings of Toni Morrison, Alice Walker, Paul Beatty, Jesmyn Ward, and others, this chapter examines the penetrating collusions of the sonic and/as the literary in order to briefly mark their interreliance and to consider the conditions and futures of blackness as improvisational practice.

Chapter 13 assesses the importance of the theology and practice of the liturgy in Ratzinger’s writings and ecclesial ministry.

Chapter 11 follows Ratzinger’s development of an ecclesiology of communio, in relation to the Eucharist and with consequences in the life and organization of the Church.

Chapter 14 examines Ratzinger’s impact on the theology and practice of canon law in the Church, which has not yet received sufficient scholarly attention.

Chapter 6 elaborates on Ratzinger’s contributions to the relationship of Scripture and Tradition, especially his efforts to renew biblical hermeneutics.

This chapter explores enchantment and speculation as features of contemporary black literature, connecting earlier forms of Pan-Africanist gathering to twenty-first-century preoccupations with genre fiction and popular culture. As political critiques of racialized capitalism intensify to include queries about the fundamental assumptions of materialism, black authors in a variety of settings and genres have drawn on forms of the immaterial – religion, spirituality, magic, ghostly haunts – to ground and illuminate possibilities for black art and life. The chapter first contextualizes the historical background of contemporary black literature and then explores contemporary models of gathering or cohesion based on such radiant effects as the sound wave, the empathic transfer, and the spirit. Two novels by radically searching black writers, Erna Brodber and Octavia Butler, help ground the chapter, as both authors demonstrate the thematic and formal possibilities of nonmaterialist thinking in global black literature and culture. Brodber’s experimentation with ideas from a variety of Afro-descended religious traditions in tandem with Butler’s genre-inflected vision of apocalypse and survival present a vision of black collaboration across difference, timescape, and distance – and demonstrate a prevailing investment in the potential for black (re)gathering on the other side of, in the wake of, catastrophe.

This chapter assesses the interplay among social class and the growing centralization of African American literature in the marketplace. Since the 1980s the production of black literature has been increasingly shaped by the economic and aesthetic priorities of commercial bookselling. Contemporary African American writers have expressed their awareness of the ways that the commodification of black literary expression has both imposed limits and created new possibilities for literary art. These authors have been particularly attentive to new patterns of consumption and reception that emphasize class distinctions among consumers and genres of writing. These changes have prompted writers to rethink traditional assumptions about the social and aesthetic obligations of black middle-class writers in forging alliances with the working class. The chapter considers these shifting social relations with reference to literary works by Paul Beatty, Trey Ellis, Percival Everett, Mat Johnson, Claudia Rankine, and Colson Whitehead.

Chapter 12 discusses Ratzinger’s extensive writings on the nature of the priesthood, its theological foundations, and its mission in contemporary society.

Among the challenges to Black feminist tradition today is a gap between the visibility of intersectional disparities faced by Black women and nonbinary people, and the mobilization of this knowledge to meet problems such as economic precarity and sexual and gender discrimination. Ironically, as the rhetoric of intersectionality has become central to diversity and equity initiatives in academia and publishing, in its institutional iterations, intersectionality has moved away from earlier Black feminist commitments to dismantling systems of inequity, discrimination, and oppression. Contemporary African American literature reflects anxiety about intersectionality’s conflicted service to the individualistic values of neoliberal capitalism while recognizing it remains powerful for critiquing and refining Black feminist priorities and politics surrounding solidarity. This ambivalence is seen in the narratives discussed in this chapter, in particular, in the way they turn to intersectional logics to think through problems of transnational coalition building, gender and sexual discrimination, and economic precarity. This chapter argues that contemporary African American literature reflects anxiety about Black feminist ideas without commensurate gains in equality, safety, and freedom for Black women, providing stark representations of Black female personhood that articulate the urgency of moving beyond this impasse to face the challenges of our time.

Chapter 15 explores Ratzinger’s thoughts on eschatology as a key to understand Christian revelation and to enter into dialogue with modernity.

This chapter wrestles with the contradictory power that popular romance wields in American culture. These novels both uphold heteropatriarchal norms through their fidelity to the marriage plot, but also unsettle romance tropes as a mode of resisting pernicious stereotypes about Black love and dysfunctional families and counter ubiquitous representations of Black pain. Through a close reading of work by writers such as Sister Souljah, Terry McMillan, and Beverly Jenkins, this chapter upends the claim that Black popular romance is unimaginative and does not merit serious critical analysis as well as defies the common belief that Black popular fiction is a political wasteland. As it reimagines Black popular romance as a space of political possibility with immense cultural impact, this chapter deromanticizes the book publishing industry as a site of antiracism by uncovering the numerous hurdles that Black popular romance writers must clear before they publish novels with Black love at the center.