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Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
Cambridge Companions are a series of authoritative guides, written by leading experts, offering lively, accessible introductions to major writers, artists, philosophers, topics, and periods.
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This chapter describes the legal topics treated in the biblical collections – topics that legal historians would use in their work. They include personal status, family law, property, contract, and harms.
This chapter considers the ritual laws in the latter part of Exodus and throughout much of Leviticus and Numbers, which cover sacrificial activities, consecration of and rules for priests, permitted/forbidden foods, matters of purity, religious festivals, types of sins, the handling and disposal of blood, and vows and donations to the cult of Yahweh.
This chapter looks at potential sources that can account for the provisions in the biblical law collections such as previous legal collections, practical legal documents (e.g., contracts), and fictional court cases. Some biblical laws may have originated as stand-alone fictional court cases, akin to the Mesopotamian legal-pedagogical genre of model cases.
This Companion offers a comprehensive overview of the history, nature, and legacy of biblical law. Examining the debates that swirl around the nature of biblical law, it explores its historical context, the significance of its rules, and its influence on early Judaism and Christianity. The volume also interrogates key questions: Were the rules intended to function as ancient Israel's statutory law? Is there evidence to indicate that they served a different purpose? What is the relationship between this legal material and other parts of the Hebrew Bible? Most importantly, the book provides an in-depth look at the content of the Torah's laws, with individual essays on substantive, procedural, and ritual law. With contributions from an international team of experts, written specially for this volume, The Cambridge Companion to Law in the Hebrew Bible provides an up-to-date look at scholarship on biblical law and outlines themes and topics for future research.
What is freedom? What is equality? And what is sovereignty? A foundational text of modern political philosophy, Rousseau's Social Contract has generated much debate and exerted extraordinary influence not only on political thought, but also modern political history, by way of the French Revolution and other political events, ideals, and practices. The Social Contract is regularly studied in undergraduate courses of philosophy, political thought, and modern intellectual history, as well as being the subject of graduate seminars in numerous disciplines. The book inspires an ongoing flow of scholarly articles and monographs. Few texts have offered more influential and important answers to research questions than Rousseau's Social Contract, and in this new Cambridge Companion, a multidisciplinary team of contributors provides new ways to navigate this masterpiece of political philosophy- and its animating questions.
Sociologist and dance practitioner Christophe Apprill provides a solid historical overview of tango dance. He then explores gender relations and roles in tango by examining tango stereotypes in relation to tango dance, while opening new perspectives on contemporary dimensions of globalized tango scenes.
Link and Wendland introduce the Cambridge Companion to Music by describing the art form’s multicultural orgins and its stereotypical associations; summarize the state of tango research to date; and provide brief overviews of the twenty book chapters.
Wendland and Link discuss post–Golden Age tango by comparing the life and works of its two great pillars: Horacio Salgán (1916–2016) and Astor Piazzolla (1921–1992). They offer insight into how these tangueros traveled on two distinct paths both in the trajectory of their careers and the development of their styles, and how they shaped the next generation into the twenty-first century.
Scholar and guitarist Eric Johns traces the historical and stylistic lineage contemporary of tango guitar performance practice. He highlights two important schools of playing established by Aníbal Arias (1922–2010) and Roberto Grela (1913–1992).
Ignacio Varchausky examines tango music through its standard instrumental performance practices. He draws on the orchestral styles of two Golden Age orchestras, those of Juan D’Arienzo (1934–1975) and Aníbal Troilo (1937–1975), and illustrates with important archival recordings and scores from the tango repertory. He explains musical techniques and practices that may provide a listener with sounds of tango’s history, and how musically embodying the art form may advance one’s understanding of its culture.