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22061 results in Cambridge Companions

Page 349 of 1104

The Cambridge Companion to Saul Bellow
  • Edited by Victoria Aarons
  • Published online:
    27 January 2017
    Print publication:
    28 November 2016
  • Saul Bellow is one of the most influential figures in twentieth-century American literature. Bellow's work explores the most important cultural and social experiences of his era: the impact of the Holocaust, the urban experience of European immigrants from a Jewish perspective, the fraught failures of the Vietnam War, the ideological seductions of Marxism and Modernism, and the changing attitudes concerning gender and race. This Companion demonstrates the complexity of this formative writer by emphasizing the ways in which Bellow's works speak to the changing conditions of American identity and culture from the post-war period to the turn of the twenty-first century. Individual chapters address the major themes of Bellow's work over more than a half-century of masterfully crafted fiction, articulating some of the most significant cultural experiences of the American twentieth century. It provides a comprehensive and accessible overview of a key figure in American literature.

The Cambridge Companion to Film Music
  • Edited by Mervyn Cooke, Fiona Ford
  • Published online:
    20 January 2017
    Print publication:
    08 December 2016
  • This wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.

Page 349 of 1104