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Reconciling an underlying contradiction in the Distancing-Embracing model
Published online by Cambridge University Press: 29 November 2017
Abstract
The Distancing-Embracing model proposes that negative emotions embedded in literary works can be rewarding. This is consistent with a holistic ontology in the German Romantic tradition. However, the application of cognitive psychology to explain experiences of aesthetic pleasure is problematic because it is founded on a mechanistic Enlightenment epistemology. The appreciation of negative emotions requires cognitive elaboration and closure, whereas hedonistic reward is contingent on the reader's needs, in the moment, for pleasure or distraction.
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- Open Peer Commentary
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- Copyright © Cambridge University Press 2017
Target article
The Distancing-Embracing model of the enjoyment of negative emotions in art reception
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Author response
Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-Embracing model