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Published online by Cambridge University Press: 18 March 2013
I question both the necessity and the sufficiency of Bullot & Reber's (B&R's) aesthetic modes. I argue that they have not shown how the aesthetic modes are truly “aesthetic” – how they concern our experience of artworks as opposed to other kinds of experiences or why the modes are individually necessary for one. I suggest the causal dependence of the modes should be modified.
Target article
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation
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Author response
A psycho-historical research program for the integrative science of art