This article investigates cotton promotion policies in colonial Korea, with a focus on the role of a series of semi-governmental organizations (SGOs) in implementing colonial policies to shape farmers’ interactions with global, capitalist markets. Colonial attempts to develop the cultivation of cotton, a quintessential commodity of modern capitalism, highlight the incorporation of the Korean countryside into imperial networks of commercial commodity production and circulation. However, despite appeals to the rhetoric of capitalism and the expected response of profit-maximizing cotton cultivators, in practice colonial cotton campaigns relied on the active intervention of the colonial state to reinforce the adoption of new scientific and commercial agricultural practices. SGOs performed multiple roles in the promotion of cotton cultivation—distributing resources, defining expertise, regulating the production and sale of cotton, and attempting to change the behaviour of cotton cultivators, landlords, and even merchants in line with the colonial government’s strategic interests. As such, SGOs represent an understudied extension of the colonial state into the rural economy, which influenced the conditions under which farming households engaged in the commercial cultivation of cotton.

The first printing press landed on the western coast of India in the mid-sixteenth century. The introduction of printing technology did not immediately lead to a flourishing print culture, and the oral and scribal traditions continued to thrive for at least three more centuries. This article examines the emergence of print culture in nineteenth-century western India by surveying the literary sources in the Marathi language. It argues that the book was regarded as a sacred object in the pre-print era and reading was considered a ritualistic activity. Print, on the other hand, was seen as defiling and therefore orthodox Brahmins hesitated to embrace the technology of printing. They were also threatened by the democratizing potential of printing. As the print culture bourgeoned, the sacredness of the book declined and it turned into a profane commodity. A market for vernacular books and periodicals started emerging gradually. However, pre-modern notions of literary patronage did not wither away as authors and publishers continued to bank on state patronage.

This article explores the practice of the sport of tiger hunting among the Wodeyars, the maharajas of Mysore, through an examination of art, archival records, state gazetteers, and a tour diary of Krishnaraja Wodeyar IV. It argues that the Wodeyars only adopted the sport as an expression of kingship in the late nineteenth century, under British influence. This, I posit, was part of their larger attempt to align their kingship to more popular Indian modes, specifically the Rajputs. By reading accounts of the sport in Krishnaraja Wodeyar’s tour diary, along with examining the Wodeyars’ attempts at forging kinship relations with the Rajputs, the article demonstrates how the sport became crucial to the Wodeyars’ assertion of a Rajput identity and to attempts to obtain a higher position in the princely hierarchy of the colonial period. The recognition that the success of tiger hunts was significant to Rajput kingship and identity, along with rising concern over the diminishing tiger population, led the Wodeyars to enclose forests, establish private hunting preserves and a shikar department, and classify tiger as game in an attempt to improve the sport and make it exclusive.

In Bangladesh, many secularists pursue their political goals through cultural activism. While committed to achieving a secular, progressive, and non-communal society, they often refrain from explicitly articulating their politics due to the sensitivity of their goals. Instead, cultural performances allow them to instantiate and embody a secular ethos with transformative potential, expressed through distinct cultural genres that become recognized as secular aesthetics. While activists consider culture to be a morally superior and ‘purer’ way to promote their political aims than party politics, which they perceive as ‘dirty’ and corrupt, cultural traditions are hardly neutral ground from which to enact secular aspirations. This article explores the ethical struggles that emerge from this position to illuminate what it means to act politically while trying to avoid politics, and why people might choose comparatively elusive forms of political engagement despite their strong commitment to a cause. Attending to less tangible forms of politics encourages us to rethink the role of political messages and visibility in social movements by highlighting the significant role, as well as contradictory implications, of aesthetics, embodiment, and gestures in political action. Conversely, the elusive politics of cultural activism underlines the need to go beyond analysing national discourses to understand the contested nature of secularism in Bangladesh.

This article deliberates on the entanglements between politics and the history of food, health, and gender in Hindu middle-class households of early twentieth-century North India, through the genre of printed cookbooks in Hindi. While cookbooks became important nodes through which to construct an ideal Hindu housewife and kitchen, they were also a place where educated, middle-class women’s voices came to be heard, recorded, and published. The article shows how and why cookbooks are an important source for writing gendered social histories of the Hindu middle classes in modern India. Simultaneously, reflecting on the larger politics of food, the article focuses on the social identities embedded in these culinary texts, and the multiple meanings they embodied, as they strengthened gender, caste, and religious boundaries, constructed a past golden culinary age, upheld ayurvedic knowledge, bemoaned the present state of culinary sciences, used food to overcome the malaise of the middle classes, fashioned an ideal Hindu upper-caste palate as synonymous with a vegetarian diet, and imagined a healthy family and a strong Hindu nation through culinary idioms.

This article evaluates China’s influence on the making and unmaking of economic détente in the 1970s. Utilizing recently declassified documents in Japan, the United States, and China, this article demonstrates that Chinese officials used both diplomatic and commercial means to influence their Japanese and American counterparts to prevent them from developing economic relations with the Soviet Union. During this process, Japanese and American industrialists had to carefully weigh up their participation in governments’ geopolitical schemes when pursuing business opportunities in the two socialist countries. This cautious attitude led to shifting dynamics in economic détente and varying outcomes for development projects. Chinese activism also prompted changes in Japan and the United States when decision-makers sought to benefit from the Sino-Soviet confrontation and maximize their economic and geopolitical gains. This article, therefore, features economic détente as a dynamic, multilateral process and emphasizes that the volatile geopolitics in Northeast Asia played a crucial role in ending détente and redrew the global Cold War to carry stronger economic overtones.

How are infrastructures socially appropriated? This article uses my fortuitous presence in a rural locality in eastern India as its residents discussed proposals for its complete electrification, allowing me to reflect on social negotiations around infrastructure prior to its installation. Drawing on a detailed ethnography of electrification in a West Bengal village, I illustrate the nuanced ways in which people inflect infrastructural projects with their collective ideas of what is right and good. As far as they can see, such projects are neither the unalloyed benefit that proponents celebrate nor the unmitigated evil that opponents lament. Rather, they are evaluated in relation to people’s imagination of the collective good, to which such infrastructures may or may not be central. Drawing on the insights offered by my interlocutors as well as recent advances in the literature on the politics of infrastructures, this article interrogates the perspective that infrastructures advance governmental rationalities. Building on well-established insights that technological infrastructures are not socially neutral and that infrastructures are socially appropriated, disputed, and negotiated, this article demonstrates that people’s engagement with infrastructures politicizes, rather than governmentalizes, them.

This article investigates the cultural politics of the Beijing subway. Drawing on diverse sources, we trace the evolution of the subway over the last half-century to reveal that it transcends its fluctuating, time-specific practicalities to serve as a potent conduit through which the Chinese state consistently shapes subjecthood. The article begins with the subway’s Cold War inception as a military enterprise, spotlighting its deliberate concealment to safeguard the echelons of power and obscure both international and domestic tensions. The second section delves into the subway’s rebirth in the wake of China’s opening-up reform and rapid economic rise, as it transforms into a mobile gallery of political aesthetics that extols China’s cultural heritage and triumphs, cultivating national pride under siege from unleashed market and social forces. The final section dissects the subway’s orchestration of undesirable passengers, sculpting a socioeconomic hierarchy in the city’s commuting system. As a multifaceted prism, the Beijing subway encapsulates a range of covert and overt, pragmatic and aesthetic, and inclusive and exclusive elements in the cultural politics of Chinese infrastructure at large; and it illustrates the sustained centrality of state power in shaping individual subjectivities and defining the cultural and representational significance of Chinese infrastructure, albeit amid growing contestation.

Throughout Shanghai’s treaty-port era, divergent understandings of the extraterritorial regime and the conflicts between the foreign community’s ‘natural and lawful’ pursuit of additional space and the Chinese rights recovery movement prevented clear demarcations between the city’s foreign settlements and the Chinese sphere. Instead, these controversies produced an expansive boundary zone in the form of extra-settlement roads (ESR), a contested and negotiated space where the projection of foreign power, the exercise of extraterritorial privileges, and the fabric of local Chinese lives were all conditioned by an array of quotidian elements such as public utilities, police protection, tax duties, and urban spatial characteristics. By the 1930s, developments in local, national, and imperial politics—such as the advent of the Guomindang regime, British accommodation of Chinese nationalism, and the dwindling authority of the Shanghai Municipal Council (SMC)—prompted discussions of formal joint Sino-foreign administration of ESR areas. However, this reconfiguration met with vehement resistance from the local Japanese community, which distrusted the British-controlled SMC yet relied on the treaty port’s existing administrative framework as a shield against Chinese threats. The ascendance of mass politics in the 1930s, via Chinese public outcries against imperial encroachment and Japanese settlers’ defence of their treaty rights, challenged the traditional paradigm of boundary-making and made ESR negotiations devolve into secret diplomacy that eventually reached a dead end. Examining ESR dynamics sheds new light on the intricate interplay of national sovereignty, colonial settlement, and imperial domination, while offering a fresh perspective on the shifting power landscapes in treaty-port Shanghai.

Between 1907 and 1914, Filipino lawyer, journalist, and nationalist Vicente Sotto found in Hong Kong a sanctuary from the clutches of the Americans. The city also provided him with a space in which to explore alternative ideas for both his own development and the future of the Philippine Islands beyond the confines of pan-Asianism and anti-imperialism. Using Sotto’s experience in Hong Kong as a point of access, this article demonstrates modern Asia’s anti-imperial era as a product of transimperial ‘connectivities’ and ‘ruptures’ wherein new political affinities were forged between like-minded Asians, while interstitial imperial spaces between colony and metropole carved space for radical, yet nuanced and inconsistent, visions of national independence to materialize—at the expense of abutting empires. It serves to decentralize the role of empire, conflating instead the activities of local, colonial, and imperial actors as a singular experience that shaped modern Asia’s revolutionary decades.

On 3 August 1970, a student activist belonging to the Kakumaru-ha (Revolutionary Marxist Faction) was beaten to death by members of the rival Chūkaku-ha (Central Core Faction) at Hosei University, Tokyo. This incident sparked an intense war between Japanese New Left factions that stretched into the 1980s and resulted in dozens of deaths, making Japan a unique case among industrialized nations for its extremely high level of left-wing interfactional violence. Of particular importance in understanding the ideological factors surrounding such an escalation of violence was the debate triggered between Umemoto Katsumi, one of the intellectual founders of the Japanese New Left, and members of the Kakumaru-ha led by Kuroda Kan’ichi around the limits of political violence. This article explores the theoretical confrontation between these two opposing sides that was of such critical importance to the logic of war between Japanese New Left factions in the 1970s and 1980s.

While many commentators have noted the Bharatiya Janata Party’s more recent attempts at appropriating Gandhian imagery and symbolism, few have diverted their attention towards earlier attempts by Hindu Nationalists to do so. M. S. Golwalkar is the most prominent example of Hindu Nationalists who attempted to incorporate Gandhi into the pantheon of Hindutva (Hindu-ness). This article argues that Golwalkar reproduced Gandhian ideas as part of Hindu Nationalist thought, alongside carefully and consciously portraying himself as an ascetic politician, much like Gandhi, in the post-colonial leg of his career. He crafted a mode of Hindutva politics whereby his image as an extraordinarily able-bodied yogi became an archetype that was touted as a model for every swayamsevak to follow. Furthermore, the ideological shifts that are visible in Golwalkar’s later publications created greater room in Hindutva thought to incorporate Gandhi’s ideas and legacy into the Rashtriya Swayamsevak Sangh’s (RSS) ideological fold. Doing so allowed Golwalkar to tackle the challenges the RSS faced after Gandhi’s assassination. This article locates Golwalkar and the RSS in the shadow of the Mahatma to not only broaden the understanding of Gandhi’s legacy in post-colonial India but also to prompt a reappraisal of the nature of Hindutva itself. By exploring the Sangh’s deep appropriation of Gandhi’s ideas and legacy, one can begin to understand the malleable and flexible nature of the otherwise narrow majoritarian Hindu Nationalist project.