Volume 36 - 2004
Other
Information for Authors
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- 07 March 2019, p. v
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Editorial
Guest Editors' Preface
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- 07 March 2019, pp. xiii-xiv
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Articles
Some Implications of Local Concepts of Space in the Dance, Music, and Visual Arts of Aceh
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- 07 March 2019, pp. 1-49
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Yuebu of the Tang Dynasty: Musical Transmission from the Han to the Early Tang Dynasty
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- 07 March 2019, pp. 50-64
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Improvisation in the Music of Korean Shamans: A Case of Degeneration Based on Examples from Chindo Island1
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- 07 March 2019, pp. 65-89
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From Spirit Possession to Ritual Theatre—A Potential Scenario for the Development of Japanese Kagura
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- 07 March 2019, pp. 90-108
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Cueing Up: Situating Power on the Tahitian Stage
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- 07 March 2019, pp. 109-127
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Serenading the Ancestors: Chinese Qingming Festival in Honolulu
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- 07 March 2019, pp. 128-143
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Looking Both Ways: Gi Songs and Musical Exoticism in Post-World War II Japan
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- 07 March 2019, pp. 144-164
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Book Reviews
Gilbert Rouget,. Initiatique Vôdoun. Chants et danses initiatiques pour le culte des vôdoun au Bénin. Vol I, Images du rituel, Vol. II, Musique du rituel. Saint-Maur: Editions Sépia, 2001. Vol. I 107 pp., Vol. II 24 pp., photographs, map, music transcriptions, bibliography, discography, filmography, glossary, notes, CDs
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- 07 March 2019, pp. 165-167
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Tullia Magrini, ed. Music and Gender: Perspectives from the Mediterranean. Chicago and London: University of Chicago Press, 2003. viii, 371 pp, photographs, tables, endnotes, references, index.
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- 07 March 2019, pp. 167-171
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Sławomira Żerańska-Kominek,. The Tale of Crazy Harman: The Musician and the Concept of Music in the Türkmen Epic Tale, Harman Däli. Translated from Polish by Jerzy Ossowski. Warsaw: DIALOG Academic Publications, 1977. 305 pp., plates, bibliography, index.
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- 07 March 2019, pp. 171-175
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Bruce Johnson,. The Inaudible Music: Jazz, Gender and Australian Modernity. Foreword by Simon Frith. Sydney: Currency Press, 2000. xix, 244pp., illustrations, notes, select bibliography, index.
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- 07 March 2019, pp. 176-177
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R. Anderson Sutton. Calling Back the Spirit: Music, Dance and Cultural Politics in Lowland South Sulawesi. Oxford and New York: Oxford University Press, 2002. xxiii, 272 pp., photographs, notes, bibliographical references, index, 1 CD.
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- 07 March 2019, pp. 178-179
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Pirkko Moisala, and Beverley Diamond eds. Music and Gender. Foreword by Ellen Koskoff. Urbana and Chicago: University of Illinois Press, 2000. xiii, 376 pp., bibliographical references and index.
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- 07 March 2019, pp. 179-181
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Salwa El-Shawan Castelo-Branco, and Jorge Freitas Branco, eds. Vozes do Povo: a Folclorização em Portugal. Portugal, Oeiras: Celta Editora, 2003. xx, 669 pp., photos, maps, figures, notes, bibliography, index.
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- 07 March 2019, pp. 181-183
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Marta Ramsten, ed. The Polish Dance in Scandinavia and Poland. Stockholm: Svenskt visarkiv, 2003. 217 pp., maps, figures, musical examples, bibliographies, appendices, CD.
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- 07 March 2019, pp. 183-185
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Cross-Regional Collections
Audio Reviews
The Hidden Gate: Jewish Music Around the World. 2003. Rounder Records 116 615 083-2. Compiled, produced and annotated by Dan Rosenberg. 14 pages of notes in English, plus 33-page PDF file of expanded liner notes on disc 1. 5 colour, 44 B/W photographs. 2 compact discs, 13 and 13 tracks (65:40 and 47:26).
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- 07 March 2019, p. 186
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Africa
Audio Reviews
Bissa du Burkina Fasso: musique vocale et instrumental. 2003. Prophet Collection 32. Philips 472 502-2. Performed by villagers from Garango, Tenkodogo and Yarkatenga villages. Recorded and annotated by Charles Duvelle. 19 pages of notes in French and English. English translation by Jeremy Drake. 8 B/W photographs, 1 map. 1 compact disc, 10 tracks (59:22). Recorded in the field in March 1961.
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- 07 March 2019, p. 187
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The King's Musicians: Royalist Music of Buganda-Uganda. 2003. International Music Collection of the British Library Sound Archive. Topic TSCD925. Recorded and annotated by Peter Cooke and Klaus Wachsmann. 23 pages of notes in English. 3 colour, 5 B/W photographs, 3 cipher notations, 1 map. 6-item bibliography, 2-item discography. 1 compact disc, 15 tracks (59:42). Recorded in the field in 1949 and between 1965 and 1988.
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- 07 March 2019, pp. 187-188
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