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Tullia Magrini, ed. Music and Gender: Perspectives from the Mediterranean. Chicago and London: University of Chicago Press, 2003. viii, 371 pp, photographs, tables, endnotes, references, index.

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Tullia Magrini, ed. Music and Gender: Perspectives from the Mediterranean. Chicago and London: University of Chicago Press, 2003. viii, 371 pp, photographs, tables, endnotes, references, index.

Published online by Cambridge University Press:  07 March 2019

Katherine Hagedorn
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Type
Book Reviews
Information
Yearbook for Traditional Music , Volume 36 , 2004 , pp. 167 - 171
Copyright
Copyright © 2004 by the International Council for Traditional Music

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References

References cited

Bernstein, Jane A., ed. 2004 Women's Voices Across Musical Worlds. Boston: Northeastern University Press.Google Scholar
Calabanda, Carlos, and Calabanda, Pedro 1988 Andalucía, su comunismo y su cante jondo. Cadiz: Universidad de Cadiz.Google Scholar
Cook, Susan C., and Tsou, Judy S., eds. 1994 Cecilia Reclaimed: Feminist Perspectives on Gender and Music. Urbana: University of Illinois Press.Google Scholar
Herndon, Marcia, and Ziegler, Suzanne, eds. 1990 Music, Gender, and Culture. Wilhelmshaven: Florian Noetzel Verlag.Google Scholar
Koskoff, Ellen, ed. 1987 Women and Music in Cross-Cultural Perspective. Urbana: University of Illinois Press.Google Scholar
Peristiany, John G., ed. 1966 Honour and Shame: The Values of Mediterranean Societies. Chicago: University of Chicago Press.Google Scholar
Pitt-Rivers, Julian 1966 Honour and Social Status. In Honour and Shame: The Values of Mediterranean Societies, ed. by Peristiany, John G., 21–77. Chicago and London: University of Chicago Press.Google Scholar
Wolf, Eric R., ed. 1984 Religion, Power, Protest in Local Communities: The Northern Shore of the Mediterranean. Berlin: Mouton.CrossRefGoogle Scholar