Notes on Contributors
Notes on Contributors
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- 21 December 2021, p. 331
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Introduction
Introduction to the Special Issue on Musics of Coeval East Asia
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- 26 October 2021, pp. 333-340
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Article
Against ‘John Cage Shock’: Rethinking John Cage and the Post-war Avant-garde in Japan
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- 22 October 2021, pp. 341-362
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Colonialism, Cosmopolitanism, and Nationalism: The Performativity of Western Music Endeavours in Interwar Shanghai
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- 02 November 2021, pp. 363-393
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‘The Timpani Beats Just Hit on My Heart!’ Music, Memory, and Diplomacy in the Philadelphia Orchestra's 1973 China Tour
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- 21 December 2021, pp. 395-418
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Hybrid in Form, Socialist in Content: The Formal Politics of Chŏlga in the North Korean Revolutionary Opera Sea of Blood
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- 21 December 2021, pp. 419-445
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Transcending the Past: Singing and the Lingering Cold War in the Korean Christian Diaspora
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- 21 October 2021, pp. 447-467
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Review
Julian Johnson, After Debussy: Music, Language, and the Margins of Philosophy (New York: Oxford University Press, 2020), ISBN: 978-0-190-06682-6 (hb)
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- 21 July 2021, pp. 469-474
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Lorraine Plourde, Tokyo Listening: Sound and Sense in a Contemporary City (Middletown, CT: Wesleyan University Press, 2019), ISBN: 978-0-8195-7883-9 (hb), ISBN: 978-0-8195-7884-6 (pb), and ISBN: 978-0-8195-7885-3 (ebook).
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- 21 July 2021, pp. 475-480
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Christophe Levaux, We Have Always Been Minimalist: The Construction and Triumph of a Musical Style, trans. Rose Vekony (Oakland: University of California Press, 2020), ISBN: 978-0-520-29527-8 (pb). - Michael Maizels, In and Out of Phase: An Episodic History of Art and Music in the 1960s (Ann Arbor: University of Michigan Press, 2020), ISBN: 978-0-472-13193-8 (hb).
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- 21 December 2021, pp. 481-487
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Front Cover (OFC, IFC) and matter
TCM volume 18 issue 3 Cover and Front matter
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- 21 December 2021, pp. f1-f3
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Back Cover (IBC, OBC) and matter
TCM volume 18 issue 3 Cover and Back matter
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- 21 December 2021, p. b1
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