Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-05T15:51:09.424Z Has data issue: false hasContentIssue false

Introduction to the Special Issue on Musics of Coeval East Asia

Published online by Cambridge University Press:  26 October 2021

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Introduction
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

This work was supported by the Arts and Humanities Research Council (grant number AH/V013157/1). I am thankful to the editors Pauline Fairclough and Alejandro L. Madrid for their support.

References

Agawu, Kofi. ‘Lives in Musicology: My Life in Writings’. Acta Musicologica 93/1 (2021), 118.Google Scholar
Balibar, Etienne and Wallerstein, Immanuel. Race, Nation, Class: Ambiguous Identities. New York and London: Verso, 1991. 1728.Google Scholar
Bayly, Christian A. The Birth of the Modern World, 1780–1914: Global Connections and Comparisons. Oxford: Blackwell, 2004.Google Scholar
Bloechl, Olivia. ‘Editorial’. Eighteen-Century Music 17/2 (2020), 173–6.CrossRefGoogle Scholar
Bohlman, Philip V. ‘Introduction: World Music's Histories’, in The Cambridge History of World Music, ed. V, Philip. Bohlman. Cambridge: Cambridge University Press, 2013. 120.CrossRefGoogle Scholar
Chang, Hyun Kyong Hannah. ‘Colonial Circulations: Japan's Classroom Songbooks in Korea, 1910–1945’. Ethnomusicology Forum 27/2 (2018), 157–83.Google Scholar
Chen, Kuan-Hsing. Asia as Method: Toward Deimperialization. Durham, NC: Duke University Press, 2010.Google Scholar
Chua, Daniel. ‘President's Message: Corona Musicologica’. IMS Newsletter 7/1 (2020), 35.Google Scholar
Conrad, Sebastian. What is Global History? Princeton and Oxford: Princeton University Press, 2016.CrossRefGoogle Scholar
Eidsheim, Nina. The Race of Sound: Listening, Timbre, and Vocality in African American Music. Durham, NC: Duke University Press, 2019.CrossRefGoogle Scholar
Everett, Yayoi Uno and Lau, Frederick, eds. Locating East Asia in Western Art Music. Middletown: Wesleyan University Press, 2004.Google Scholar
Fabian, Johannes. Time and the Other: How Anthropology Makes Its Objects, reprint edn. New York: Columbia University Press, 2014.CrossRefGoogle Scholar
Harootunian, Harry. Overcome by Modernity: History, Culture, and Community in Interwar Japan. Princeton: Princeton University, 2000.Google Scholar
Hisama, Ellie M. ‘Postcolonialism on the Make: The Music of John Mellencamp, David Bowie and John Zorn’. Popular Music 12/2 (1993), 91104.CrossRefGoogle Scholar
Howard, Keith. Preserving Korean Music: Intangible Cultural Properties as Icons of Identity. Farnham: Ashgate, 2006.CrossRefGoogle Scholar
Irvine, Judith T. and Gal, Susan. ‘Language Ideology and Linguistic Differentiation’, in Regimes of Language: Ideologies, Politics, and Identities, ed. Kroskrity, Paul V.. Santa Fe, NM: School of American Research Press, 2000. 3584.Google Scholar
Killick, Andrew. In Search of Traditional Opera: Discourses of Changguk. Honolulu: University of Hawai‘i Press, 2010.CrossRefGoogle Scholar
Manabe, Noriko. ‘Globalization and Japanese Creativity: Adaptation of Japanese Language to Rap’. Ethnomusicology 50/1 (2006), 136.Google Scholar
Pilzer, Joshua D. Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese ‘Comfort Women. New York: Oxford University Press, 2012.Google Scholar
Provine, Robert C., Tokumaru, Yosihiko, and Witzleben, J. Lawrence, eds. The Garland Encyclopedia of World Music, Vol. 7, East Asia: China, Japan, and Korea. New York: Garland, 2002.Google Scholar
Rao, Nancy. Chinatown Opera Theater in North America. Champaign, IL: University of Illinois Press, 2017.Google Scholar
Rifkin, Mark. Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination. Durham, NC: Duke University Press, 2017.Google Scholar
Sakai, Naoki. ‘Theory and Asian Humanity: On the Question of Humanitas and Anthropos’. Postcolonial Studies 13/4 (2010), 441–64.CrossRefGoogle Scholar
Shih, Shu-mei. ‘Racializing Area Studies, Defetishizing China’. positions asia critique 27/1 (2019), 3365.CrossRefGoogle Scholar
Siskind, Mariano. Cosmopolitan Desires: Global Modernity and World Literature in Latin America. Evanston: Northwestern University Press, 2015.Google Scholar
Takao, Makoto Harris. ‘“In Their Own Way”: Contrafactal Practices in Japanese Christian Communities during the 16th Century’. Early Music 47/2 (2019), 183–98.CrossRefGoogle Scholar
Tochka, Nicholas. ‘To “Enlighten and Beautify”: Western Music and the Modern Project of Personhood in Albania, c. 1906–1924’. Ethnomusicology 59/3 (2015), 398420.CrossRefGoogle Scholar
Witzleben, J. Lawrence. ‘Whose Ethnomusicology? Western Ethnomusicology and the Study of Asian Music’. Ethnomusicology 41/2 (1997), 220–42.CrossRefGoogle Scholar
Yang, Hon-Lun and Saffle, Michael, eds. China and the West: Music, Representation, and Reception. Ann Arbor: University of Michigan Press, 2017.Google Scholar
Yang, Mina. ‘East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Post-Colonialism, and Multiculturalism’. Asian Music 38/1 (2007), 130.CrossRefGoogle Scholar
Zheng, Su. Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America. Oxford: Oxford University Press, 2010.Google Scholar