From the Editor
From the Editor
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. i-ii
-
- Article
- Export citation
From the Editor
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. i-iii
-
- Article
- Export citation
Articles
The Italian Mountebank and the Commedia dell'Arte
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 1-29
-
- Article
- Export citation
Medieval Representations: An Introduction
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 1-7
-
- Article
- Export citation
Henslowe's Relocation to the North: Playhouse Management in Renaissance London
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 31-47
-
- Article
- Export citation
Representations of the Resurrection at Beverley Minster Circa 1208: Chronicle, Play, Miracle
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 9-41
-
- Article
- Export citation
Putting on the Girls: Cross-Dressing as a Performative Strategy in the Twelfth-Century Latin Comedy Alda1
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 43-71
-
- Article
- Export citation
National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 49-88
-
- Article
- Export citation
Writing the Unwritten: Morris Dance and the Study of Medieval Theatre
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 73-95
-
- Article
- Export citation
“No Laughing!” Autonomous Art and the Body of the Actor in Goethe's Weimar
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 89-108
-
- Article
- Export citation
Medieval Drama as Documentation: “Real Presence” in the Croxton Conversion of Ser Jonathas the Jewe by the Myracle of the Blissed Sacrament
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 97-115
-
- Article
- Export citation
“What Really Happens Backstage”: A Nineteenth-Century Kabuki Document
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 109-128
-
- Article
- Export citation
The Voice Teacher as Shakespearean Collaborator: Margaret Carrington and John Barrymore
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 129-158
-
- Article
- Export citation
The Corpus Christi Procession in Medieval York: A Symbolic Struggle in Public Space
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 117-138
-
- Article
- Export citation
Re:Sources
Forthcoming: The Roger L. Stevens Collection at the Library of Congress
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 159-161
-
- Article
- Export citation
Articles
Emotion Memory and the Medieval Performance of Violence
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 139-162
-
- Article
- Export citation
Re:Sources
The Robert L.B. Tobin Collection of Theatre Arts, McNay Art Museum
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 163-168
-
- Article
- Export citation
Book Reviews
Performance and Cultural Politics. Edited by Elin Diamond. New York, London: Routledge, 1996; pp. 282 + index. $69.95 hardcover, $19.95 paper.
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 163-165
-
- Article
- Export citation
Theatre Culture in America 1825–1860. By Rosemarie K. Bank, Cambridge: Cambridge University Press, 1997; pp. xii + 292. $59.95 hardcover.
-
- Published online by Cambridge University Press:
- 07 July 2009, pp. 165-168
-
- Article
- Export citation
Re:Sources
CANTUS: A Database of Indices to Medieval Chants
-
- Published online by Cambridge University Press:
- 07 July 2009, p. 169
-
- Article
- Export citation