Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Suzan-Lori Parks: Essays on the Plays and Other Works. Edited by Philip C. Kolin. Jefferson, NC: McFarland, 2010; pp. 219. $39.95 paper.
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- 05 April 2012, pp. 157-159
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Hardy vs. Pinero: Two Stage Versions of Far From the Madding Crowd
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- 21 October 2010, pp. 23-43
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A Performance between Wood and the World: Ludwig II of Bavaria's Queer Swans
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- 25 April 2018, pp. 221-248
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Quo Vadis, Performance History?
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- 01 November 2004, pp. 271-274
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The Plastic People of the Universe and Utopian Performance in Tom Stoppard's Rock ‘n’ Roll
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- 10 August 2016, pp. 358-379
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Alfred Radok's Contribution to Post-War Czech Theatre
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- 07 July 2009, pp. 213-228
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THE HOMOSEXUAL THEATRE MOVEMENT IN THE WEIMAR REPUBLIC
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- 09 May 2008, pp. 5-35
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Theatre of Sound: Radio and the Drama of the Imagination. By Dermot Rattigan. Dublin: Carysfort Press, 2003; pp. 384. $27.95 paper.
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- 01 May 2004, pp. 139-140
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THE PHILOSOPHER AND THE TWO PLAYWRIGHTS: SOCRATES, AGATHON, AND ARISTOPHANES IN PLATO'S SYMPOSIUM
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- 23 October 2008, pp. 239-252
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Performing Democracy: International Perspectives on Urban Community-Based Performance. Edited by Susan C. Haedicke and Tobin Nellhaus. Ann Arbor: University of Michigan Press, 2001; pp. ix + 340. $24.50 paper.
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- 03 February 2004, pp. 280-282
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A SERIOUS JOY: ASTR FROM 1981 TO 2006
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- 25 April 2007, pp. 27-76
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Theatre Collections at Special Collections & Archives, George Mason University Libraries
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- 03 February 2004, pp. 263-270
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The Avant-Garde and the Challenges of Resisting Parochialism
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- 12 September 2006, pp. 277-282
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Kinesthetic Empathy in Creative and Cultural Practices. Edited by Dee Reynolds and Matthew Reason. Bristol, UK: Intellect Ltd., 2012; pp. 224. $43 paper.
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- 11 April 2014, pp. 264-266
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MARKETING THE VOICE: OPERA, FILM, AND THE CASE OF ROBERT ALTMAN
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- 18 October 2010, pp. 191-224
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The Circus and Victorian Society. By Brenda Assael. Charlottesville: University of Virginia Press, 2005; pp. xiii+237, 34 illus. $35.00 cloth.
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- 25 April 2007, pp. 194-196
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Defending the Standard Contract: Unmeasured Work, Class, and Design Professionalism in United Scenic Artists Local 829
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- 12 March 2020, pp. 231-251
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Shattered Applause: The Lives of Eva Le Gallienne. By Robert A. Schanke. Carbondale, IL: Southern Illinois University Press, 1992; pp. 319. Illustrations. $39.95 hardcover.
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- 07 July 2009, pp. 122-124
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Torquemada in the Theatre: A Glance at Government Censorship
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- 07 July 2009, pp. 33-45
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“So Unfemininely Masculine”: Discourse, True/False Womanhood, and the American Career of Fanny Kemble
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- 07 July 2009, pp. 27-42
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